Guided tour of the Wertheimer synagogue, accessible as part of the Austrian Jewish Museum. Dedicated to Jewish life in the province of Burgenland, the museum opened in 1982 in the former mansion of Samson Wertheimer (1659-1724). The private synagogue is part of the mansion.
Wertheimer had a prominent role at the Viennese court, where from 1694 to 1709 he worked for emperors Leopold I, Joseph I, and Charles VI as Hofoberfaktor or chief administrator of financial affairs. He also served the Esterhazy family in Burgenland and was Rabbi of Hungary and Moravia.
A mob destroyed Eisenstadt’s main synagogue on Kristallnacht in 1938 but the they overlooked the Wertheimer Shul, hidden in the mansion. The synagogue was re-consecrated for Jewish worship in 1979.
In its current form the synagogue dates almost entirely from 1832, having been refurbished after the Eisenstadt ghetto was badly damaged in a fire of 1795. Its design includes many elements typical of the period, including a high ceiling and a chandelier hanging from a painted rosette. At the inauguration of the building in 1834, members of the community contributed ceremonial silver, a painted glass beaker for the Hevrah Kadisha (Burial Society), Torah scrolls, an elaborate Parohet (Ark curtain) and a parchment Megillah (Scroll of the Book of Esther) executed by the scribe Elie Gabriel, all of which are among the items displayed in the museum today.
A nighttime tour of the Old and New Jewish cemeteries, in Eisenstadt. Bring a flashlight!
Of the older cemetery, in used from 1679 to 1874, can be considered one of the most important Jewish cemeteries in Europe. The newer cemetery, used until 1938, tells stories about the last decades of Jewish life in Eisenstadt.
Guided tour of the Wertheimer synagogue, accessible as part of the Austrian Jewish Museum. Dedicated to Jewish life in the province of Burgenland, the museum opened in 1982 in the former mansion of Samson Wertheimer (1659-1724). The private synagogue is part of the mansion.
Wertheimer had a prominent role at the Viennese court, where from 1694 to 1709 he worked for emperors Leopold I, Joseph I, and Charles VI as Hofoberfaktor or chief administrator of financial affairs. He also served the Esterhazy family in Burgenland and was Rabbi of Hungary and Moravia.
A mob destroyed Eisenstadt’s main synagogue on Kristallnacht in 1938 but the they overlooked the Wertheimer Shul, hidden in the mansion. The synagogue was re-consecrated for Jewish worship in 1979.
In its current form the synagogue dates almost entirely from 1832, having been refurbished after the Eisenstadt ghetto was badly damaged in a fire of 1795. Its design includes many elements typical of the period, including a high ceiling and a chandelier hanging from a painted rosette. At the inauguration of the building in 1834, members of the community contributed ceremonial silver, a painted glass beaker for the Hevrah Kadisha (Burial Society), Torah scrolls, an elaborate Parohet (Ark curtain) and a parchment Megillah (Scroll of the Book of Esther) executed by the scribe Elie Gabriel, all of which are among the items displayed in the museum today.
A day-long conference to mark the 200th anniversary of the synagogue of Haguenau, in France’s Alsace region.
Baden bei Wien – Baden by Vienna – was long a popular spa and summer guests were originally attracted by the glamorous presence of the Imperial Court.
Many of these families who spent their summers in Baden had Jewish roots. They built villas in a variety of styles – historicist, art nouveau and modernist – a fascinating mixture and shaped summer life in Baden until 1938.
This exhibition is dedicated to ten families and their villas.
Click here for an interactive map with the villas
Gala ceremony to mark the 200th anniversary of the synagogue in Ingwiller.
A series of events in November and December celebrate the 140th anniversary of the Grande Synagogue. The series kicks off November 9 with an official ceremony.
See the program below:
Presenting a selection of nearly 150 pieces from various sources, this photographic exhibition recreates the history of Salonika (today Thessaloniki) Greece from the second half of the 19th century to the end of the First World War. Men and women are captured in their traditional costumes: modest artisans, porters, traders, members of the local “aristocracy;” society is revealed. Urban modernization is also shown: the quays and the White Tower, cafes, restaurants and entertainment venues; the Countryside sector where the notables established their residence; deprived areas, where emerging industries were established.
But also, in the now Greek city, the great fire of August 1917, an authentic trauma for the Jews who saw their historic neighborhoods, the municipal archives and more than thirty synagogues swept away by the flames, before the geopolitical upheavals caused by the First War worldwide.
An exhibition of art-enhanced photographs by Dmytro Polyukhovich based on the carvings on the centuries-old matzevot in the Jewish cemetery in Sataniv (which unfortunately has suffered extensive damage in recent years by a self-appointed Haredi man claiming to restore it).
The images for the exhibition focus on specific details of the carved iconography, which combines religious tradition with folk art — floral motifs, animals (and imaginary animals), symbols, religious allegories, and more.
To create the exhibition pieces, Polyukovich manipulated his original photos of the matzevot in Adobe Photoshop, cutting away everything except for the specific detail of the carving that he wanted to highlight and then adding color.
NOTE: The exhibition will be open every Wednesday and every Sunday from 10:00 a.m. to 7:00 p.m. It is also possible to organize group tours every Tuesday, Thursday and Sunday.
A multimedia exhibition by the artist, architect and historian Natalia Romik dedicated to the creativity of Polish Jews seeking to survive the Shoah in hiding.
In Poland and Ukraine during World War II, approximately 50,000 people survived persecution by the German occupying forces in hiding. The majority of them were Jewish. They found refuge in tree hollows, closets, basements, sewers, empty graves, and other precarious locations. Natalia Romik’s exhibition “Hideouts. The Architecture of Survival” pays tribute to these fragile places of refuge and explores their physicality. The show poses basic questions about the relationship between architecture, private life, and the public sphere: it addresses the protective function of spaces and emphasizes the creativity those in hiding brought to bear in their attempt to survive.
In a research project extending over several years, Natalia Romik and an interdisciplinary team of researchers consulted oral histories to identify several hiding places, which they explored using forensic methods. The multimedia exhibition “Hideouts. The Architecture of Survival” presents the results of this research. It consists of sculptures bearing a direct connection to the sites and includes documentary films, forensic recordings, photos, documents, and objects found in the hiding places.
“Hideouts: The Architecture of Survival” is presented in cooperation with the Zachęta National Gallery of Art in Warsaw and the TRAFO Center for Contemporary Art in Szczecin. On the occasion of the show at the Jewish Museum Frankfurt, a catalogue will be published in German and English editions by Hatje Cantz Verlag.
The exhibition was curated by Kuba Szreder and Stanisław Ruksza with the help of Aleksandra Janus (scientific collaboration). For the presentation in Frankfurt, Katja Janitschek, curator of the Judengasse Museum, was responsible for the curatorial project management. We would like to thank the Evonik Foundation for their generous support.
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