The new Dutch National Holocaust Museum will be officially opened March 10 by King Willem-Alexander at a ceremony attended by the prime minister and other VIPs. The king will also give a speech at a gathering in the nearby Portuguese Synagogue.
The museum then opens to the public on March 11, from 10 am-5 pm (almost) daily.
The museum tells the story of the Nazi persecution and murder of the Jews of the Netherlands.
This is the first and only museum to relate the history of the persecution of the Jews of the entire Netherlands. Including the day-to-day life of Jews on the eve of the Second World War, the liberation as Jews experienced it, and how the Holocaust has been treated in our national culture of remembrance: all this is examined in the museum.
The Museum is part of the Jewish Cultural Quarter in Amsterdam. Germany and Austria have contributed financially to the establishment of the museum.
(Photo: © Thijs Wolzak/National Holocaust Museum)
Book launch of “Zohar: A Photographic Journey through the Places of Italian Jewish Culture,” with the author Francesco Maria Colombo, Ferruccio de Bortoli, President of the Shoah Memorial Foundation, and Sandro Parmiggiani, editor of the book.
The book is under the patronage of the Foundation for Jewish Cultural Heritage in Italy and is enriched by contributions from Sandro Parmiggiani, Adachiara Zevi, Alberto Manguel, and Dario Disegni.
Free admission with reservation.
The new Dutch National Holocaust Museum will be officially opened March 10 by King Willem-Alexander at a ceremony attended by the prime minister and other VIPs. The king will also give a speech at a gathering in the nearby Portuguese Synagogue.
The museum then opens to the public on March 11, from 10 am-5 pm (almost) daily.
The museum tells the story of the Nazi persecution and murder of the Jews of the Netherlands.
This is the first and only museum to relate the history of the persecution of the Jews of the entire Netherlands. Including the day-to-day life of Jews on the eve of the Second World War, the liberation as Jews experienced it, and how the Holocaust has been treated in our national culture of remembrance: all this is examined in the museum.
The Museum is part of the Jewish Cultural Quarter in Amsterdam. Germany and Austria have contributed financially to the establishment of the museum.
(Photo: © Thijs Wolzak/National Holocaust Museum)
The International Conference on Cemetery Studies, organized by the Harokopio University in collaboration with the University of York, will take place from 18 to 20 April 2024 at the Harokopio University in Athens, Greece.
The event will bring together a wide spread of academics, presenting their latest research findings concerning various aspects of cemeteries (end of 18th century onwards), including history, art and culture, anthropology, geography, social studies, and cemetery tourism.
The conference fee is 30 euros (15 euros for doctoral students). The fee includes a light lunch, refreshments, and a guided tour in the historical cemetery of Athens.
For Italian speakers — a meeting with architect and historian Andrea Morpurgo who last year curated a major exhibition on synagogues and Jewish cemeteries at the National Museum of Italian Judaism and the Shoah in Ferrara.
You can attend in person or via streaming:
In presenza:
Biblioteca Nazionale dell’Ebraismo Italiano “Tullia Zevi” – Lungotevere Sanzio 5, Roma
In streaming:
Facebook e YouTube della Fondazione per i Beni Culturali Ebraici in Italia
Webtv dell’Unione delle Comunità Ebraiche Italiane
On Sunday, May 12th at 11:00 AM, in the Old Ghetto of Venice, there will be a presentation of “The Ancient Jewish Cemetery at the Lido di Venezia,” curated by Dario Calimani and published by Sillabe. The book includes contributions by Giovanni Levi, Umberto Fortis, and Aldo Izzo, along with a collection of literary excerpts that allow the reader to delve into the history of this special place through the words of noted visitors, starting with Shelley and Byron. The book can also be purchased online on the publisher’s website HERE.
In the afternoon, at 1:00 PM, 2:30 PM, and 3:45 PM, it will be possible to visit the Old Cemetery accompanied by an expert guide. To book, call: +39 041 5246083.
There were more than a thousand shtetls in today’s territories of Poland, Ukraine, Lithuania and Belarus. The Second World War and the Holocaust obliterated the world of shtetls completely. Today, in Opatów—as well as in tens of other Polish towns—there are no more Jews left.
The OPOLIN Museum’s new temporary exhibition titled (post) JEWISH… demonstrates that Polish towns hide two parallel histories. The history of their Polish inhabitants is well known and remembered. The one of their Jewish neighbours who are no more is forgotten or left unsaid.
Guide in the exhibition will be the late Mayer Kirshenblatt, a painter who emigrated to Canada with his mother and brothers as a teenager, in 1934. Mayer recalls the shtetl of his youth, restoring vivid memories of the people, events, daily life and customs. His paintings—full of color, imagination and humor—show us a world that is no more. Looking at them, we learn about our shared Polish-Jewish history.
The exhibition also features a documentation of artistic interventions carried out in today’s Opatów, aimed at discovering and restoring the vestiges of the pre-war Jewish life.
Special guided tour of the temporary exhibition “(post)JEWISH… Shtetl Opatów Through the Eyes of Mayer Kirshenblatt” by curators Barbara Kirshenblatt-Gimblett and Natalia Romik.
- 18 May (Saturday), 12 noon, BUY TICKET →
- Temporary exhibition “(post)JEWISH… Shtetl Opatów Throught the Eyes of Mayer Kirshenblatt”
- Tickets: regular 30PLN, reduced 25PLN
- Guided tour in English
As Mayer Kirshenblatt’s daughter, Barbara Kirshenblatt-Gimblett will talk about the history of pre-war Jewish towns, about their typical features and the role they played in the Jewish community. While analysing Mayer’s paintings, we will learn about the functions of the selected buildings, about old rituals and Polish-Jewish cohabitation. Natalia Romik, on the other hand, will talk about these towns’ postwar fate. While drawing our attention to the exhibition design and the selected artefacts, she will raise the issue of Jewish property and tell us what happened to it after the Holocaust.
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