Opening of the exhibition Hideouts. The Architecture of Survival — showcasing the work of the architect, artist, and researcher Natalia Romik about the places where Jews hid during the Holocaust.
The exhibition will run until July 17, Tuesday-Sunday, 12-8 pm.
This workshop explores spatial aspects of the experiences of German-Jews during 1930s, in Germany and in transit. In highlighting the convoluted relations between place and identity—and the essential influence of these relations on the history of emotions, thoughts and culture—the workshop focuses on the spaces that shaped German-Jewish self-perceptions in the face of National Socialism. While the workshop discusses specific locations, it also examines the concepts of space and place as analytical tools to enhance the historical understanding of Jewish life under Nazi rule and Jewish responses to Nazi persecution. In so doing, the workshop seeks to scrutinize and complicate recent trends in the study of German-Jewish history.
The Keynote Lecture will be given by Professor Marion Kaplan, a renowned researcher of German-Jewish history in modern times and one of the first to address questions of place and space in the experience of German Jews under Nazism.
Organisers: David Jünger (Universität Rostock), Ofer Ashkenazi (The Richard Koebner Minerva Center for German History), Björn Siegel (Institut für die Geschichte der deutschen Juden) und Katrin Steffen (Sussex Weidenfeld Institut of Jewish Studies)
This workshop takes place IN PERSON. To comply with current regulations to contain the Covid-19 pandemic, please register in advance by contacting Dr. David Jünger (david.juenger@uni-rostock.de).
PROGRAM
Thursday, 12 May
12:30–13:00
Introduction
13:00–15:00
1. Creating Spaces of Memory
Gerald Lamprecht (Graz)
Entangled Memories. Jewish and non-Jewish Discourses on the Great War in Interwar Austria
Katrin Steffen (Brighton)
East German-Jewish Spaces in Berlin. Jewish Heritage Societies (Heimatvereine) and their diasporic milieu in the 1930ies
Joachim Schlör (Southampton)
Brückenallee 33, Berlin
15:30-17:30
2. Being In-Between
David Jünger (Rostock)
From Myth to Reality. German Jews Discover Palestine (1933–1938)
Charlie Knight (Southampton)
Mapping your coordinates. Space and Transnationality in Refugee Correspondence
Björn Siegel (Hamburg/Graz)
Ships to Nowhere. A Maritime Space and Its Relevance to Decode Jewish Refugees’ experiences in the 1930s
18:00-19:30
Keynote Lecture
Marion Kaplan (New York)
The Emotional Dissonance of Spaces. German Jewish Refugees in Portugal
Hörsaal 218, Universitätshauptgebäude, Universitätsplatz 1
Friday 13 May
09:00-11:30
3. Vanishing Jewish Spaces
Guy Miron (Jerusalem)
Synagogues, Cemeteries, Sports facilities. Jewish spaces and places in Nazi Germany
Teresa Walch (Greensboro)
Rendering Germany ‘judenrein’: Space, Ideology, and German Jews in the 1930s
Kim Wünschmann (Hamburg)
Filming the destruction of the Munich Main Synagogue in June 1938. A spatial history-approach to the reading of visual sources
Miriam Rürup (Potsdam)
Dejudaization before Deportation. The removal of Jewish traces in urban topographies of German cities
12:00-14:00
4. Visualizing Jewish Spaces
Robert Mueller-Stahl (Potsdam)
Capturing crisis. German-Jewish private travel photography between the Weimar Republic and Nazism
Sarah Wobick-Segev (Hamburg)
Being and Not Being in Time and Place
Ofer Aschkenazi (Tel Aviv)
The Displacement of the Ordinary. The German-Jewish Home in Photography Narratives of Emigration
14:15-15:30
Round table: Final Discussion
with Sandwich lunch
This workshop explores spatial aspects of the experiences of German-Jews during 1930s, in Germany and in transit. In highlighting the convoluted relations between place and identity—and the essential influence of these relations on the history of emotions, thoughts and culture—the workshop focuses on the spaces that shaped German-Jewish self-perceptions in the face of National Socialism. While the workshop discusses specific locations, it also examines the concepts of space and place as analytical tools to enhance the historical understanding of Jewish life under Nazi rule and Jewish responses to Nazi persecution. In so doing, the workshop seeks to scrutinize and complicate recent trends in the study of German-Jewish history.
The Keynote Lecture will be given by Professor Marion Kaplan, a renowned researcher of German-Jewish history in modern times and one of the first to address questions of place and space in the experience of German Jews under Nazism.
Organisers: David Jünger (Universität Rostock), Ofer Ashkenazi (The Richard Koebner Minerva Center for German History), Björn Siegel (Institut für die Geschichte der deutschen Juden) und Katrin Steffen (Sussex Weidenfeld Institut of Jewish Studies)
This workshop takes place IN PERSON. To comply with current regulations to contain the Covid-19 pandemic, please register in advance by contacting Dr. David Jünger (david.juenger@uni-rostock.de).
PROGRAM
Thursday, 12 May
12:30–13:00
Introduction
13:00–15:00
1. Creating Spaces of Memory
Gerald Lamprecht (Graz)
Entangled Memories. Jewish and non-Jewish Discourses on the Great War in Interwar Austria
Katrin Steffen (Brighton)
East German-Jewish Spaces in Berlin. Jewish Heritage Societies (Heimatvereine) and their diasporic milieu in the 1930ies
Joachim Schlör (Southampton)
Brückenallee 33, Berlin
15:30-17:30
2. Being In-Between
David Jünger (Rostock)
From Myth to Reality. German Jews Discover Palestine (1933–1938)
Charlie Knight (Southampton)
Mapping your coordinates. Space and Transnationality in Refugee Correspondence
Björn Siegel (Hamburg/Graz)
Ships to Nowhere. A Maritime Space and Its Relevance to Decode Jewish Refugees’ experiences in the 1930s
18:00-19:30
Keynote Lecture
Marion Kaplan (New York)
The Emotional Dissonance of Spaces. German Jewish Refugees in Portugal
Hörsaal 218, Universitätshauptgebäude, Universitätsplatz 1
Friday 13 May
09:00-11:30
3. Vanishing Jewish Spaces
Guy Miron (Jerusalem)
Synagogues, Cemeteries, Sports facilities. Jewish spaces and places in Nazi Germany
Teresa Walch (Greensboro)
Rendering Germany ‘judenrein’: Space, Ideology, and German Jews in the 1930s
Kim Wünschmann (Hamburg)
Filming the destruction of the Munich Main Synagogue in June 1938. A spatial history-approach to the reading of visual sources
Miriam Rürup (Potsdam)
Dejudaization before Deportation. The removal of Jewish traces in urban topographies of German cities
12:00-14:00
4. Visualizing Jewish Spaces
Robert Mueller-Stahl (Potsdam)
Capturing crisis. German-Jewish private travel photography between the Weimar Republic and Nazism
Sarah Wobick-Segev (Hamburg)
Being and Not Being in Time and Place
Ofer Aschkenazi (Tel Aviv)
The Displacement of the Ordinary. The German-Jewish Home in Photography Narratives of Emigration
14:15-15:30
Round table: Final Discussion
with Sandwich lunch
The multi-day event “Mapping Memories” revolves around the violently suppressed traces of Frankfurt’s Judengasse from public space. At its center is a pop-up exhibition in the Museum Judengasse with archaeological finds from the time of Europe’s oldest Jewish ghetto; also an artistic intervention in the current form of the historic site.
The exhibition, with archaeological finds that were recovered from Börneplatz – formerly the southern part of the Judengasse ghetto – in 1987, will be held in the atrium of the Museum Judengasse.
It opens at 18:00 on April 13 — to attend, register with anmeldung@metahubfrankfurt.de
The exhibition is a cooperation with the Archaeological Museum Frankfurt.
It shows archaeological finds that were recovered in 1987 at Börneplatz, at the place where they were found at the time. It presents ongoing research and new insights into the everyday culture of Jews in early modern Frankfurt. The archaeological finds come both from the cellars of the Judengasse and from ditches for water supply and disposal.
In 2020, we were privileged to host an online exhibition of work by the Warsaw-based papercut artist Monika Krajewska. The pieces were drawn from her extraordinary cycle of papercuts called “Burning,” a commemoration of the physical destruction of the Shoah.
This fall, from October 4 to December 18, Krajewska’s Burning cycle will be exhibited at the POLIN Museum of the History of Polish Jews in Warsaw.
The exhibit consists of 31 works in which the artist refers to the objects related to synagogue cult and transfers them to the traditional Jewish paper-cutting technique, painstakingly recreating the symbolism and ornamentation of Jewish art from East-Central Europe—stylised floral decoration, symbolic representations of animals, a repertoire of traditional sacred Judaic symbols (a menorah, Torah and the Tablets of Law, the Temple) and calligraphic quotations from religious texts and prayers.
In order to introduce reflection on loss and destruction, the artist subjects her painstaking work to destruction: she tears apart sections of the works after cutting them out and burns the ends of the sheets. She uses tinted paper as a background for the cut-outs, incorporating the motif of fire, ashes and ruins. In the representations, she incorporates quotations from religious texts or classics of modern Jewish literature, in which there are references to flames and destruction, as well as to the hope of salvation.
“Burning,” an exhibition of paper cuts by Monika Krajewska, is now being shown in Radom, following an exhibit at the POLIN museum in Warsaw. We were privileged to host an online exhibition of some of her works in 2020.
The exhibit consists of 31 works in which the artist, using traditional Jewish paper-cutting technique, refers to objects related to the synagogue, painstakingly recreating the symbolism and ornamentation of Jewish art from East-Central Europe—stylised floral decoration, symbolic representations of animals, a repertoire of traditional sacred Jewish symbols (a menorah, Torah and the Tablets of Law, the Temple) and calligraphic quotations from religious texts and prayers.
In order to introduce reflection on loss and destruction, Krajewska subjects her painstaking work to destruction: she tears apart sections of the works after cutting them out and burns the ends of the sheets. She uses tinted paper as a background for the cut-outs, incorporating the motif of fire, ashes and ruins. And she incorporates quotations from religious texts or classics of modern Jewish literature, in which there are references to flames and destruction, as well as to the hope of salvation.
A multimedia exhibition by the artist, architect and historian Natalia Romik dedicated to the creativity of Polish Jews seeking to survive the Shoah in hiding.
In Poland and Ukraine during World War II, approximately 50,000 people survived persecution by the German occupying forces in hiding. The majority of them were Jewish. They found refuge in tree hollows, closets, basements, sewers, empty graves, and other precarious locations. Natalia Romik’s exhibition “Hideouts. The Architecture of Survival” pays tribute to these fragile places of refuge and explores their physicality. The show poses basic questions about the relationship between architecture, private life, and the public sphere: it addresses the protective function of spaces and emphasizes the creativity those in hiding brought to bear in their attempt to survive.
In a research project extending over several years, Natalia Romik and an interdisciplinary team of researchers consulted oral histories to identify several hiding places, which they explored using forensic methods. The multimedia exhibition “Hideouts. The Architecture of Survival” presents the results of this research. It consists of sculptures bearing a direct connection to the sites and includes documentary films, forensic recordings, photos, documents, and objects found in the hiding places.
“Hideouts: The Architecture of Survival” is presented in cooperation with the Zachęta National Gallery of Art in Warsaw and the TRAFO Center for Contemporary Art in Szczecin. On the occasion of the show at the Jewish Museum Frankfurt, a catalogue will be published in German and English editions by Hatje Cantz Verlag.
The exhibition was curated by Kuba Szreder and Stanisław Ruksza with the help of Aleksandra Janus (scientific collaboration). For the presentation in Frankfurt, Katja Janitschek, curator of the Judengasse Museum, was responsible for the curatorial project management. We would like to thank the Evonik Foundation for their generous support.
An exhibition about Jewish cemeteries, prepared by the Galicia Jewish Museum.
In many places throughout Poland, Jewish cemeteries or what remains of them are the only visible sign of the centuries-long presence of Jewish communities in a given area. The exhibition “Houses of Eternity” is a reflection on what Jewish cemeteries mean to us today and an attempt to find an answer to the question of what we can learn from them. Its aim is to introduce the topic of Jewish cemeteries to the widest possible audience, help understand how important an element of cultural heritage the preserved Jewish cemeteries are and answer a number of questions related to cemeteries in the context of Jewish history and tradition.
The opening is at 1 p.m., April 2
There were more than a thousand shtetls in today’s territories of Poland, Ukraine, Lithuania and Belarus. The Second World War and the Holocaust obliterated the world of shtetls completely. Today, in Opatów—as well as in tens of other Polish towns—there are no more Jews left.
The OPOLIN Museum’s new temporary exhibition titled (post) JEWISH… demonstrates that Polish towns hide two parallel histories. The history of their Polish inhabitants is well known and remembered. The one of their Jewish neighbours who are no more is forgotten or left unsaid.
Guide in the exhibition will be the late Mayer Kirshenblatt, a painter who emigrated to Canada with his mother and brothers as a teenager, in 1934. Mayer recalls the shtetl of his youth, restoring vivid memories of the people, events, daily life and customs. His paintings—full of color, imagination and humor—show us a world that is no more. Looking at them, we learn about our shared Polish-Jewish history.
The exhibition also features a documentation of artistic interventions carried out in today’s Opatów, aimed at discovering and restoring the vestiges of the pre-war Jewish life.
Comments are closed.