Opening of an exhibition (running April 7-June 30, 2022) of objects found in the genizas in former synagogues in eastern Bohemia, with a particular focus on the synagogue in Luze.
The exhibition grows out of a geniza research project initiated by the Prague Jewish Museum in the 1990s.
The official reopening ceremony of the Great synagogue in Plzen, Czech Republic, following a three-year restoration of the synagogue interior and nearby Rabbi’s house. A permanent exhibition on Jewish monuments in the Pilsen region will be opened, in the women’s gallery. It is based on the photographs of Radovan Kodera.
A procession will bring a Torah scroll from the Old to the Great Synagogue and ceremoniously place it in the ark.
Following will be a ceremonial program with speeches by the Culture Minister, the head of the tiny local Jewish community, and others. A concert will feature compositions inspired by Jewish prayers, adapted for the occasion.
Baden bei Wien – Baden by Vienna – was long a popular spa and summer guests were originally attracted by the glamorous presence of the Imperial Court.
Many of these families who spent their summers in Baden had Jewish roots. They built villas in a variety of styles – historicist, art nouveau and modernist – a fascinating mixture and shaped summer life in Baden until 1938.
This exhibition is dedicated to ten families and their villas.
Click here for an interactive map with the villas
A gathering of Lithuanian Jews and descendants, which includes an academic conference, a cultural fest, guided tours to Jewish heritage in several towns and cities around the country — Vilnius, Kaunas, Panevėžys, Šeduva, Pakruojis — and more.
Click here to see the full program
Pre-registration is required by filling out the following form:
The latest edition of the exhibit Neviditelné Synagogy — Invisible Synagogues, photographs by Štěpán Bartoš. The vernissage is November 23 at 17:00.
Bartoš photographs the blank spaces in the Czech Republic where destroyed synagogues once stood and adds a ghostly silhouette of the destroyed synagogue to the exhibition photos of the places where they once stood.
On the Invisible Synagogues project web site (which is in German and Czech) you can see galleries of his photos, without the added silhouette, arranged according to region. They include sites in big cities, small towns, and tiny villages; there are fields and rural spaces as well as modern buildings, crowded city streets, and even artificial lakes.
Read our November 2021 post about his Invisible Synagogues project.
Jewish Country Houses and the Holocaust In History and Memory
This conference will investigate the fate in the Holocaust of Jewish country houses and the people who inhabited them. It will explore memory cultures that emerged afterwards and the Cold War context that shaped them. The conference will address and support curatorial, artistic, and narrative practices telling the difficult stories of genocide linked to these properties. As it does so, it will bring together academic historians, heritage professionals, and artists over three days at the Methodological Centre of Modern Architecture at the Villa Stiassni in Brno, Czech Republic. The built heritage of the Villa Stiassni, visits to the nearby villas Tugendhat and Löw-Beer, and an exploration of the experiences and memories of the Czech Jewish industrialist families who inhabited and fled from them will be an integral part of the conference.
This international conference aims to explore the Jewish experience in Sommerfrische (Summer holiday) destinations, summer resorts, and spas, focusing on the particular urban processes that led to their emergence and the factors that transformed them into spaces of possibility in a rural or small-town context.
JHE’s Ruth Ellen Gruber will speak about “Those Who Stayed (and One Who Came Back” about Jewish cemeteries in health resort towns, focusing on Merano/Merano, Italy.
An exhibition of art-enhanced photographs by Dmytro Polyukhovich based on the carvings on the centuries-old matzevot in the Jewish cemetery in Sataniv (which unfortunately has suffered extensive damage in recent years by a self-appointed Haredi man claiming to restore it).
The images for the exhibition focus on specific details of the carved iconography, which combines religious tradition with folk art — floral motifs, animals (and imaginary animals), symbols, religious allegories, and more.
To create the exhibition pieces, Polyukovich manipulated his original photos of the matzevot in Adobe Photoshop, cutting away everything except for the specific detail of the carving that he wanted to highlight and then adding color.
NOTE: The exhibition will be open every Wednesday and every Sunday from 10:00 a.m. to 7:00 p.m. It is also possible to organize group tours every Tuesday, Thursday and Sunday.
The latest edition of the exhibit Neviditelné Synagogy — Invisible Synagogues, photographs by Štěpán Bartoš.
Bartoš photographs the blank spaces in the Czech Republic where destroyed synagogues once stood and adds a ghostly silhouette of the destroyed synagogue to the exhibition photos of the places where they once stood.
On the Invisible Synagogues project web site (which is in German and Czech) you can see galleries of his photos, without the added silhouette, arranged according to region. They include sites in big cities, small towns, and tiny villages; there are fields and rural spaces as well as modern buildings, crowded city streets, and even artificial lakes.
Read our November 2021 post about his Invisible Synagogues project.
A multimedia exhibition by the artist, architect and historian Natalia Romik dedicated to the creativity of Polish Jews seeking to survive the Shoah in hiding.
In Poland and Ukraine during World War II, approximately 50,000 people survived persecution by the German occupying forces in hiding. The majority of them were Jewish. They found refuge in tree hollows, closets, basements, sewers, empty graves, and other precarious locations. Natalia Romik’s exhibition “Hideouts. The Architecture of Survival” pays tribute to these fragile places of refuge and explores their physicality. The show poses basic questions about the relationship between architecture, private life, and the public sphere: it addresses the protective function of spaces and emphasizes the creativity those in hiding brought to bear in their attempt to survive.
In a research project extending over several years, Natalia Romik and an interdisciplinary team of researchers consulted oral histories to identify several hiding places, which they explored using forensic methods. The multimedia exhibition “Hideouts. The Architecture of Survival” presents the results of this research. It consists of sculptures bearing a direct connection to the sites and includes documentary films, forensic recordings, photos, documents, and objects found in the hiding places.
“Hideouts: The Architecture of Survival” is presented in cooperation with the Zachęta National Gallery of Art in Warsaw and the TRAFO Center for Contemporary Art in Szczecin. On the occasion of the show at the Jewish Museum Frankfurt, a catalogue will be published in German and English editions by Hatje Cantz Verlag.
The exhibition was curated by Kuba Szreder and Stanisław Ruksza with the help of Aleksandra Janus (scientific collaboration). For the presentation in Frankfurt, Katja Janitschek, curator of the Judengasse Museum, was responsible for the curatorial project management. We would like to thank the Evonik Foundation for their generous support.
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