Presenting a selection of nearly 150 pieces from various sources, this photographic exhibition recreates the history of Salonika (today Thessaloniki) Greece from the second half of the 19th century to the end of the First World War. Men and women are captured in their traditional costumes: modest artisans, porters, traders, members of the local “aristocracy;” society is revealed. Urban modernization is also shown: the quays and the White Tower, cafes, restaurants and entertainment venues; the Countryside sector where the notables established their residence; deprived areas, where emerging industries were established.
But also, in the now Greek city, the great fire of August 1917, an authentic trauma for the Jews who saw their historic neighborhoods, the municipal archives and more than thirty synagogues swept away by the flames, before the geopolitical upheavals caused by the First War worldwide.
The 4th International Conference Architectures of the Soul aims at promoting the scientific study and discussion around the architecture and landscape connected to religious and spiritual practices, grounded on the experience of seclusion and solitude.
It’s not focussed on Jewish heritage, but many preservation and other issues are common to religious built heritage as a whole, and we hope that the program includes Jewish heritage, too.
The conference is structured around two main topics, in order to understand the historical and current values of these places and how they can shape the future, through a renewed knowledge and new ways of turning them culturally meaningful:
1. History of religious experience;
2. Future of Religious Heritage.
The conference aims to establish the platform for a multidisciplinary approach on the subject, gathering and crossing history, architecture, landscape architecture, cultural heritage, art history, computing science, among others.
The conference will be hosted by the Monastery of Santa Maria da Vitória, in the municipality of Batalha. This is a former dominican monastery, on the initiative of the Avis dinasty at the end of the 14th century. The complex is recognised as UNESCO World Heritage Site.
The history of the Jewish ghetto of Florence, which existed in the city between the sixteenth and nineteenth centuries, is an exhibition organized by the Uffizi Galleries and arranged in the Gallery of Modern Art of Pitti Palace. Curated by Piergabriele Mancuso, Alice S. Legé and Sefy Hendler (The Medici Archive Project), the exhibition can be visited until January 28, 2024.
The ghetto of Florence was established in 1570 by Cosimo I and Carlo Pitti, and was demolished between 1892 and 1895. For almost three centuries the ghetto was the gravity point of Hebraism in Florence.
Subdivided into five sections,the exhibition draws from the extraordinary cultural heritage of Florence as well as from important international loans. It reveals a significant and forgotten chapter of the Medici’s political strategy in a centuries-old context of conflicts, diplomacy and cultural exchanges.
The exhibition starts with the Florence of Cosimo the Elder and Lorenzo the Magnificent; illuminated manuscripts commissioned by Jewish and Medici patrons, which was the result of the interaction between Jewish scribes and Christian artists of the early Tuscan Renaissance; loans from the Jewish Theological Seminary of New York and many Italian libraries. Republican and Medicean imagery intertwine in the depiction of paradigmatic biblical figures, “Jewish heroes” such as Donatello’s bronze David (on loan from the Berlin Museums), or Joseph from the series of tapestries woven in Flanders for Cosimo I. The exhibition places mythical figures alongside real ones, revealing little-known pieces of the history of Florentine Judaism, such as the activity of the explorer Moisè Vita Cafsuto or that of the Jewish painter Jona Ostiglio, whose pantings were all commissioned by the Medici court, together with the self-portrait of Isaia or David Tedesco, a little-known author who was probably a pupil of Ostiglio in the first ever art workshop inside an Italian ghetto.
A place of segregation, but also the fulcrum of an important human, cultural and spiritual microcosm, the ghetto of Florence is also reconstructed through a three-dimensional model, the result of a decade of research conducted by the Eugene Grant Jewish History Program of The Medici Archive Project.
Caring about the multiplicity of audiences and the need to break down prejudices and stereotypes, the exhibition investigates the way in which the history of the Grand Duchy is intertwined with that of the Jewish minority, finally shedding light on the events of an important and so far little known chapter of the Renaissance Florence.
An exhibit that documents the urban and architectural experience of the historic ghetto in Verona. It is mounted in connection with Holocaust Remembrance Day, January 27.
Opening hours are:
Mondays 14:00 – 19:00
Tuesday-Saturday 9:00 – 19:00
Special opening
Sunday January 28 9:00 – 19:00
Lecture by Catherine Trautmann, president of the Maison du Judaïsme Rhénan association, will discuss how three associations — the Society for the Study of Judaism in Alsace-Lorraine, Les Routes du Judaïsme Rhénan and the Maison du Judaïsme Rhénan — have created a new Rhineland Judaism Center.
They hope to pool their resources within the framework of joint projects.
This conference is an opportunity to publicly present this dynamic, inspired by the example of the German ShUM cities (Mainz, Worms and Speyer) and Erfurt, whose Jewish heritage from the Middle Ages has been included on the UNESCO world heritage roster.
Under discussion will be the responsibility of Alsace, which has the largest concentration of Jewish heritage sites in France, for the protection, enhancement and access to this heritage.
Click here to find a link to register
Guided tour of the Jewish Museum Lecce and the ancient Jewish district, with Fabrizio Ghio (architect and archaeologist, member of the Scientific Committee of the Jewish Museum Lecce), Fabrizio Lelli, director of the Jewish Museum Lecce and professor of Hebrew language and literature at the Sapienza University (Rome), and Claudio Fano, direct witness of the racial laws and the Jews deportation from the Ghetto of Rome on October 16th 1943.
Free admission, reservation required.
Telephone Number & WhatsApp: + 39 0832 247016
Email: info@palazzotaurino.com
The exhibit showcases Italian Jewish experience in the 20th century, beginning with the destruction of the ghettos at the end of the 19th century, through the Shoah, and up until almost the present day.
It includes contemporary artworks; photographs from public and private archives; historical documents, and family objects.
The Jewish Community of Trieste is hosting two guided tours of the Jewish Cemetery. They’ll be on Thursday, May 2nd, and Thursday, May 9th, both at 10:00 a.m. Space is limited, so booking is required. For details and reservations, visit@triestebraica.it.
For Italian speakers — a meeting with architect and historian Andrea Morpurgo who last year curated a major exhibition on synagogues and Jewish cemeteries at the National Museum of Italian Judaism and the Shoah in Ferrara.
You can attend in person or via streaming:
In presenza:
Biblioteca Nazionale dell’Ebraismo Italiano “Tullia Zevi” – Lungotevere Sanzio 5, Roma
In streaming:
Facebook e YouTube della Fondazione per i Beni Culturali Ebraici in Italia
Webtv dell’Unione delle Comunità Ebraiche Italiane
The Jewish Community of Trieste is hosting two guided tours of the Jewish Cemetery. They’ll be on Thursday, May 2nd, and Thursday, May 9th, both at 10:00 a.m. Space is limited, so booking is required. For details and reservations, visit@triestebraica.it.
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