Slovakia is issuing a postage stamp of the magnificent domed synagogue in Trenčín, which was reconsecrated in November 2025 after a €2 million-plus restoration that brought back original colors and decorative design of the spectacular interior.
The official inauguration of the stamp is April 10, with a ceremony in the synagogue itself. The stamp coincides with Trenčín’s role as 2026 European Capital of Culture.
The restored building is used for Jewish worship and also cultural and educations purposes as a “Space for Dialogue and Understanding,” with a permanent exhibition on local Jewish history installed in the sanctuary.

The €3.80 Slovak Post stamp also honors the Slovak Jewish Heritage Route, which links more than 30 important Jewish heritage sites around the country. The Route is a member of the European Routes of Jewish Heritage.
A special postmark notes both the synagogue and the Route. For collectors, there is also a first day cover and collection sheet.
(National postal services in several countries over the years have issued stamps honoring synagogues, among them Greece, Serbia, Romania, and Hungary.)
Listed as a national cultural monument, the Trenčín synagogue was built in 1913 to replace a wooden synagogue from the 18th century. Designed by the architect Richard Scheibner and his collaborator Hugo Pál, it mixes Byzantine and Art Nouveau styles with a modern reinforced concrete dome construction and is an example of early modernist trends that aimed to reduce decoration while preserving monumental classical forms.

“The history of the building reflects the tragedies of the past century,” Slovak Jewish heritage expert Maros Borsky, who founded the Slovak Jewish Heritage Route and is the director of the Jewish community museum in Bratislava, wrote in the post office’s description of the stamp.
. After the Holocaust and the restoration of the damaged building, it was re-consecrated in 1948 with memorial plaques to the victims. During the Communist regime, it was expropriated by the state and served as a fabric warehouse. In the 1970s and 80s, the building underwent restoration as a monument. The interior was whitewashed and religious symbols were removed from the façade. It was used as an exhibition hall. After 1989, the process of restitution, the restoration of buildings and the revival of the Jewish community began.


