Opening of the exhibition Hideouts. The Architecture of Survival — showcasing the work of the architect, artist, and researcher Natalia Romik about the places where Jews hid during the Holocaust.
The exhibition will run until July 17, Tuesday-Sunday, 12-8 pm.
A gathering of Lithuanian Jews and descendants, which includes an academic conference, a cultural fest, guided tours to Jewish heritage in several towns and cities around the country — Vilnius, Kaunas, Panevėžys, Šeduva, Pakruojis — and more.
Click here to see the full program
Pre-registration is required by filling out the following form:
Bridging Divides. Rupture and Continuity in Polish Jewish History
In Honor of the 80th anniversary of the “Aktion Reinhard” and the 75th anniversary of the Jewish Historical Institute
Watch the conference on YouTube:
Opening ceremony: https://youtu.be/J3Hx6eh6cng
Day 2: https://youtu.be/D29zQRijkqM
Day 3: https://youtu.be/Xyonp03JUfk
Closing discussion: https://youtu.be/Gk0pqyRJIo0
PROGRAM
MONDAY, May 23rd
Opening – 17:00 CET
Welcome – Glenn Dynner, Monika Krawczyk, Katarzyna Person
Opening keynote – Samuel Kassow
TUESDAY, May 24th
Session 1 – 9:00 – 10:30 CET
Evolving Traditions: Polish Jewish Spirituality Chair and Respondent: Glenn Dynner
Alison B. Curry (University of North Carolina at Chapel Hill)
The Last Honor: Jewish Ritual and the Cemetery in the Warsaw Region Between the Interwar Period and the Second World War
Samuel Glauber-Zimra (Ben-Gurion University of the Negev)
The Séance in Polish Jewish Life: A Case Study of Rupture and Continuity
Gabriella Licskó (Ben-Gurion University of the Negev)
Alexander Hasidism before and after the Holocaust
Session 2 – 10:45 – 12:15 CET
Women in Polish Jewish Religious Life Chair and Respondent: Daniel Reiser
Tzipora Weinberg (New York University)
Still Small Voices: Female Prevalence in Polish Rabbinic Literature, 1900-1945
Elly Moseson (YIVO Institute for Jewish Research)
Mar’in bishin: The Sexual Nightmare of Eastern European Jewish Women
Glenn Dynner (Sarah Lawrence College)
The Polish Hasidah: Beyond Masculine Definitions of Hasidism Partners: Part of the program:
Session 3 – 13:15 – 14:45 CET
Polish Jewry in Literature and Film Chair and Respondent: Karolina Szymaniak
Daniel Bouskila (Yeshiva University)
Asonovski, Szibucz and Buczacz: SY Agnon’s Theological Meditations on the Plight of Eastern European Jewry
Sarah Ellen Zarrow (Western Washington University)
Jewish Life in Poland as Documented on Film: Continuities and Ruptures
Aleksandra Kremer (Harvard University)
Holocaust Poems in Polish-Language Journals before 1950
Session 4 – 15:00 – 16:00 CET
Panel on Archives and Museums Chair and Respondent: Stephen Naron
Jonathan Brent (Executive Director of the YIVO Institute for Jewish Research)
The oldest Jewish archival institution
Monika Krawczyk (Director of the Emanuel Ringelblum Jewish Historical Institute)
Jewish Historical Institute in Warsaw: ‘Mother’ of All Jewish Museums in Poland
Albert Stankowski (Director of the Warsaw Ghetto Museum)
Challenges for New Warsaw Ghetto Museum
Zygmunt Stępiński (Director of POLIN Museum of the History of Polish Jews)
POLIN Museum – Shrine for History of Polish Jews
16:15 CET – Guided tour of the Jewish Historical Institute’s permanent exhibition: What we were unable to shout out to the world
19:30 CET – Screening of Who Will Write Our History in Kino Muranów
WEDNESDAY, May 25th
Session 1 – 9:00 – 11:00 CET
Writing the Polish Jewish Self Chair and Respondent: Francois Guesnet
Maria Ferenc (Jewish Historical Institute) Partners: Part of the program:
Life and what comes after. Study of biography and memory of Mordechai Anielewicz as a challenge to historiographical divides
Yaron Nir Freisager (The Hebrew University of Jerusalem)
Josef Zelkowicz and the Circle of Intellectuals in the Lodz Ghetto
Lidia Zessin-Jurek (Czech Academy of Sciences)
“Three times a refugee” – exile as a leading motif in the memoirs of Polish Jews
Ula Madej-Krupitski (McGill University)
Polish Jewish émigrés and the ‘old country’
Session 2 – 10:45 – 12:45 CET
Reframing Antisemitism and the Holocaust Chair and Respondent: Katarzyna Person
Ania Switzer (University of British Columbia)
Antisemitism as a cultural code in Poland
Jan Burzlaff (Harvard University)
Surviving as a Social Process
Alicja Podbielska (Yale University)
“Our feelings toward Jews have not changed”: Polish underground press on help and rescue
Lea Ganor (Bar-Ilan University)
Life Stories of Holocaust Survivors with Polish and European roots who served as Air Crew Members in the Israeli Air Force
Session 3 – 13:45 – 14:45 CET
Polish Jewish Philanthropic Networks Chair and Respondent: Anna Cichopek-Gajraj
Karolina Kołpak (Yale University)
The history of the Warsaw Kolonie Letnie Society, 1882-1939
Samir Saadi (University of Warsaw)
The HIAS in Poland in the II Republic and after the Holocaust (until 1949): comparative approach
Dikla Yogev (University of Toronto)
The Bais Yaakov Network – A Case Study of the Multiple Dimensions of Orthodox Community
Session 4 – 15:00 – 16:15 CET
Presentation on Jewish Historical Institute’s resources Chair and respondent: Andrzej Żbikowski Partners: Part of the program: Library – Marzena Zawanowska
Heritage Documentation Department – Alicja Mroczkowska
Archive – Michał Czajka
Art Department – Michał Krasicki
16:30 CET – Keynote by Naomi Seidman
19:00 CET – Zisl Slepovitch Ensemble outdoor concert in Krasiński Garden
The Songs from Testimonies project collects and records songs and poems discovered in the accounts found in the Fortunoff Video Archive for Holocaust Testimonies. The musician-in-residence, Zisl Slepovitch, took the songs, conducted research about their origins, then arranged and recorded versions with his ensemble, featuring Sashe Lurje.
The performers:
Joshua Camp – accordion, piano, additional vocals
Dmitry Ishenko – contrabass, additional vocals
Craig Judelman – violin, additional vocals
Sasha Lurje – leading vocals
D. Zisl Slepovitch – composer, clarinet, vocals
THURSDAY, May 26th
Guided tour of Jewish Warsaw – 9:00 CET
The overwhelming presence of the Warsaw Ghetto
Guide: Olga Szymańska, Education Department
Closing of the Conference – 11:30 CET
Concluding Remarks and State of the Field discussion
The conference starts on the 12th of September at 18:00 at German Historical Institute and ends on the 14th of September at 16:30 in POLIN – Museum of the History of Polish Jews.
The synagogues that remained standing after World War II have facedan uncertain destiny. As abandoned buildings,they were susceptible to decay quickly and, as former buildings of worship, for legal, cultural and architectural reasons, posed a great challenge in terms of their reuse. Consequently, many synagogues simply fell into ruins, some were turned into secular buildings of various purposes, and few could have been used as houses of prayer again.
In postwar Europe, synagogue architecture was culturally categorized as an element of Jewish heritage that appeared to be isolated from the common heritage of a city or town – wherever a synagogue stood.
At first, synagogues were not considered a shared but a distinct patrimony of a place. A shift in such a state of affairs could have been observed in the last three decades that witnessed a ‘rediscovery’ of synagogues. Though one can still find abandoned synagogues in small towns, in most of the bigger municipalities, these buildings were ‘rediscovered’ as a part of local history and culture and thus became part of the common heritage. In many regions of Europe, the ‘rediscovery’ of the former synagogues led to their restoration and opening to the public, and in rare cases, to their reuse by Jewish communities.
The aim of the conference is a historicization of the processes of rediscovery in the recent past.
In 2020, we were privileged to host an online exhibition of work by the Warsaw-based papercut artist Monika Krajewska. The pieces were drawn from her extraordinary cycle of papercuts called “Burning,” a commemoration of the physical destruction of the Shoah.
This fall, from October 4 to December 18, Krajewska’s Burning cycle will be exhibited at the POLIN Museum of the History of Polish Jews in Warsaw.
The exhibit consists of 31 works in which the artist refers to the objects related to synagogue cult and transfers them to the traditional Jewish paper-cutting technique, painstakingly recreating the symbolism and ornamentation of Jewish art from East-Central Europe—stylised floral decoration, symbolic representations of animals, a repertoire of traditional sacred Judaic symbols (a menorah, Torah and the Tablets of Law, the Temple) and calligraphic quotations from religious texts and prayers.
In order to introduce reflection on loss and destruction, the artist subjects her painstaking work to destruction: she tears apart sections of the works after cutting them out and burns the ends of the sheets. She uses tinted paper as a background for the cut-outs, incorporating the motif of fire, ashes and ruins. In the representations, she incorporates quotations from religious texts or classics of modern Jewish literature, in which there are references to flames and destruction, as well as to the hope of salvation.
Conference on the role of Jewish culture and history in contemporary Europe.
The congress’ program consists of sessions, discussions and workshops aimed at exchanging good practices, discussing perspectives and challenges related to the protection and popularization of Jewish cultural heritage. Below we present the framework program of the main panel.
Click here to see details and program
On December 11-12, the Liberation Route Europe Foundation is organizing a memory project conference titled “When Memory Meets Dialogue – Role of Remembrance Sites and Contemporary Challenges” in Krakow, Poland. This event, in partnership with Oscar Schindler’s Enamel Factory, a branch of the Museum of Krakow, is part of the EU-funded European Days of Jewish Culture (EDJC) 2023, coordinated by the AEPJ.
The conference agenda encompasses sessions focusing on Jewish and WWII heritage. Discussions will revolve around memory transmission and the contemporary significance of remembrance sites. The primary goal is to offer a meaningful platform for idea exchange, nurture cross-cultural understanding, and stimulate international discourse on historical memory and contemporary challenges. As part of the programme, participants can also explore guided tours and historical city walks in Krakow.
“Burning,” an exhibition of paper cuts by Monika Krajewska, is now being shown in Radom, following an exhibit at the POLIN museum in Warsaw. We were privileged to host an online exhibition of some of her works in 2020.
The exhibit consists of 31 works in which the artist, using traditional Jewish paper-cutting technique, refers to objects related to the synagogue, painstakingly recreating the symbolism and ornamentation of Jewish art from East-Central Europe—stylised floral decoration, symbolic representations of animals, a repertoire of traditional sacred Jewish symbols (a menorah, Torah and the Tablets of Law, the Temple) and calligraphic quotations from religious texts and prayers.
In order to introduce reflection on loss and destruction, Krajewska subjects her painstaking work to destruction: she tears apart sections of the works after cutting them out and burns the ends of the sheets. She uses tinted paper as a background for the cut-outs, incorporating the motif of fire, ashes and ruins. And she incorporates quotations from religious texts or classics of modern Jewish literature, in which there are references to flames and destruction, as well as to the hope of salvation.
A multimedia exhibition by the artist, architect and historian Natalia Romik dedicated to the creativity of Polish Jews seeking to survive the Shoah in hiding.
In Poland and Ukraine during World War II, approximately 50,000 people survived persecution by the German occupying forces in hiding. The majority of them were Jewish. They found refuge in tree hollows, closets, basements, sewers, empty graves, and other precarious locations. Natalia Romik’s exhibition “Hideouts. The Architecture of Survival” pays tribute to these fragile places of refuge and explores their physicality. The show poses basic questions about the relationship between architecture, private life, and the public sphere: it addresses the protective function of spaces and emphasizes the creativity those in hiding brought to bear in their attempt to survive.
In a research project extending over several years, Natalia Romik and an interdisciplinary team of researchers consulted oral histories to identify several hiding places, which they explored using forensic methods. The multimedia exhibition “Hideouts. The Architecture of Survival” presents the results of this research. It consists of sculptures bearing a direct connection to the sites and includes documentary films, forensic recordings, photos, documents, and objects found in the hiding places.
“Hideouts: The Architecture of Survival” is presented in cooperation with the Zachęta National Gallery of Art in Warsaw and the TRAFO Center for Contemporary Art in Szczecin. On the occasion of the show at the Jewish Museum Frankfurt, a catalogue will be published in German and English editions by Hatje Cantz Verlag.
The exhibition was curated by Kuba Szreder and Stanisław Ruksza with the help of Aleksandra Janus (scientific collaboration). For the presentation in Frankfurt, Katja Janitschek, curator of the Judengasse Museum, was responsible for the curatorial project management. We would like to thank the Evonik Foundation for their generous support.
An exhibition about Jewish cemeteries, prepared by the Galicia Jewish Museum.
In many places throughout Poland, Jewish cemeteries or what remains of them are the only visible sign of the centuries-long presence of Jewish communities in a given area. The exhibition “Houses of Eternity” is a reflection on what Jewish cemeteries mean to us today and an attempt to find an answer to the question of what we can learn from them. Its aim is to introduce the topic of Jewish cemeteries to the widest possible audience, help understand how important an element of cultural heritage the preserved Jewish cemeteries are and answer a number of questions related to cemeteries in the context of Jewish history and tradition.
The opening is at 1 p.m., April 2
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