The opening of a photo exhibition by Rudolf Klein that presents a brief survey of synagogues converted into museums and galleries in Hungary, Austria, Bosnia‐Herzegovina, Czech Republic, Poland, Romania, Serbia and Slovakia. The exhibit runs until January 16, 2020.
The opening includes talks (in English) by Klein, Polish researcher Natalia Romik, and Professor Thomas Gergely.
Prior registration is required. Click here
The event is organized in collaboration with the Great Synagogue of Europe, the Balassi Institute, the Polish Institute and the Austrian Cultural Forum.
A one-day Conference to Launch POLIN: Studies in Polish-Jewry
Vol. 32: ‘Jewish Musicians and Jewish Music-Making in Polish Lands’
Organized by the Institute for Polish-Jewish Studies, and the Institute of Jewish Studies, UCL.
Co-organized and supported by the Embassy of the Republic of Poland, and the Polish Cultural Institute, London, with the support of Ślipaczek Chartered Financial Planners
The astounding variety of music of all genres and styles produced by musicians of Jewish heritage in Europe since 1750 has been examined almost entirely in the context of German-speaking Europe or in studies of a group of composers who strongly self-identified as Jews.
In five thematic sections, this multi-disciplinary volume presents rich coverage of the main genres produced by musicians of Jewish origin in the Polish lands: Cantorial and Religious Music, Jews in Polish Popular Culture, Jews in the Polish classical music scene, The Holocaust reflected in Jewish music, and Klezmer in Poland today. This volume explores the activities and great creativity of musicians of the ‘Mosaic persuasion’, covering the area of the Polish-Lithunanian Commonwealth and its successor states from 1750 to the present.
The conference will look at Cantorial Music, Jews and Polish popular culture, and Klezmer in Poland today. And there will be music!
‘POLIN Vol. 32’ is published by the Littman Library of Jewish Civilisation/Liverpool University Press.
Volume Editors: François Guesnet, Benjamin Matis, and Antony Polonsky.
Dr Sofiya Dyak, Nikita Kadan and Professor Philippe Sands discuss the evolution of the practices of Holocaust remembrance and its public discourse in Ukraine: How are these tragic events remembered across different communities and why? How to deal with histories of lands subjected to multiple occupations and mass murder across communities? How to write a historic narrative for the country, which is still in a state of war?
This event is part of Holocaust Memorial Day.
Dr Sofiya Dyak is the Director of the Lviv Centre of Urban History, a private institution which initiated a number of important initiatives commemorating Jewish community presence in Lviv in partnership with Lviv’s municipality, including the Space of Synagogues memorial. In 2017, the centre hosted the “Un-named” project, reflecting on mass violence in Ukraine between 1931 and 1945. The project included visual work by Nikita Kadan, Ukraine’s contemporary artist. Similarly, Professor Philippe Sands traced his family history back to Lviv, with the city becoming the focus of much of his literary work and intellectual reflection.
And exhibition of photographs by Eva Maria Kraiss.
The exhibition is presented as part of the Week of Brotherhood 2020.
The opening is March 1 at 4 p.m. It will be open daily except Monday, from 2 – 6 p.m., and on Sundays also from 11 a.m. – 1 p.m.
See more details in the poster below:
Opening of the Polish-German exhibition “Over the river. History of Jews on the Odra River,” co-organized by the Museum of the Lubusz Land and the German Cultural Forum of Central and Eastern Europe in Potsdam.
The exhibition is devoted to selected aspects of Jewish history on both sides of the Oder River — a borderland area that changed nationality for centuries, and which was a meeting place for the culture of German Jews and the culture of Polish Jews.
From the organizers:
In the nineteenth century, a growing wave of nationalism and anti-Semitism began to threaten the cultural diversity [of the region] and eventually it was destroyed by Nazism. After World War II, the border between Poland and Germany was marked on the Oder and Nysa Łużycka. After the expulsion and displacement of the German population, these lands became a new homeland for Poles. For a short time it seemed that Polish Jews survived the Holocaust survivors in Lower Silesia and Pomerania. Initially, tens of thousands of them settled here, but most of them left the area by the end of the 1960s. Over time, the thousand-year absence of Jews on the Oder fell into oblivion, and its traces blurred or were destroyed. The exhibition tries to save from oblivion and recall these traces.
The exhibition will continue until April 26, 2020.
Join curator Hester Abrams for a tour that brings to life the stories of women who made their mark in science, medicine, government, the High Street and the arts, from Rosalind Franklin to H Samuel.
More than 1,000 fragments of Jewish headstones that the Communist authorities removed in the 1960s from the Jewish cemetery on Zagorska Street and used to build a railway station platform will be exhibited to the public.
Excavations have been going on for six months to recover them, and they will eventually used to create a memorial.
At 5 pm, at the Muzeum Cafe Jerozolima, there will be a presentation about the history of the cemetery.
The exhibition focuses on the archaeological findings that demonstrate a Jewish presence in what is now Turkey that goes back more than 2,500 years.
The exhibit includes photos, diagrams, information panels, a 3D reconstruction, and a video that document archaeological finds including inscriptions, gravestones, and the remains of ancient synagogues.
European Humanities University (EHU) and the Center for Belarusian Community and Culture in Vilnius will host a premiere presentation of “Extermination” — an audiovisual installation about the Great Synagogue of Grodno, which was constructed in the 16th century and was rebuilt many times after devastating fires.
Kseniya Shtalenkova (lecturer in the Academic Department of Humanities and Arts at EHU, Philosophy PhD candidate) is the project curator and Viktoryia Bahdanovich (fourth-year student of the BA program in Visual Design) is the project production designer and executive producer.
The “Extermination” audiovisual installation is a monologue on the history of the place as well as an individual experience of a person in time and space.
The installation has been created as a part of the project on “Preservation and Actualization of Former Synagogues in Belarus for the Benefit of Local Communities” by Stsiapan Stureika, Professor of Humanities and Arts at EHU. Project research conducted for the work on the installation was conducted with the participation of EHU students.
The presentation will be delivered in Russian with subtitles in English.
Register by November 26.
Click here to register on Zoom (or for in-person attendance)
The event will be also streamed online via EHU’s Facebook page.
NOTE: you can attend the event physically at the Belarusian House (Vilniaus g. 20) by pre-registration at the same link to register on Zoom
Opening of the exhibition Hideouts. The Architecture of Survival — showcasing the work of the architect, artist, and researcher Natalia Romik about the places where Jews hid during the Holocaust.
The exhibition will run until July 17, Tuesday-Sunday, 12-8 pm.
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