And exhibition of photographs by Eva Maria Kraiss.
The exhibition is presented as part of the Week of Brotherhood 2020.
The opening is March 1 at 4 p.m. It will be open daily except Monday, from 2 – 6 p.m., and on Sundays also from 11 a.m. – 1 p.m.
See more details in the poster below:
with Dr Magdalena Waligórska, and Dr Natalia Romik, respondent, and with Prof François Guesnet, Chair
Since August 9 team of archaeologists with led by Dr. Seligman continues the works of previous excavation seasons of Vilnius Great Synagogue and this August plan to fully expose the remainder of the Bimah, the Torah Ark/Aron Kodesh, the floor and the southeastern and northwestern walls of the synagogue.
The lecture will be in English.
Place: Lithuanian Jewish community, Pylimo str. 4., III floor.
The project is partially financed by the Good Will Foundation.
Facebook event: https://www.facebook.com/events/s/i-the-great-synagogue-of-vilni/267447701552421/
European Humanities University (EHU) and the Center for Belarusian Community and Culture in Vilnius will host a premiere presentation of “Extermination” — an audiovisual installation about the Great Synagogue of Grodno, which was constructed in the 16th century and was rebuilt many times after devastating fires.
Kseniya Shtalenkova (lecturer in the Academic Department of Humanities and Arts at EHU, Philosophy PhD candidate) is the project curator and Viktoryia Bahdanovich (fourth-year student of the BA program in Visual Design) is the project production designer and executive producer.
The “Extermination” audiovisual installation is a monologue on the history of the place as well as an individual experience of a person in time and space.
The installation has been created as a part of the project on “Preservation and Actualization of Former Synagogues in Belarus for the Benefit of Local Communities” by Stsiapan Stureika, Professor of Humanities and Arts at EHU. Project research conducted for the work on the installation was conducted with the participation of EHU students.
The presentation will be delivered in Russian with subtitles in English.
Register by November 26.
Click here to register on Zoom (or for in-person attendance)
The event will be also streamed online via EHU’s Facebook page.
NOTE: you can attend the event physically at the Belarusian House (Vilniaus g. 20) by pre-registration at the same link to register on Zoom
A gathering of Lithuanian Jews and descendants, which includes an academic conference, a cultural fest, guided tours to Jewish heritage in several towns and cities around the country — Vilnius, Kaunas, Panevėžys, Šeduva, Pakruojis — and more.
Click here to see the full program
Pre-registration is required by filling out the following form:
The second Jewish Culture Festival to be held in Klaipeda programs a series of concerts and lectures, and also events anchored by the sites of the built heritage of the Jews of Klaipeda (historically Memel).
These include a “Sound walk in the footsteps of the disappeared synagogues of Klaipėda” on September 24, and guided tours of Jewish Klaipeda in the first week of October.
This year’s International Jewish Culture Festival „SHALOM IN ALL THE WORLD“ focuses on the Jewish woman, her role and importance in history, culture, traditions, social life.
Events will take place in Klaipėda, and also in Švėkšna and Gargždai, Lithuania.
There will be exhibitions, workshops, lectures, concerts, books presentations, films, and more.
An exhibition of art-enhanced photographs by Dmytro Polyukhovich based on the carvings on the centuries-old matzevot in the Jewish cemetery in Sataniv (which unfortunately has suffered extensive damage in recent years by a self-appointed Haredi man claiming to restore it).
The images for the exhibition focus on specific details of the carved iconography, which combines religious tradition with folk art — floral motifs, animals (and imaginary animals), symbols, religious allegories, and more.
To create the exhibition pieces, Polyukovich manipulated his original photos of the matzevot in Adobe Photoshop, cutting away everything except for the specific detail of the carving that he wanted to highlight and then adding color.
NOTE: The exhibition will be open every Wednesday and every Sunday from 10:00 a.m. to 7:00 p.m. It is also possible to organize group tours every Tuesday, Thursday and Sunday.
A multimedia exhibition by the artist, architect and historian Natalia Romik dedicated to the creativity of Polish Jews seeking to survive the Shoah in hiding.
In Poland and Ukraine during World War II, approximately 50,000 people survived persecution by the German occupying forces in hiding. The majority of them were Jewish. They found refuge in tree hollows, closets, basements, sewers, empty graves, and other precarious locations. Natalia Romik’s exhibition “Hideouts. The Architecture of Survival” pays tribute to these fragile places of refuge and explores their physicality. The show poses basic questions about the relationship between architecture, private life, and the public sphere: it addresses the protective function of spaces and emphasizes the creativity those in hiding brought to bear in their attempt to survive.
In a research project extending over several years, Natalia Romik and an interdisciplinary team of researchers consulted oral histories to identify several hiding places, which they explored using forensic methods. The multimedia exhibition “Hideouts. The Architecture of Survival” presents the results of this research. It consists of sculptures bearing a direct connection to the sites and includes documentary films, forensic recordings, photos, documents, and objects found in the hiding places.
“Hideouts: The Architecture of Survival” is presented in cooperation with the Zachęta National Gallery of Art in Warsaw and the TRAFO Center for Contemporary Art in Szczecin. On the occasion of the show at the Jewish Museum Frankfurt, a catalogue will be published in German and English editions by Hatje Cantz Verlag.
The exhibition was curated by Kuba Szreder and Stanisław Ruksza with the help of Aleksandra Janus (scientific collaboration). For the presentation in Frankfurt, Katja Janitschek, curator of the Judengasse Museum, was responsible for the curatorial project management. We would like to thank the Evonik Foundation for their generous support.
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