The official reopening ceremony of the Great synagogue in Plzen, Czech Republic, following a three-year restoration of the synagogue interior and nearby Rabbi’s house. A permanent exhibition on Jewish monuments in the Pilsen region will be opened, in the women’s gallery. It is based on the photographs of Radovan Kodera.
A procession will bring a Torah scroll from the Old to the Great Synagogue and ceremoniously place it in the ark.
Following will be a ceremonial program with speeches by the Culture Minister, the head of the tiny local Jewish community, and others. A concert will feature compositions inspired by Jewish prayers, adapted for the occasion.
The annual Day of Jewish Monuments in the Czech Republic opens Jewish heritage sites all over the country to visitors.
(It does not seems to be coordinated within the umbrella of the European Day of Jewish Culture).
On the web site, you can find lists of events and an interactive map with a list of participating sites and opening hours.
The latest edition of the exhibit Neviditelné Synagogy — Invisible Synagogues, photographs by Štěpán Bartoš. The vernissage is November 23 at 17:00.
Bartoš photographs the blank spaces in the Czech Republic where destroyed synagogues once stood and adds a ghostly silhouette of the destroyed synagogue to the exhibition photos of the places where they once stood.
On the Invisible Synagogues project web site (which is in German and Czech) you can see galleries of his photos, without the added silhouette, arranged according to region. They include sites in big cities, small towns, and tiny villages; there are fields and rural spaces as well as modern buildings, crowded city streets, and even artificial lakes.
Read our November 2021 post about his Invisible Synagogues project.
The multi-day event “Mapping Memories” revolves around the violently suppressed traces of Frankfurt’s Judengasse from public space. At its center is a pop-up exhibition in the Museum Judengasse with archaeological finds from the time of Europe’s oldest Jewish ghetto; also an artistic intervention in the current form of the historic site.
The exhibition, with archaeological finds that were recovered from Börneplatz – formerly the southern part of the Judengasse ghetto – in 1987, will be held in the atrium of the Museum Judengasse.
It opens at 18:00 on April 13 — to attend, register with anmeldung@metahubfrankfurt.de
The exhibition is a cooperation with the Archaeological Museum Frankfurt.
It shows archaeological finds that were recovered in 1987 at Börneplatz, at the place where they were found at the time. It presents ongoing research and new insights into the everyday culture of Jews in early modern Frankfurt. The archaeological finds come both from the cellars of the Judengasse and from ditches for water supply and disposal.
Closing event of the conservation and restoration camps held this year in the Jewish Cemetery of Alba Iolia, as part of the project Conservation and restoration of the monumental funeral stones of the Jewish cemetery in Alba Iulia.
The annual Day of Jewish Monuments in the Czech Republic, sponsored by the Prague Jewish Community, the Federation of Jewish Communities and others.
Click to see the preliminary program
A photographic exhibit highlighting the Sephardic Jewish presence in Bucharest, curated by Felicia Waldman and Anca Tudorancea.
Photos depict synagogues, Jewish communal buildings, private buildings, and shops, etc, as well as personalities such as professionals, doctors, merchants, artisans, doctors, cultural figures, etc.
The latest edition of the exhibit Neviditelné Synagogy — Invisible Synagogues, photographs by Štěpán Bartoš.
Bartoš photographs the blank spaces in the Czech Republic where destroyed synagogues once stood and adds a ghostly silhouette of the destroyed synagogue to the exhibition photos of the places where they once stood.
On the Invisible Synagogues project web site (which is in German and Czech) you can see galleries of his photos, without the added silhouette, arranged according to region. They include sites in big cities, small towns, and tiny villages; there are fields and rural spaces as well as modern buildings, crowded city streets, and even artificial lakes.
Read our November 2021 post about his Invisible Synagogues project.
A multimedia exhibition by the artist, architect and historian Natalia Romik dedicated to the creativity of Polish Jews seeking to survive the Shoah in hiding.
In Poland and Ukraine during World War II, approximately 50,000 people survived persecution by the German occupying forces in hiding. The majority of them were Jewish. They found refuge in tree hollows, closets, basements, sewers, empty graves, and other precarious locations. Natalia Romik’s exhibition “Hideouts. The Architecture of Survival” pays tribute to these fragile places of refuge and explores their physicality. The show poses basic questions about the relationship between architecture, private life, and the public sphere: it addresses the protective function of spaces and emphasizes the creativity those in hiding brought to bear in their attempt to survive.
In a research project extending over several years, Natalia Romik and an interdisciplinary team of researchers consulted oral histories to identify several hiding places, which they explored using forensic methods. The multimedia exhibition “Hideouts. The Architecture of Survival” presents the results of this research. It consists of sculptures bearing a direct connection to the sites and includes documentary films, forensic recordings, photos, documents, and objects found in the hiding places.
“Hideouts: The Architecture of Survival” is presented in cooperation with the Zachęta National Gallery of Art in Warsaw and the TRAFO Center for Contemporary Art in Szczecin. On the occasion of the show at the Jewish Museum Frankfurt, a catalogue will be published in German and English editions by Hatje Cantz Verlag.
The exhibition was curated by Kuba Szreder and Stanisław Ruksza with the help of Aleksandra Janus (scientific collaboration). For the presentation in Frankfurt, Katja Janitschek, curator of the Judengasse Museum, was responsible for the curatorial project management. We would like to thank the Evonik Foundation for their generous support.
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