“House of Eternity: Jewish cemeteries in the Central European cultural area 2004–2021.”
A photo documentation by Berlin-based Marcel-Th. and Klaus Jacobs.
The 45 black and white photos in the exhibition, featuring Jewish cemeteries in Germany, Poland, Ukraine, and Czech Republic, were taken with an analog Leica camera.
The exhibition was made possible by donations from the Circle of Friends for the Preservation of the Jewish Cemeteries in Central Europe.
Further information abut the project is available at: www.jüdische-friedhöfe.de
The annual conference on Jewish cultural heritage in Slovakia can be followed online at https://www.facebook.com/zidianaslovensku.
The annual Eugen Barkany prize will be awarded.
A special exhibit marking the 20th anniversary of the underground complex designed by the architect Martin Kvasnica containing remnants of Bratislava’s Old Jewish Cemetery, which was destroyed in 1944, — 23 graves surrounding the Chatam Sofer’s tomb.
Rabbi Moshe Schreiber, known as the Chatam Sofer (or Chasam Sofer), was a renowned rabbi and scholar who was born in Frankfurt am Main on 26 September 1762 (7 Tishrei 5523).
Open
Friday 10:00 – 16:00
Sunday 10:00 – 16:00
The eighth annual conference dedicated to Jewish cultural heritage in Slovakia, including major projects and activities — and the people behind them.
This year, a focus will be the restoration of the synagogue in Trenčín, which is implemented with the support of the EHP Grant (Iceland, Liechtenstein, Norway) with co-financing from the state budget of the Slovak community and resources of the Jewish community.
The conference will be available online at https://www.facebook.com/zidianaslovensku and https://tachles.tv/
Program
The multi-day event “Mapping Memories” revolves around the violently suppressed traces of Frankfurt’s Judengasse from public space. At its center is a pop-up exhibition in the Museum Judengasse with archaeological finds from the time of Europe’s oldest Jewish ghetto; also an artistic intervention in the current form of the historic site.
The exhibition, with archaeological finds that were recovered from Börneplatz – formerly the southern part of the Judengasse ghetto – in 1987, will be held in the atrium of the Museum Judengasse.
It opens at 18:00 on April 13 — to attend, register with anmeldung@metahubfrankfurt.de
The exhibition is a cooperation with the Archaeological Museum Frankfurt.
It shows archaeological finds that were recovered in 1987 at Börneplatz, at the place where they were found at the time. It presents ongoing research and new insights into the everyday culture of Jews in early modern Frankfurt. The archaeological finds come both from the cellars of the Judengasse and from ditches for water supply and disposal.
This festival features concerts in the synagogues of five towns in western Romania:
The repertoire includes new compositions by the violinist and virtuoso Alexander Bălănescu, who also will perform.
PROGRAM:
Monday, September 4th, at 7 PM | Neolog Synagogue in Arad Tuesday, September 5th, at 7 PM | Cetate Synagogue in Timișoara Wednesday, September 6th, at 7 PM | Reșița’s Synagogue Thursday, September 7th, at 5 PM | “Beit El” Synagogue in Caransebeș Thursday, September 7th, at 8:30 PM | Neolog Synagogue in Lugoj
Admission to the concerts is free, and no prior registration is required.
Presenting a selection of nearly 150 pieces from various sources, this photographic exhibition recreates the history of Salonika (today Thessaloniki) Greece from the second half of the 19th century to the end of the First World War. Men and women are captured in their traditional costumes: modest artisans, porters, traders, members of the local “aristocracy;” society is revealed. Urban modernization is also shown: the quays and the White Tower, cafes, restaurants and entertainment venues; the Countryside sector where the notables established their residence; deprived areas, where emerging industries were established.
But also, in the now Greek city, the great fire of August 1917, an authentic trauma for the Jews who saw their historic neighborhoods, the municipal archives and more than thirty synagogues swept away by the flames, before the geopolitical upheavals caused by the First War worldwide.
A photographic exhibit highlighting the Sephardic Jewish presence in Bucharest, curated by Felicia Waldman and Anca Tudorancea.
Photos depict synagogues, Jewish communal buildings, private buildings, and shops, etc, as well as personalities such as professionals, doctors, merchants, artisans, doctors, cultural figures, etc.
A multimedia exhibition by the artist, architect and historian Natalia Romik dedicated to the creativity of Polish Jews seeking to survive the Shoah in hiding.
In Poland and Ukraine during World War II, approximately 50,000 people survived persecution by the German occupying forces in hiding. The majority of them were Jewish. They found refuge in tree hollows, closets, basements, sewers, empty graves, and other precarious locations. Natalia Romik’s exhibition “Hideouts. The Architecture of Survival” pays tribute to these fragile places of refuge and explores their physicality. The show poses basic questions about the relationship between architecture, private life, and the public sphere: it addresses the protective function of spaces and emphasizes the creativity those in hiding brought to bear in their attempt to survive.
In a research project extending over several years, Natalia Romik and an interdisciplinary team of researchers consulted oral histories to identify several hiding places, which they explored using forensic methods. The multimedia exhibition “Hideouts. The Architecture of Survival” presents the results of this research. It consists of sculptures bearing a direct connection to the sites and includes documentary films, forensic recordings, photos, documents, and objects found in the hiding places.
“Hideouts: The Architecture of Survival” is presented in cooperation with the Zachęta National Gallery of Art in Warsaw and the TRAFO Center for Contemporary Art in Szczecin. On the occasion of the show at the Jewish Museum Frankfurt, a catalogue will be published in German and English editions by Hatje Cantz Verlag.
The exhibition was curated by Kuba Szreder and Stanisław Ruksza with the help of Aleksandra Janus (scientific collaboration). For the presentation in Frankfurt, Katja Janitschek, curator of the Judengasse Museum, was responsible for the curatorial project management. We would like to thank the Evonik Foundation for their generous support.
Comments are closed.