A series of events in November and December celebrate the 140th anniversary of the Grande Synagogue. The series kicks off November 9 with an official ceremony.
See the program below:
A conversation with Yechiel Weizman on his book
Unsettled Heritage: Living Next to Poland’s Material Jewish Traces after the Holocaust (Ithaca, 2022)
In Unsettled Heritage, Yechiel Weizman explores what happened to the thousands of abandoned Jewish cemeteries and places of worship that remained in Poland after the Holocaust. He asks how postwar Polish society in small, provincial towns perceived, experienced, and interacted with the physical traces of former Jewish neighbors. Combining archival research into hitherto unexamined sources and anthropological field work, the book uncovers the concrete and symbolic fate of Poland’s material Jewish remnants and shows how their presence became the main vehicle through which Polish society was confronted with the memory of the Jews and their annihilation. Leading the conversation with Weizman will be Monika Rice, and joining them will be Alon Confino and Amos Goldberg.
This event will be held via ZOOM Webinar.
Registration is required, register in advance here.
A talk (in French) by the expert on synagogue architecture Dominique Jarrassé, emeritus professor of art history and the université Bordeaux Montaigne, about the art nouveau synagogue built on rue Pavée in the Marais Jewish district of Paris for the orthodox Agoudas hakehilos congregation. It was designed by Hector Guimard, one of the most modern architects of his time.
Presenting a selection of nearly 150 pieces from various sources, this photographic exhibition recreates the history of Salonika (today Thessaloniki) Greece from the second half of the 19th century to the end of the First World War. Men and women are captured in their traditional costumes: modest artisans, porters, traders, members of the local “aristocracy;” society is revealed. Urban modernization is also shown: the quays and the White Tower, cafes, restaurants and entertainment venues; the Countryside sector where the notables established their residence; deprived areas, where emerging industries were established.
But also, in the now Greek city, the great fire of August 1917, an authentic trauma for the Jews who saw their historic neighborhoods, the municipal archives and more than thirty synagogues swept away by the flames, before the geopolitical upheavals caused by the First War worldwide.
In 2020, we were privileged to host an online exhibition of work by the Warsaw-based papercut artist Monika Krajewska. The pieces were drawn from her extraordinary cycle of papercuts called “Burning,” a commemoration of the physical destruction of the Shoah.
This fall, from October 4 to December 18, Krajewska’s Burning cycle will be exhibited at the POLIN Museum of the History of Polish Jews in Warsaw.
The exhibit consists of 31 works in which the artist refers to the objects related to synagogue cult and transfers them to the traditional Jewish paper-cutting technique, painstakingly recreating the symbolism and ornamentation of Jewish art from East-Central Europe—stylised floral decoration, symbolic representations of animals, a repertoire of traditional sacred Judaic symbols (a menorah, Torah and the Tablets of Law, the Temple) and calligraphic quotations from religious texts and prayers.
In order to introduce reflection on loss and destruction, the artist subjects her painstaking work to destruction: she tears apart sections of the works after cutting them out and burns the ends of the sheets. She uses tinted paper as a background for the cut-outs, incorporating the motif of fire, ashes and ruins. In the representations, she incorporates quotations from religious texts or classics of modern Jewish literature, in which there are references to flames and destruction, as well as to the hope of salvation.
“Burning,” an exhibition of paper cuts by Monika Krajewska, is now being shown in Radom, following an exhibit at the POLIN museum in Warsaw. We were privileged to host an online exhibition of some of her works in 2020.
The exhibit consists of 31 works in which the artist, using traditional Jewish paper-cutting technique, refers to objects related to the synagogue, painstakingly recreating the symbolism and ornamentation of Jewish art from East-Central Europe—stylised floral decoration, symbolic representations of animals, a repertoire of traditional sacred Jewish symbols (a menorah, Torah and the Tablets of Law, the Temple) and calligraphic quotations from religious texts and prayers.
In order to introduce reflection on loss and destruction, Krajewska subjects her painstaking work to destruction: she tears apart sections of the works after cutting them out and burns the ends of the sheets. She uses tinted paper as a background for the cut-outs, incorporating the motif of fire, ashes and ruins. And she incorporates quotations from religious texts or classics of modern Jewish literature, in which there are references to flames and destruction, as well as to the hope of salvation.
Lecture by Catherine Trautmann, president of the Maison du Judaïsme Rhénan association, will discuss how three associations — the Society for the Study of Judaism in Alsace-Lorraine, Les Routes du Judaïsme Rhénan and the Maison du Judaïsme Rhénan — have created a new Rhineland Judaism Center.
They hope to pool their resources within the framework of joint projects.
This conference is an opportunity to publicly present this dynamic, inspired by the example of the German ShUM cities (Mainz, Worms and Speyer) and Erfurt, whose Jewish heritage from the Middle Ages has been included on the UNESCO world heritage roster.
Under discussion will be the responsibility of Alsace, which has the largest concentration of Jewish heritage sites in France, for the protection, enhancement and access to this heritage.
Click here to find a link to register
A multimedia exhibition by the artist, architect and historian Natalia Romik dedicated to the creativity of Polish Jews seeking to survive the Shoah in hiding.
In Poland and Ukraine during World War II, approximately 50,000 people survived persecution by the German occupying forces in hiding. The majority of them were Jewish. They found refuge in tree hollows, closets, basements, sewers, empty graves, and other precarious locations. Natalia Romik’s exhibition “Hideouts. The Architecture of Survival” pays tribute to these fragile places of refuge and explores their physicality. The show poses basic questions about the relationship between architecture, private life, and the public sphere: it addresses the protective function of spaces and emphasizes the creativity those in hiding brought to bear in their attempt to survive.
In a research project extending over several years, Natalia Romik and an interdisciplinary team of researchers consulted oral histories to identify several hiding places, which they explored using forensic methods. The multimedia exhibition “Hideouts. The Architecture of Survival” presents the results of this research. It consists of sculptures bearing a direct connection to the sites and includes documentary films, forensic recordings, photos, documents, and objects found in the hiding places.
“Hideouts: The Architecture of Survival” is presented in cooperation with the Zachęta National Gallery of Art in Warsaw and the TRAFO Center for Contemporary Art in Szczecin. On the occasion of the show at the Jewish Museum Frankfurt, a catalogue will be published in German and English editions by Hatje Cantz Verlag.
The exhibition was curated by Kuba Szreder and Stanisław Ruksza with the help of Aleksandra Janus (scientific collaboration). For the presentation in Frankfurt, Katja Janitschek, curator of the Judengasse Museum, was responsible for the curatorial project management. We would like to thank the Evonik Foundation for their generous support.
Since 2007, forensic archaeological investigations have revealed new evidence of the crimes undertaken at the notorious Treblinka Extermination Camp in Poland.
In this talk, Professor Caroline Sturdy Colls will outline some of the key findings of this research and discuss the ways they have inspired Holocaust survivors and their descendants based in the UK to undertake their own journeys to commemorate their loved ones.
Professor Caroline Sturdy Colls’ pioneering research focuses on the application of interdisciplinary approaches to the investigation of Holocaust landscapes. She conducted the first forensic archaeological investigations at Treblinka Extermination and Labour Camps, the results of which will be presented in her forthcoming book Finding Treblinka. She is also the author of several other books including Holocaust Archaeologies: Approaches and Future Directions (2015), the Handbook on Missing Persons (2016) and ‘Adolf Island: The Nazi Occupation of Alderney (2022).
An exhibition about Jewish cemeteries, prepared by the Galicia Jewish Museum.
In many places throughout Poland, Jewish cemeteries or what remains of them are the only visible sign of the centuries-long presence of Jewish communities in a given area. The exhibition “Houses of Eternity” is a reflection on what Jewish cemeteries mean to us today and an attempt to find an answer to the question of what we can learn from them. Its aim is to introduce the topic of Jewish cemeteries to the widest possible audience, help understand how important an element of cultural heritage the preserved Jewish cemeteries are and answer a number of questions related to cemeteries in the context of Jewish history and tradition.
The opening is at 1 p.m., April 2
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