Guided walking tour of the medieval Jewish quarter of Perugia.
There are four opportunities — at 11 and 11:30 a.m. and at 3:30 and 4 pm.
Mandatory reservation.
A local theatre organizes a walking tour of Jewish history and heritage in Gorizia, including the synagogue, former ghetto — and the Jewish cemetery, across the border in Slovenia. Participants will wear headphones and as they walk will hear a dramatized presentation keyed to places they are seeing, which will tell stories of people and their experiences linked to the city’s Jewish history.
Participants must reserve, and they also must wear face masks and follow social distancing measures.
On Sunday, October 25 — there will also be a tour at 10 a.m.
A local theatre organizes a walking tour of Jewish history and heritage in Gorizia, including the synagogue, former ghetto — and the Jewish cemetery, across the border in Slovenia. Participants will wear headphones and as they walk will hear a dramatized presentation keyed to places they are seeing, which will tell stories of people and their experiences linked to the city’s Jewish history.
Participants must reserve, and they also must wear face masks and follow social distancing measures.
On Sunday, October 25 — there will also be a tour at 10 a.m.
A discussion sponsored by the American Academy in Rome: (AAR)
The first Conversations/Conversazioni of the calendar year will feature David Nirenberg (2021 Resident), the Deborah R. and Edgar D. Jannotta Distinguished Service Professor of Medieval History and Social Thought at the University of Chicago, where he is also dean of the Divinity School, and AAR Director Avinoam Shalem (2016 Resident).
“Ghetto” emerged as a word to describe a specific late-medieval phenomenon: the creation in Christian cities of segregated and walled neighborhoods in which Jews were required to live. Today its meanings are vaster, and it serves as a metaphor for many different types of containment and segregation. How did these urban spaces emerge? Why did they prove so useful as marginal spaces and a metaphor? And what work do the phenomenon and the metaphor do today?
This conversation, to be presented on Zoom, is free and open to the public. Please register in advance. After registering, you will receive a confirmation email containing information about joining the meeting.
The start time of this lecture is 6:00pm Central European Time (12:00 noon Eastern Time). It is being recorded and will be edited and posted on the AAR website at a later date.
Lecture by Michael Miller, of CEU
Budapest is sometimes called the “Paris of the East,” but in the 1890s, it acquired a new, less flattering nickname: “Judapest.” Karl Lueger, the antisemitic mayor of Vienna – who hated Hungarians more than he hated Jews – is often credited with coining this derogatory nickname for a city that he thought had become more “Jewish” than “Hungarian.” Budapest was Europe’s fastest-growing city at the time, with a flurry of cultural and commercial activity that fascinated — and sometimes appalled — contemporary residents and visitors. This talk will examine the image of Budapest in the decades before and after the First World War, exploring the ways in which Hungary’s capital city was imagined by Jews and non-Jews alike as a quintessentially Jewish metropolis.
The evening will be chaired by Professor Mark E. Smith, President and Vice-Chancellor of the University of Southampton. It will be hosted by Professor Mark Cornwall (University of Southampton, Parkes Institute)
The event will be held on Zoom. Please register by Monday 19th April 16:00 here:
https://www.southampton.ac.uk/parkes/news/events/2021/04/20-parkes-lecture-2021.page
Speaker biography: Michael L. Miller is Associate Professor in the Nationalism Studies Program at Central European University in Budapest, Hungary, and co-founder of the university’s Jewish Studies program. He received his PhD in History from Columbia University, where he specialized in Jewish and Central European History. Michael’s research focuses on the impact of nationality conflicts on the religious, cultural, and political development of Central European Jewry in the long nineteenth century. His articles have appeared in Slavic Review, Austrian History Yearbook, Simon Dubnow Institute Yearbook, Múlt és Jövő , The Jewish Quarterly Review and AJS Review. Miller’s book, Rabbis and Revolution: The Jews of Moravia in the Age of Emancipation, was published by Stanford University Press in 2011. It appeared in Czech translation as Moravští Židé v době emancipace (Nakladatelství Lidové noviny, 2015). He is currently working on a history of Hungarian Jewry, titled Manovill: A Tale of Two Hungarys.
Every half hour there will be a guided walking tour of the former Jewish ghetto in Finale Emilia.
Participants must wear masks and follow other COVID-19 health measures.
The tours are presented as part of the Italian Environment Fund’s Springtime Open Days events around the country.
Click here to learn more and register — reservations are necessary
There will be a guided walking tour every half hour of the Jewish cemetery, founded in the 17th century. The cemetery had been abandoned for decades until a major restoration and clean-up in 1987 and a further restoration in 2015.
Participants must wear masks and follow other COVID-19 health measures.
The tours are presented as part of the Italian Environment Fund’s Springtime Open Days events around the country.
Click here to register — reservations are required
I-Tal-Ya is a collaborative effort to identify and catalogue every Hebrew book in Italy. It is being carried out by the Union of Jewish Communities in Italy (UCEI), the Rome National Central Library (BNCR), and the National Library of Israel (NLI) in Jerusalem, with the support of the Rothschild Foundation Hanadiv Europe.
The project includes cataloguing an estimated 35,000 volumes from 14 Jewish communities and 25 state institutions and will take approximately three years to complete.
The event is held within the program of Ferrara’s annual Jewish Book Festival.
Les stèles funéraires de l’ancien cimetière juif de Venise. Art, histoire et poésie
A lecture in French by Sofia Locatelli about the carved imagery found in the Old Jewish Cemetery in Venice, 1386-1774.
Construit en 1386 sur un terrain stérile concédé aux juifs par la République de Venise au Lido, à l’Est de la ville, l’ancien cimetière juif San Nicolò précède de plus d’un siècle la clôture du ghetto. En raison de son emplacement favorable, face à la lagune, la nécropole fut parfois utilisée à des fins défensives et militaires. De nombreuses stèles funéraires furent perdues, détruites ou réutilisées, et d’autres déplacées sur un terrain situé plus au Sud, devenu officiellement le « nouveau cimetière » en 1774. Les tombes de l’ancienne nécropole sont des artefacts riches en histoire, en poésie et en art. Leur étude permet de restituer la vie et les événements des membres de la communauté, mais également de détecter des aspects significatifs de la culture littéraire et artistique de l’époque.
Les épitaphes, véritables poèmes en rimes et en rythme, et le complexe réseau iconographique et symbolique gravé sur les stèles, font de l’ancien cimetière du Lido une source de connaissance exceptionnelle sur l’art et la poésie juives dans l’Italie de l’époque moderne.
Instead of September 3, as in other participating countries, the European Days of Jewish Culture is centered on September 10 — with the theme “Beauty,” not “Memory” as in the other countries.
It takes place in scores of localities up and down the Italian peninsula, with Florence as the lead city.
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