Dr. Pieter Vlaardingerbroek will present an illustrated talk live from Amsterdam on the architecture and interior of the 1675 Portuguese Synagogue (the Esnoga) in Amsterdam and the synagogue’s direct influence on the architecture of the 1763 Touro Synagogue in Newport, Rhode Island.
Pieter Vlaardingerbroek, Ph.D., is a leading expert on Dutch architecture and material culture. He is an architectural historian for the City of Amsterdam, having served in a similar position for the Cultural Heritage Agency of the Netherlands. He is an Assistant Professor of Architectural History and Conservation at the University of Utrecht. Professor Vlaardingerbroek is the author of many articles and books and served as editor for the definitive volume on the Portuguese Sephardic synagogue, The Portuguese Synagogue in Amsterdam, published by the City of Amsterdam in 2013.
There is no fee to participate, but reservations are required to receive the Zoom login information.
The annual “Open Jewish Houses/Houses of Resistance” commemorative program takes place in a score of towns and cities around the Netherlands.
Storytellers, visitors and residents share stories in houses where Jews or members of the resistance lived and worked before, during and just after the Second World War.
Inauguration of the restored synagogue on the island of Kos.
A new Ark and Bimah and other interior furnishings have been installed and — after decades out of its original use — the building will be rededicated as an active house of Jewish worship.
The Kos synagogue was built in the mid-1930s to replace an older synagogue that was destroyed in an earthquake in April 1933. It was abandoned after the near-total destruction of the circa 120 member Jewish community during the Holocaust, and then was purchased by the Municipality around 1984 and used as a local cultural centre.
Presenting a selection of nearly 150 pieces from various sources, this photographic exhibition recreates the history of Salonika (today Thessaloniki) Greece from the second half of the 19th century to the end of the First World War. Men and women are captured in their traditional costumes: modest artisans, porters, traders, members of the local “aristocracy;” society is revealed. Urban modernization is also shown: the quays and the White Tower, cafes, restaurants and entertainment venues; the Countryside sector where the notables established their residence; deprived areas, where emerging industries were established.
But also, in the now Greek city, the great fire of August 1917, an authentic trauma for the Jews who saw their historic neighborhoods, the municipal archives and more than thirty synagogues swept away by the flames, before the geopolitical upheavals caused by the First War worldwide.
The Centre for Religion and Heritage of the University of Groningen will host a half-day public symposium to launch the Bloomsbury Handbook of Religion and Heritage in Contemporary Europe. This event will also inaugurate a new European project on minority religious heritage.
The event takes place in person and also online. Click HERE to register
The organizers state:
The Handbook provides a state-of-the-art guide by leading international scholars, policy makers and heritage practitioners. With 46 chapters, we cannot address all the contributions, thus we have chosen to concentrate on those which examine how religious communities are using their rich heritage to make new meanings for themselves in Europe. Our focus will be on Jewish, Muslim and Christian heritage. We want to think together about the challenges facing these communities, as they grapple with being Jewish or Muslim minorities in a historically Christian landscape, or with being a minority of practicing Christians in the highly secularized society, such as that of Northern Netherlands. Reflecting on these questions together with our Handbook authors will aid the start of a new project in the Erasmus Plus program called European Pathways to Minority Religious Heritage (Miretage). Over three years we are exploring how minority religious heritage can be taught as a co-creative activity between heritage institutions, creative organizations and minority communities. On hand to participate in the symposium are partners from Storytelling Center Amsterdam, Autonomous University of Barcelona, Moslim Archief Rotterdam, KU Leuven, Future for Religious
Click here to see the program for the January 23 event
An exhibition of art-enhanced photographs by Dmytro Polyukhovich based on the carvings on the centuries-old matzevot in the Jewish cemetery in Sataniv (which unfortunately has suffered extensive damage in recent years by a self-appointed Haredi man claiming to restore it).
The images for the exhibition focus on specific details of the carved iconography, which combines religious tradition with folk art — floral motifs, animals (and imaginary animals), symbols, religious allegories, and more.
To create the exhibition pieces, Polyukovich manipulated his original photos of the matzevot in Adobe Photoshop, cutting away everything except for the specific detail of the carving that he wanted to highlight and then adding color.
NOTE: The exhibition will be open every Wednesday and every Sunday from 10:00 a.m. to 7:00 p.m. It is also possible to organize group tours every Tuesday, Thursday and Sunday.
The new Dutch National Holocaust Museum will be officially opened March 10 by King Willem-Alexander at a ceremony attended by the prime minister and other VIPs. The king will also give a speech at a gathering in the nearby Portuguese Synagogue.
The museum then opens to the public on March 11, from 10 am-5 pm (almost) daily.
The museum tells the story of the Nazi persecution and murder of the Jews of the Netherlands.
This is the first and only museum to relate the history of the persecution of the Jews of the entire Netherlands. Including the day-to-day life of Jews on the eve of the Second World War, the liberation as Jews experienced it, and how the Holocaust has been treated in our national culture of remembrance: all this is examined in the museum.
The Museum is part of the Jewish Cultural Quarter in Amsterdam. Germany and Austria have contributed financially to the establishment of the museum.
(Photo: © Thijs Wolzak/National Holocaust Museum)
A multimedia exhibition by the artist, architect and historian Natalia Romik dedicated to the creativity of Polish Jews seeking to survive the Shoah in hiding.
In Poland and Ukraine during World War II, approximately 50,000 people survived persecution by the German occupying forces in hiding. The majority of them were Jewish. They found refuge in tree hollows, closets, basements, sewers, empty graves, and other precarious locations. Natalia Romik’s exhibition “Hideouts. The Architecture of Survival” pays tribute to these fragile places of refuge and explores their physicality. The show poses basic questions about the relationship between architecture, private life, and the public sphere: it addresses the protective function of spaces and emphasizes the creativity those in hiding brought to bear in their attempt to survive.
In a research project extending over several years, Natalia Romik and an interdisciplinary team of researchers consulted oral histories to identify several hiding places, which they explored using forensic methods. The multimedia exhibition “Hideouts. The Architecture of Survival” presents the results of this research. It consists of sculptures bearing a direct connection to the sites and includes documentary films, forensic recordings, photos, documents, and objects found in the hiding places.
“Hideouts: The Architecture of Survival” is presented in cooperation with the Zachęta National Gallery of Art in Warsaw and the TRAFO Center for Contemporary Art in Szczecin. On the occasion of the show at the Jewish Museum Frankfurt, a catalogue will be published in German and English editions by Hatje Cantz Verlag.
The exhibition was curated by Kuba Szreder and Stanisław Ruksza with the help of Aleksandra Janus (scientific collaboration). For the presentation in Frankfurt, Katja Janitschek, curator of the Judengasse Museum, was responsible for the curatorial project management. We would like to thank the Evonik Foundation for their generous support.
The new Dutch National Holocaust Museum will be officially opened March 10 by King Willem-Alexander at a ceremony attended by the prime minister and other VIPs. The king will also give a speech at a gathering in the nearby Portuguese Synagogue.
The museum then opens to the public on March 11, from 10 am-5 pm (almost) daily.
The museum tells the story of the Nazi persecution and murder of the Jews of the Netherlands.
This is the first and only museum to relate the history of the persecution of the Jews of the entire Netherlands. Including the day-to-day life of Jews on the eve of the Second World War, the liberation as Jews experienced it, and how the Holocaust has been treated in our national culture of remembrance: all this is examined in the museum.
The Museum is part of the Jewish Cultural Quarter in Amsterdam. Germany and Austria have contributed financially to the establishment of the museum.
(Photo: © Thijs Wolzak/National Holocaust Museum)
The International Conference on Cemetery Studies, organized by the Harokopio University in collaboration with the University of York, will take place from 18 to 20 April 2024 at the Harokopio University in Athens, Greece.
The event will bring together a wide spread of academics, presenting their latest research findings concerning various aspects of cemeteries (end of 18th century onwards), including history, art and culture, anthropology, geography, social studies, and cemetery tourism.
The conference fee is 30 euros (15 euros for doctoral students). The fee includes a light lunch, refreshments, and a guided tour in the historical cemetery of Athens.
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