The history of the Jewish ghetto of Florence, which existed in the city between the sixteenth and nineteenth centuries, is an exhibition organized by the Uffizi Galleries and arranged in the Gallery of Modern Art of Pitti Palace. Curated by Piergabriele Mancuso, Alice S. Legé and Sefy Hendler (The Medici Archive Project), the exhibition can be visited until January 28, 2024.
The ghetto of Florence was established in 1570 by Cosimo I and Carlo Pitti, and was demolished between 1892 and 1895. For almost three centuries the ghetto was the gravity point of Hebraism in Florence.
Subdivided into five sections,the exhibition draws from the extraordinary cultural heritage of Florence as well as from important international loans. It reveals a significant and forgotten chapter of the Medici’s political strategy in a centuries-old context of conflicts, diplomacy and cultural exchanges.
The exhibition starts with the Florence of Cosimo the Elder and Lorenzo the Magnificent; illuminated manuscripts commissioned by Jewish and Medici patrons, which was the result of the interaction between Jewish scribes and Christian artists of the early Tuscan Renaissance; loans from the Jewish Theological Seminary of New York and many Italian libraries. Republican and Medicean imagery intertwine in the depiction of paradigmatic biblical figures, “Jewish heroes” such as Donatello’s bronze David (on loan from the Berlin Museums), or Joseph from the series of tapestries woven in Flanders for Cosimo I. The exhibition places mythical figures alongside real ones, revealing little-known pieces of the history of Florentine Judaism, such as the activity of the explorer Moisè Vita Cafsuto or that of the Jewish painter Jona Ostiglio, whose pantings were all commissioned by the Medici court, together with the self-portrait of Isaia or David Tedesco, a little-known author who was probably a pupil of Ostiglio in the first ever art workshop inside an Italian ghetto.
A place of segregation, but also the fulcrum of an important human, cultural and spiritual microcosm, the ghetto of Florence is also reconstructed through a three-dimensional model, the result of a decade of research conducted by the Eugene Grant Jewish History Program of The Medici Archive Project.
Caring about the multiplicity of audiences and the need to break down prejudices and stereotypes, the exhibition investigates the way in which the history of the Grand Duchy is intertwined with that of the Jewish minority, finally shedding light on the events of an important and so far little known chapter of the Renaissance Florence.
A photographic exhibit highlighting the Sephardic Jewish presence in Bucharest, curated by Felicia Waldman and Anca Tudorancea.
Photos depict synagogues, Jewish communal buildings, private buildings, and shops, etc, as well as personalities such as professionals, doctors, merchants, artisans, doctors, cultural figures, etc.
The latest edition of the exhibit Neviditelné Synagogy — Invisible Synagogues, photographs by Štěpán Bartoš.
Bartoš photographs the blank spaces in the Czech Republic where destroyed synagogues once stood and adds a ghostly silhouette of the destroyed synagogue to the exhibition photos of the places where they once stood.
On the Invisible Synagogues project web site (which is in German and Czech) you can see galleries of his photos, without the added silhouette, arranged according to region. They include sites in big cities, small towns, and tiny villages; there are fields and rural spaces as well as modern buildings, crowded city streets, and even artificial lakes.
Read our November 2021 post about his Invisible Synagogues project.
Guided tour of the Jewish Museum Lecce and the ancient Jewish district, with Fabrizio Ghio (architect and archaeologist, member of the Scientific Committee of the Jewish Museum Lecce), Fabrizio Lelli, director of the Jewish Museum Lecce and professor of Hebrew language and literature at the Sapienza University (Rome), and Claudio Fano, direct witness of the racial laws and the Jews deportation from the Ghetto of Rome on October 16th 1943.
Free admission, reservation required.
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Book launch of “Zohar: A Photographic Journey through the Places of Italian Jewish Culture,” with the author Francesco Maria Colombo, Ferruccio de Bortoli, President of the Shoah Memorial Foundation, and Sandro Parmiggiani, editor of the book.
The book is under the patronage of the Foundation for Jewish Cultural Heritage in Italy and is enriched by contributions from Sandro Parmiggiani, Adachiara Zevi, Alberto Manguel, and Dario Disegni.
Free admission with reservation.
Jewish cemetery clean-up, organised by the oPŘISe, z. s. NGO
Work will entail removal of ivy from gravestones and other necessary activities. Bring your own tools (sickles, scissors, machetes). Men need to wear head covering. Refreshments will be provided.
After many decades, the synagogue and rabbinical house in Žatec will be ceremonially opened. Both monuments have undergone complete reconstruction in recent years and will now serve as a museum and cultural space.
The celebrations will include performances by the Žatec Occasional Choir and the Camerata children’s choir at the ZUŠ in Žatec.
Long empty and in deteriorating condition, the synagogue and rabbi’s house were bought in 2013 by Daniel Černý, who from 2019 oversaw a full-scale renovation of the buildings that was completed in 2022. Most of the €2 million costs of the project were covered with grants from the state and the EU.
The rescue and restoration of the synagogue won the Patrimonium pro futuro Award in the Monument Protection category.
NOTE: The program on March 22 will begin at 5 p.m.
After many decades, the synagogue and rabbinical house in Žatec will be ceremonially opened. Both monuments have undergone complete reconstruction in recent years and will now serve as a museum and cultural space.
The celebrations will include performances by the Žatec Occasional Choir and the Camerata children’s choir at the ZUŠ in Žatec.
Long empty and in deteriorating condition, the synagogue and rabbi’s house were bought in 2013 by Daniel Černý, who from 2019 oversaw a full-scale renovation of the buildings that was completed in 2022. Most of the €2 million costs of the project were covered with grants from the state and the EU.
The rescue and restoration of the synagogue won the Patrimonium pro futuro Award in the Monument Protection category.
NOTE: The program on March 22 will begin at 5 p.m.
The exhibit showcases Italian Jewish experience in the 20th century, beginning with the destruction of the ghettos at the end of the 19th century, through the Shoah, and up until almost the present day.
It includes contemporary artworks; photographs from public and private archives; historical documents, and family objects.
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