The opening of an exhibition of virtual reconstructions of synagogues destroyed by the Nazis.
It is mounted at the the NS Documentation Center in cooperation with the Technical University of Darmstadt.
The exhibition “Synagogues in Germany – A Virtual Reconstruction” runs from from June 11th to September 19th.
The TU Darmstadt has been working on the virtual reconstruction of synagogues that were destroyed in Germany for 25 years. The initial spark for this long-term project was the attack by neo-Nazis on the synagogue in Lübeck in 1994. In 2019, an attack was carried out on the synagogue there in Halle. With this project, the TU Darmstadt shows the cultural loss, the importance of synagogues in the cityscape and the beauty of the architecture.
The exhibition also shows synagogues that were built in Germany after 1945.
“House of Eternity: Jewish cemeteries in the Central European cultural area 2004–2021.”
A photo documentation by Berlin-based Marcel-Th. and Klaus Jacobs.
The 45 black and white photos in the exhibition, featuring Jewish cemeteries in Germany, Poland, Ukraine, and Czech Republic, were taken with an analog Leica camera.
The exhibition was made possible by donations from the Circle of Friends for the Preservation of the Jewish Cemeteries in Central Europe.
Further information abut the project is available at: www.jüdische-friedhöfe.de
More than 1,000 fragments of Jewish headstones that the Communist authorities removed in the 1960s from the Jewish cemetery on Zagorska Street and used to build a railway station platform will be exhibited to the public.
Excavations have been going on for six months to recover them, and they will eventually used to create a memorial.
At 5 pm, at the Muzeum Cafe Jerozolima, there will be a presentation about the history of the cemetery.
Opening of the exhibition Hideouts. The Architecture of Survival — showcasing the work of the architect, artist, and researcher Natalia Romik about the places where Jews hid during the Holocaust.
The exhibition will run until July 17, Tuesday-Sunday, 12-8 pm.
This workshop explores spatial aspects of the experiences of German-Jews during 1930s, in Germany and in transit. In highlighting the convoluted relations between place and identity—and the essential influence of these relations on the history of emotions, thoughts and culture—the workshop focuses on the spaces that shaped German-Jewish self-perceptions in the face of National Socialism. While the workshop discusses specific locations, it also examines the concepts of space and place as analytical tools to enhance the historical understanding of Jewish life under Nazi rule and Jewish responses to Nazi persecution. In so doing, the workshop seeks to scrutinize and complicate recent trends in the study of German-Jewish history.
The Keynote Lecture will be given by Professor Marion Kaplan, a renowned researcher of German-Jewish history in modern times and one of the first to address questions of place and space in the experience of German Jews under Nazism.
Organisers: David Jünger (Universität Rostock), Ofer Ashkenazi (The Richard Koebner Minerva Center for German History), Björn Siegel (Institut für die Geschichte der deutschen Juden) und Katrin Steffen (Sussex Weidenfeld Institut of Jewish Studies)
This workshop takes place IN PERSON. To comply with current regulations to contain the Covid-19 pandemic, please register in advance by contacting Dr. David Jünger (david.juenger@uni-rostock.de).
PROGRAM
Thursday, 12 May
12:30–13:00
Introduction
13:00–15:00
1. Creating Spaces of Memory
Gerald Lamprecht (Graz)
Entangled Memories. Jewish and non-Jewish Discourses on the Great War in Interwar Austria
Katrin Steffen (Brighton)
East German-Jewish Spaces in Berlin. Jewish Heritage Societies (Heimatvereine) and their diasporic milieu in the 1930ies
Joachim Schlör (Southampton)
Brückenallee 33, Berlin
15:30-17:30
2. Being In-Between
David Jünger (Rostock)
From Myth to Reality. German Jews Discover Palestine (1933–1938)
Charlie Knight (Southampton)
Mapping your coordinates. Space and Transnationality in Refugee Correspondence
Björn Siegel (Hamburg/Graz)
Ships to Nowhere. A Maritime Space and Its Relevance to Decode Jewish Refugees’ experiences in the 1930s
18:00-19:30
Keynote Lecture
Marion Kaplan (New York)
The Emotional Dissonance of Spaces. German Jewish Refugees in Portugal
Hörsaal 218, Universitätshauptgebäude, Universitätsplatz 1
Friday 13 May
09:00-11:30
3. Vanishing Jewish Spaces
Guy Miron (Jerusalem)
Synagogues, Cemeteries, Sports facilities. Jewish spaces and places in Nazi Germany
Teresa Walch (Greensboro)
Rendering Germany ‘judenrein’: Space, Ideology, and German Jews in the 1930s
Kim Wünschmann (Hamburg)
Filming the destruction of the Munich Main Synagogue in June 1938. A spatial history-approach to the reading of visual sources
Miriam Rürup (Potsdam)
Dejudaization before Deportation. The removal of Jewish traces in urban topographies of German cities
12:00-14:00
4. Visualizing Jewish Spaces
Robert Mueller-Stahl (Potsdam)
Capturing crisis. German-Jewish private travel photography between the Weimar Republic and Nazism
Sarah Wobick-Segev (Hamburg)
Being and Not Being in Time and Place
Ofer Aschkenazi (Tel Aviv)
The Displacement of the Ordinary. The German-Jewish Home in Photography Narratives of Emigration
14:15-15:30
Round table: Final Discussion
with Sandwich lunch
This workshop explores spatial aspects of the experiences of German-Jews during 1930s, in Germany and in transit. In highlighting the convoluted relations between place and identity—and the essential influence of these relations on the history of emotions, thoughts and culture—the workshop focuses on the spaces that shaped German-Jewish self-perceptions in the face of National Socialism. While the workshop discusses specific locations, it also examines the concepts of space and place as analytical tools to enhance the historical understanding of Jewish life under Nazi rule and Jewish responses to Nazi persecution. In so doing, the workshop seeks to scrutinize and complicate recent trends in the study of German-Jewish history.
The Keynote Lecture will be given by Professor Marion Kaplan, a renowned researcher of German-Jewish history in modern times and one of the first to address questions of place and space in the experience of German Jews under Nazism.
Organisers: David Jünger (Universität Rostock), Ofer Ashkenazi (The Richard Koebner Minerva Center for German History), Björn Siegel (Institut für die Geschichte der deutschen Juden) und Katrin Steffen (Sussex Weidenfeld Institut of Jewish Studies)
This workshop takes place IN PERSON. To comply with current regulations to contain the Covid-19 pandemic, please register in advance by contacting Dr. David Jünger (david.juenger@uni-rostock.de).
PROGRAM
Thursday, 12 May
12:30–13:00
Introduction
13:00–15:00
1. Creating Spaces of Memory
Gerald Lamprecht (Graz)
Entangled Memories. Jewish and non-Jewish Discourses on the Great War in Interwar Austria
Katrin Steffen (Brighton)
East German-Jewish Spaces in Berlin. Jewish Heritage Societies (Heimatvereine) and their diasporic milieu in the 1930ies
Joachim Schlör (Southampton)
Brückenallee 33, Berlin
15:30-17:30
2. Being In-Between
David Jünger (Rostock)
From Myth to Reality. German Jews Discover Palestine (1933–1938)
Charlie Knight (Southampton)
Mapping your coordinates. Space and Transnationality in Refugee Correspondence
Björn Siegel (Hamburg/Graz)
Ships to Nowhere. A Maritime Space and Its Relevance to Decode Jewish Refugees’ experiences in the 1930s
18:00-19:30
Keynote Lecture
Marion Kaplan (New York)
The Emotional Dissonance of Spaces. German Jewish Refugees in Portugal
Hörsaal 218, Universitätshauptgebäude, Universitätsplatz 1
Friday 13 May
09:00-11:30
3. Vanishing Jewish Spaces
Guy Miron (Jerusalem)
Synagogues, Cemeteries, Sports facilities. Jewish spaces and places in Nazi Germany
Teresa Walch (Greensboro)
Rendering Germany ‘judenrein’: Space, Ideology, and German Jews in the 1930s
Kim Wünschmann (Hamburg)
Filming the destruction of the Munich Main Synagogue in June 1938. A spatial history-approach to the reading of visual sources
Miriam Rürup (Potsdam)
Dejudaization before Deportation. The removal of Jewish traces in urban topographies of German cities
12:00-14:00
4. Visualizing Jewish Spaces
Robert Mueller-Stahl (Potsdam)
Capturing crisis. German-Jewish private travel photography between the Weimar Republic and Nazism
Sarah Wobick-Segev (Hamburg)
Being and Not Being in Time and Place
Ofer Aschkenazi (Tel Aviv)
The Displacement of the Ordinary. The German-Jewish Home in Photography Narratives of Emigration
14:15-15:30
Round table: Final Discussion
with Sandwich lunch
The multi-day event “Mapping Memories” revolves around the violently suppressed traces of Frankfurt’s Judengasse from public space. At its center is a pop-up exhibition in the Museum Judengasse with archaeological finds from the time of Europe’s oldest Jewish ghetto; also an artistic intervention in the current form of the historic site.
The exhibition, with archaeological finds that were recovered from Börneplatz – formerly the southern part of the Judengasse ghetto – in 1987, will be held in the atrium of the Museum Judengasse.
It opens at 18:00 on April 13 — to attend, register with anmeldung@metahubfrankfurt.de
The exhibition is a cooperation with the Archaeological Museum Frankfurt.
It shows archaeological finds that were recovered in 1987 at Börneplatz, at the place where they were found at the time. It presents ongoing research and new insights into the everyday culture of Jews in early modern Frankfurt. The archaeological finds come both from the cellars of the Judengasse and from ditches for water supply and disposal.
In 2020, we were privileged to host an online exhibition of work by the Warsaw-based papercut artist Monika Krajewska. The pieces were drawn from her extraordinary cycle of papercuts called “Burning,” a commemoration of the physical destruction of the Shoah.
This fall, from October 4 to December 18, Krajewska’s Burning cycle will be exhibited at the POLIN Museum of the History of Polish Jews in Warsaw.
The exhibit consists of 31 works in which the artist refers to the objects related to synagogue cult and transfers them to the traditional Jewish paper-cutting technique, painstakingly recreating the symbolism and ornamentation of Jewish art from East-Central Europe—stylised floral decoration, symbolic representations of animals, a repertoire of traditional sacred Judaic symbols (a menorah, Torah and the Tablets of Law, the Temple) and calligraphic quotations from religious texts and prayers.
In order to introduce reflection on loss and destruction, the artist subjects her painstaking work to destruction: she tears apart sections of the works after cutting them out and burns the ends of the sheets. She uses tinted paper as a background for the cut-outs, incorporating the motif of fire, ashes and ruins. In the representations, she incorporates quotations from religious texts or classics of modern Jewish literature, in which there are references to flames and destruction, as well as to the hope of salvation.
On December 11-12, the Liberation Route Europe Foundation is organizing a memory project conference titled “When Memory Meets Dialogue – Role of Remembrance Sites and Contemporary Challenges” in Krakow, Poland. This event, in partnership with Oscar Schindler’s Enamel Factory, a branch of the Museum of Krakow, is part of the EU-funded European Days of Jewish Culture (EDJC) 2023, coordinated by the AEPJ.
The conference agenda encompasses sessions focusing on Jewish and WWII heritage. Discussions will revolve around memory transmission and the contemporary significance of remembrance sites. The primary goal is to offer a meaningful platform for idea exchange, nurture cross-cultural understanding, and stimulate international discourse on historical memory and contemporary challenges. As part of the programme, participants can also explore guided tours and historical city walks in Krakow.
“Burning,” an exhibition of paper cuts by Monika Krajewska, is now being shown in Radom, following an exhibit at the POLIN museum in Warsaw. We were privileged to host an online exhibition of some of her works in 2020.
The exhibit consists of 31 works in which the artist, using traditional Jewish paper-cutting technique, refers to objects related to the synagogue, painstakingly recreating the symbolism and ornamentation of Jewish art from East-Central Europe—stylised floral decoration, symbolic representations of animals, a repertoire of traditional sacred Jewish symbols (a menorah, Torah and the Tablets of Law, the Temple) and calligraphic quotations from religious texts and prayers.
In order to introduce reflection on loss and destruction, Krajewska subjects her painstaking work to destruction: she tears apart sections of the works after cutting them out and burns the ends of the sheets. She uses tinted paper as a background for the cut-outs, incorporating the motif of fire, ashes and ruins. And she incorporates quotations from religious texts or classics of modern Jewish literature, in which there are references to flames and destruction, as well as to the hope of salvation.
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