The annual Day of Jewish Monuments in the Czech Republic opens Jewish heritage sites all over the country to visitors.
(It does not seems to be coordinated within the umbrella of the European Day of Jewish Culture).
On the web site, you can find lists of events and an interactive map with a list of participating sites and opening hours.
The Štetl Fest in Brno, Czech Republic includes several guided tours of Jewish heritage sites around town, including the synagogue, as well as other events such as concerts, exhibits, theatrical performances, lectures, etc. It is the largest Jewish culture festival in the Czech Republic.
“The main theme of ŠTETL FEST 2022 is related to the project “The Library of Stolen Hopes”, which is currently being developed by the Jewish Community of Brno. It is about the rescue of a unique collection of twelve thousand liturgical books confiscated in Theresienstadt and other concentration camps. The aim of the project is to return the books, based on personal notes, to the descendants of the original owners who did not survive the Holocaust.”
The ŠTETL FEST festival is held under the auspices of the Prime Minister of the Czech Republic, the Ambassador of the State of Israel, the Minister of Culture of the Czech Republic, the Mayor of the Statutory City of Brno, the President of the Constitutional Court of the Czech Republic, the Governor of the South Moravian Region and the Rector of Masaryk University.
The latest edition of the exhibit Neviditelné Synagogy — Invisible Synagogues, photographs by Štěpán Bartoš. The vernissage is November 23 at 17:00.
Bartoš photographs the blank spaces in the Czech Republic where destroyed synagogues once stood and adds a ghostly silhouette of the destroyed synagogue to the exhibition photos of the places where they once stood.
On the Invisible Synagogues project web site (which is in German and Czech) you can see galleries of his photos, without the added silhouette, arranged according to region. They include sites in big cities, small towns, and tiny villages; there are fields and rural spaces as well as modern buildings, crowded city streets, and even artificial lakes.
Read our November 2021 post about his Invisible Synagogues project.
Inauguration of the restored synagogue on the island of Kos.
A new Ark and Bimah and other interior furnishings have been installed and — after decades out of its original use — the building will be rededicated as an active house of Jewish worship.
The Kos synagogue was built in the mid-1930s to replace an older synagogue that was destroyed in an earthquake in April 1933. It was abandoned after the near-total destruction of the circa 120 member Jewish community during the Holocaust, and then was purchased by the Municipality around 1984 and used as a local cultural centre.
The annual Day of Jewish Monuments in the Czech Republic, sponsored by the Prague Jewish Community, the Federation of Jewish Communities and others.
Click to see the preliminary program
The second edition of Štetl Fest centers on the theme of trains.
Trains served as a means of transport for Jewish emigres as well as connection among families and businesses. They also served as escape for Jewish and other refugees seeking freedom from the gradually occupied territories under Nazis control. But tragically, the infamous death trains transported thousands of Jews to death camps and concentration camps. However, trains also carried survivors home and to this day continue to aid those fleeing the ongoing war in Ukraine.
As part of the festival, a memorial dedicated to the deported Jews will be unveiled at Platform 5 of the Brno Main Train Station.
There will also be concerts, talks, and guided tours of the Brno Jewish cemetery and Jewish architectural heritage (some tours in English).
The ŠTETL FEST festival is held under the auspices of the Prime Minister of the Czech Republic, the Ambassador of the State of Israel, the Minister of Culture of the Czech Republic, the Mayor of the Statutory City of Brno, the President of the Constitutional Court of the Czech Republic, the Governor of the South Moravian Region and the Rector of Masaryk University.
Click here to see the full program,
Presenting a selection of nearly 150 pieces from various sources, this photographic exhibition recreates the history of Salonika (today Thessaloniki) Greece from the second half of the 19th century to the end of the First World War. Men and women are captured in their traditional costumes: modest artisans, porters, traders, members of the local “aristocracy;” society is revealed. Urban modernization is also shown: the quays and the White Tower, cafes, restaurants and entertainment venues; the Countryside sector where the notables established their residence; deprived areas, where emerging industries were established.
But also, in the now Greek city, the great fire of August 1917, an authentic trauma for the Jews who saw their historic neighborhoods, the municipal archives and more than thirty synagogues swept away by the flames, before the geopolitical upheavals caused by the First War worldwide.
An exhibition of art-enhanced photographs by Dmytro Polyukhovich based on the carvings on the centuries-old matzevot in the Jewish cemetery in Sataniv (which unfortunately has suffered extensive damage in recent years by a self-appointed Haredi man claiming to restore it).
The images for the exhibition focus on specific details of the carved iconography, which combines religious tradition with folk art — floral motifs, animals (and imaginary animals), symbols, religious allegories, and more.
To create the exhibition pieces, Polyukovich manipulated his original photos of the matzevot in Adobe Photoshop, cutting away everything except for the specific detail of the carving that he wanted to highlight and then adding color.
NOTE: The exhibition will be open every Wednesday and every Sunday from 10:00 a.m. to 7:00 p.m. It is also possible to organize group tours every Tuesday, Thursday and Sunday.
The latest edition of the exhibit Neviditelné Synagogy — Invisible Synagogues, photographs by Štěpán Bartoš.
Bartoš photographs the blank spaces in the Czech Republic where destroyed synagogues once stood and adds a ghostly silhouette of the destroyed synagogue to the exhibition photos of the places where they once stood.
On the Invisible Synagogues project web site (which is in German and Czech) you can see galleries of his photos, without the added silhouette, arranged according to region. They include sites in big cities, small towns, and tiny villages; there are fields and rural spaces as well as modern buildings, crowded city streets, and even artificial lakes.
Read our November 2021 post about his Invisible Synagogues project.
A multimedia exhibition by the artist, architect and historian Natalia Romik dedicated to the creativity of Polish Jews seeking to survive the Shoah in hiding.
In Poland and Ukraine during World War II, approximately 50,000 people survived persecution by the German occupying forces in hiding. The majority of them were Jewish. They found refuge in tree hollows, closets, basements, sewers, empty graves, and other precarious locations. Natalia Romik’s exhibition “Hideouts. The Architecture of Survival” pays tribute to these fragile places of refuge and explores their physicality. The show poses basic questions about the relationship between architecture, private life, and the public sphere: it addresses the protective function of spaces and emphasizes the creativity those in hiding brought to bear in their attempt to survive.
In a research project extending over several years, Natalia Romik and an interdisciplinary team of researchers consulted oral histories to identify several hiding places, which they explored using forensic methods. The multimedia exhibition “Hideouts. The Architecture of Survival” presents the results of this research. It consists of sculptures bearing a direct connection to the sites and includes documentary films, forensic recordings, photos, documents, and objects found in the hiding places.
“Hideouts: The Architecture of Survival” is presented in cooperation with the Zachęta National Gallery of Art in Warsaw and the TRAFO Center for Contemporary Art in Szczecin. On the occasion of the show at the Jewish Museum Frankfurt, a catalogue will be published in German and English editions by Hatje Cantz Verlag.
The exhibition was curated by Kuba Szreder and Stanisław Ruksza with the help of Aleksandra Janus (scientific collaboration). For the presentation in Frankfurt, Katja Janitschek, curator of the Judengasse Museum, was responsible for the curatorial project management. We would like to thank the Evonik Foundation for their generous support.
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