Dr Sofiya Dyak, Nikita Kadan and Professor Philippe Sands discuss the evolution of the practices of Holocaust remembrance and its public discourse in Ukraine: How are these tragic events remembered across different communities and why? How to deal with histories of lands subjected to multiple occupations and mass murder across communities? How to write a historic narrative for the country, which is still in a state of war?
This event is part of Holocaust Memorial Day.
Dr Sofiya Dyak is the Director of the Lviv Centre of Urban History, a private institution which initiated a number of important initiatives commemorating Jewish community presence in Lviv in partnership with Lviv’s municipality, including the Space of Synagogues memorial. In 2017, the centre hosted the “Un-named” project, reflecting on mass violence in Ukraine between 1931 and 1945. The project included visual work by Nikita Kadan, Ukraine’s contemporary artist. Similarly, Professor Philippe Sands traced his family history back to Lviv, with the city becoming the focus of much of his literary work and intellectual reflection.
A local theatre organizes a walking tour of Jewish history and heritage in Gorizia, including the synagogue, former ghetto — and the Jewish cemetery, across the border in Slovenia. Participants will wear headphones and as they walk will hear a dramatized presentation keyed to places they are seeing, which will tell stories of people and their experiences linked to the city’s Jewish history.
Participants must reserve, and they also must wear face masks and follow social distancing measures.
On Sunday, October 25 — there will also be a tour at 10 a.m.
A local theatre organizes a walking tour of Jewish history and heritage in Gorizia, including the synagogue, former ghetto — and the Jewish cemetery, across the border in Slovenia. Participants will wear headphones and as they walk will hear a dramatized presentation keyed to places they are seeing, which will tell stories of people and their experiences linked to the city’s Jewish history.
Participants must reserve, and they also must wear face masks and follow social distancing measures.
On Sunday, October 25 — there will also be a tour at 10 a.m.
The outdoor exhibition on the life and work of Lipót Baumhorn and the Jewish community in Murska Sobota, was designed by art historian Agnes Ivett Oszko — it is a traveling exhibition dedicated especially to the cities where a Baumhorn-designed synagogue stands or stood in the past. It was curated within the Rediscover project, and content was adjusted to reflect Baumhorn’s presence in Murska Sobota.
The exhibition includes a three-dimensional reconstruction of the Murska Sobota synagogue, designed by Baumhorn but demolished in 1954.
https://www.visitmurskasobota.si/novica/prva-v-nizu-ulicnih-razstav-na-slovenski-ulici/
A gathering of Lithuanian Jews and descendants, which includes an academic conference, a cultural fest, guided tours to Jewish heritage in several towns and cities around the country — Vilnius, Kaunas, Panevėžys, Šeduva, Pakruojis — and more.
Click here to see the full program
Pre-registration is required by filling out the following form:
A special exhibit marking the 20th anniversary of the underground complex designed by the architect Martin Kvasnica containing remnants of Bratislava’s Old Jewish Cemetery, which was destroyed in 1944, — 23 graves surrounding the Chatam Sofer’s tomb.
Rabbi Moshe Schreiber, known as the Chatam Sofer (or Chasam Sofer), was a renowned rabbi and scholar who was born in Frankfurt am Main on 26 September 1762 (7 Tishrei 5523).
Open
Friday 10:00 – 16:00
Sunday 10:00 – 16:00
An exhibition of art-enhanced photographs by Dmytro Polyukhovich based on the carvings on the centuries-old matzevot in the Jewish cemetery in Sataniv (which unfortunately has suffered extensive damage in recent years by a self-appointed Haredi man claiming to restore it).
The images for the exhibition focus on specific details of the carved iconography, which combines religious tradition with folk art — floral motifs, animals (and imaginary animals), symbols, religious allegories, and more.
To create the exhibition pieces, Polyukovich manipulated his original photos of the matzevot in Adobe Photoshop, cutting away everything except for the specific detail of the carving that he wanted to highlight and then adding color.
NOTE: The exhibition will be open every Wednesday and every Sunday from 10:00 a.m. to 7:00 p.m. It is also possible to organize group tours every Tuesday, Thursday and Sunday.
A multimedia exhibition by the artist, architect and historian Natalia Romik dedicated to the creativity of Polish Jews seeking to survive the Shoah in hiding.
In Poland and Ukraine during World War II, approximately 50,000 people survived persecution by the German occupying forces in hiding. The majority of them were Jewish. They found refuge in tree hollows, closets, basements, sewers, empty graves, and other precarious locations. Natalia Romik’s exhibition “Hideouts. The Architecture of Survival” pays tribute to these fragile places of refuge and explores their physicality. The show poses basic questions about the relationship between architecture, private life, and the public sphere: it addresses the protective function of spaces and emphasizes the creativity those in hiding brought to bear in their attempt to survive.
In a research project extending over several years, Natalia Romik and an interdisciplinary team of researchers consulted oral histories to identify several hiding places, which they explored using forensic methods. The multimedia exhibition “Hideouts. The Architecture of Survival” presents the results of this research. It consists of sculptures bearing a direct connection to the sites and includes documentary films, forensic recordings, photos, documents, and objects found in the hiding places.
“Hideouts: The Architecture of Survival” is presented in cooperation with the Zachęta National Gallery of Art in Warsaw and the TRAFO Center for Contemporary Art in Szczecin. On the occasion of the show at the Jewish Museum Frankfurt, a catalogue will be published in German and English editions by Hatje Cantz Verlag.
The exhibition was curated by Kuba Szreder and Stanisław Ruksza with the help of Aleksandra Janus (scientific collaboration). For the presentation in Frankfurt, Katja Janitschek, curator of the Judengasse Museum, was responsible for the curatorial project management. We would like to thank the Evonik Foundation for their generous support.
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