Exhibition of Photographs by Vincent Giordano.
The photographs are part of a multi-media archive, created by Giordano, who died in 2010, that was sponsored by International Survey of Jewish Monuments and in 2019 will find a new home at the Hellenic American Project and Special Collections at the Library of Queens College, New York.
Giordano’s photographs document two related communities of Greek Romaniote Jews – in Ioannina, in northwestern Greece and on Broome Street on New York’s Lower East Side. Romaniote Jews trace their religious and cultural heritage to the Judaism of the ancient Greco-Roman world two-thousand years ago, and these two tiny congregations are among the few remaining to follow these traditions. Romaniotes have their own liturgy and cultural traditions, as well as their own language, a dialect of Greek that combines words and phrases from Hebrew and Turkish. This luminous black and white photo essay includes a poignant exploration of liturgy and ritual, conveying how people engage with religious space and carry on their time-honored sacred traditions.
The exhibition will open on Thursday, September 19th , 2019 at 6:00 p.m. it will continue through October 3rd, 2019.
A panel discussion by experts will take place at the Consulate on Wednesday, September 25th, 2019 at 6:00 p.m.
The opening of a photo exhibition by Rudolf Klein that presents a brief survey of synagogues converted into museums and galleries in Hungary, Austria, Bosnia‐Herzegovina, Czech Republic, Poland, Romania, Serbia and Slovakia. The exhibit runs until January 16, 2020.
The opening includes talks (in English) by Klein, Polish researcher Natalia Romik, and Professor Thomas Gergely.
Prior registration is required. Click here
The event is organized in collaboration with the Great Synagogue of Europe, the Balassi Institute, the Polish Institute and the Austrian Cultural Forum.
A one-day Conference to Launch POLIN: Studies in Polish-Jewry
Vol. 32: ‘Jewish Musicians and Jewish Music-Making in Polish Lands’
Organized by the Institute for Polish-Jewish Studies, and the Institute of Jewish Studies, UCL.
Co-organized and supported by the Embassy of the Republic of Poland, and the Polish Cultural Institute, London, with the support of Ślipaczek Chartered Financial Planners
The astounding variety of music of all genres and styles produced by musicians of Jewish heritage in Europe since 1750 has been examined almost entirely in the context of German-speaking Europe or in studies of a group of composers who strongly self-identified as Jews.
In five thematic sections, this multi-disciplinary volume presents rich coverage of the main genres produced by musicians of Jewish origin in the Polish lands: Cantorial and Religious Music, Jews in Polish Popular Culture, Jews in the Polish classical music scene, The Holocaust reflected in Jewish music, and Klezmer in Poland today. This volume explores the activities and great creativity of musicians of the ‘Mosaic persuasion’, covering the area of the Polish-Lithunanian Commonwealth and its successor states from 1750 to the present.
The conference will look at Cantorial Music, Jews and Polish popular culture, and Klezmer in Poland today. And there will be music!
‘POLIN Vol. 32’ is published by the Littman Library of Jewish Civilisation/Liverpool University Press.
Volume Editors: François Guesnet, Benjamin Matis, and Antony Polonsky.
Willesden Jewish Cemetery reopens as multifaceted place of public heritage — the House of Life: an example of how Jewish cemeteries can be integrated into tourism while respecting the sanctity of the place
If offers guided tours, lectures, an exhibit in a new visitors’ center, and other public programming.
It respects its sanctity as a burial site but enables visitors to explore Jewish history and heritage, as well as learn about the lives of the many Jewish personalities buried there and engage with issues related to death, funeral traditions, and funerary art.
See cemetery web site for more details — http://www.willesdenjewishcemetery.org.uk
Click to read our article about it
Inauguration of the restored synagogue on the island of Kos.
A new Ark and Bimah and other interior furnishings have been installed and — after decades out of its original use — the building will be rededicated as an active house of Jewish worship.
The Kos synagogue was built in the mid-1930s to replace an older synagogue that was destroyed in an earthquake in April 1933. It was abandoned after the near-total destruction of the circa 120 member Jewish community during the Holocaust, and then was purchased by the Municipality around 1984 and used as a local cultural centre.
The Centre for Religion and Heritage of the University of Groningen will host a half-day public symposium to launch the Bloomsbury Handbook of Religion and Heritage in Contemporary Europe. This event will also inaugurate a new European project on minority religious heritage.
The event takes place in person and also online. Click HERE to register
The organizers state:
The Handbook provides a state-of-the-art guide by leading international scholars, policy makers and heritage practitioners. With 46 chapters, we cannot address all the contributions, thus we have chosen to concentrate on those which examine how religious communities are using their rich heritage to make new meanings for themselves in Europe. Our focus will be on Jewish, Muslim and Christian heritage. We want to think together about the challenges facing these communities, as they grapple with being Jewish or Muslim minorities in a historically Christian landscape, or with being a minority of practicing Christians in the highly secularized society, such as that of Northern Netherlands. Reflecting on these questions together with our Handbook authors will aid the start of a new project in the Erasmus Plus program called European Pathways to Minority Religious Heritage (Miretage). Over three years we are exploring how minority religious heritage can be taught as a co-creative activity between heritage institutions, creative organizations and minority communities. On hand to participate in the symposium are partners from Storytelling Center Amsterdam, Autonomous University of Barcelona, Moslim Archief Rotterdam, KU Leuven, Future for Religious
Click here to see the program for the January 23 event
The new Dutch National Holocaust Museum will be officially opened March 10 by King Willem-Alexander at a ceremony attended by the prime minister and other VIPs. The king will also give a speech at a gathering in the nearby Portuguese Synagogue.
The museum then opens to the public on March 11, from 10 am-5 pm (almost) daily.
The museum tells the story of the Nazi persecution and murder of the Jews of the Netherlands.
This is the first and only museum to relate the history of the persecution of the Jews of the entire Netherlands. Including the day-to-day life of Jews on the eve of the Second World War, the liberation as Jews experienced it, and how the Holocaust has been treated in our national culture of remembrance: all this is examined in the museum.
The Museum is part of the Jewish Cultural Quarter in Amsterdam. Germany and Austria have contributed financially to the establishment of the museum.
(Photo: © Thijs Wolzak/National Holocaust Museum)
The new Dutch National Holocaust Museum will be officially opened March 10 by King Willem-Alexander at a ceremony attended by the prime minister and other VIPs. The king will also give a speech at a gathering in the nearby Portuguese Synagogue.
The museum then opens to the public on March 11, from 10 am-5 pm (almost) daily.
The museum tells the story of the Nazi persecution and murder of the Jews of the Netherlands.
This is the first and only museum to relate the history of the persecution of the Jews of the entire Netherlands. Including the day-to-day life of Jews on the eve of the Second World War, the liberation as Jews experienced it, and how the Holocaust has been treated in our national culture of remembrance: all this is examined in the museum.
The Museum is part of the Jewish Cultural Quarter in Amsterdam. Germany and Austria have contributed financially to the establishment of the museum.
(Photo: © Thijs Wolzak/National Holocaust Museum)
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