Opening of the Polish-German exhibition “Over the river. History of Jews on the Odra River,” co-organized by the Museum of the Lubusz Land and the German Cultural Forum of Central and Eastern Europe in Potsdam.
The exhibition is devoted to selected aspects of Jewish history on both sides of the Oder River — a borderland area that changed nationality for centuries, and which was a meeting place for the culture of German Jews and the culture of Polish Jews.
From the organizers:
In the nineteenth century, a growing wave of nationalism and anti-Semitism began to threaten the cultural diversity [of the region] and eventually it was destroyed by Nazism. After World War II, the border between Poland and Germany was marked on the Oder and Nysa Łużycka. After the expulsion and displacement of the German population, these lands became a new homeland for Poles. For a short time it seemed that Polish Jews survived the Holocaust survivors in Lower Silesia and Pomerania. Initially, tens of thousands of them settled here, but most of them left the area by the end of the 1960s. Over time, the thousand-year absence of Jews on the Oder fell into oblivion, and its traces blurred or were destroyed. The exhibition tries to save from oblivion and recall these traces.
The exhibition will continue until April 26, 2020.
The full-scale replica of the wooden synagogue of Połaniec one of the hundreds of East European wooden synagogues destroyed during WW2, will be formally opened — it has been installed at Poland’s largest open-air ethnographic museum, or skansen, the Folk Architecture Museum in Sanok, in the far southeast corner of Poland.
Click here to see our September 13 article and photos about the synagogue and replica.
The two-day opening event includes the inauguration on-site on October 7, plus an excursion to the masonry synagogue and historic Jewish cemetery in nearby Lesko.
The day-long conference takes place October 8, at another location in Sanok, the Jan Grodek State Vocational Academy — ul. Mickiewicza 21.
Inauguration of the restored synagogue on the island of Kos.
A new Ark and Bimah and other interior furnishings have been installed and — after decades out of its original use — the building will be rededicated as an active house of Jewish worship.
The Kos synagogue was built in the mid-1930s to replace an older synagogue that was destroyed in an earthquake in April 1933. It was abandoned after the near-total destruction of the circa 120 member Jewish community during the Holocaust, and then was purchased by the Municipality around 1984 and used as a local cultural centre.
The Centre for Religion and Heritage of the University of Groningen will host a half-day public symposium to launch the Bloomsbury Handbook of Religion and Heritage in Contemporary Europe. This event will also inaugurate a new European project on minority religious heritage.
The event takes place in person and also online. Click HERE to register
The organizers state:
The Handbook provides a state-of-the-art guide by leading international scholars, policy makers and heritage practitioners. With 46 chapters, we cannot address all the contributions, thus we have chosen to concentrate on those which examine how religious communities are using their rich heritage to make new meanings for themselves in Europe. Our focus will be on Jewish, Muslim and Christian heritage. We want to think together about the challenges facing these communities, as they grapple with being Jewish or Muslim minorities in a historically Christian landscape, or with being a minority of practicing Christians in the highly secularized society, such as that of Northern Netherlands. Reflecting on these questions together with our Handbook authors will aid the start of a new project in the Erasmus Plus program called European Pathways to Minority Religious Heritage (Miretage). Over three years we are exploring how minority religious heritage can be taught as a co-creative activity between heritage institutions, creative organizations and minority communities. On hand to participate in the symposium are partners from Storytelling Center Amsterdam, Autonomous University of Barcelona, Moslim Archief Rotterdam, KU Leuven, Future for Religious
Click here to see the program for the January 23 event
The new Dutch National Holocaust Museum will be officially opened March 10 by King Willem-Alexander at a ceremony attended by the prime minister and other VIPs. The king will also give a speech at a gathering in the nearby Portuguese Synagogue.
The museum then opens to the public on March 11, from 10 am-5 pm (almost) daily.
The museum tells the story of the Nazi persecution and murder of the Jews of the Netherlands.
This is the first and only museum to relate the history of the persecution of the Jews of the entire Netherlands. Including the day-to-day life of Jews on the eve of the Second World War, the liberation as Jews experienced it, and how the Holocaust has been treated in our national culture of remembrance: all this is examined in the museum.
The Museum is part of the Jewish Cultural Quarter in Amsterdam. Germany and Austria have contributed financially to the establishment of the museum.
(Photo: © Thijs Wolzak/National Holocaust Museum)
The new Dutch National Holocaust Museum will be officially opened March 10 by King Willem-Alexander at a ceremony attended by the prime minister and other VIPs. The king will also give a speech at a gathering in the nearby Portuguese Synagogue.
The museum then opens to the public on March 11, from 10 am-5 pm (almost) daily.
The museum tells the story of the Nazi persecution and murder of the Jews of the Netherlands.
This is the first and only museum to relate the history of the persecution of the Jews of the entire Netherlands. Including the day-to-day life of Jews on the eve of the Second World War, the liberation as Jews experienced it, and how the Holocaust has been treated in our national culture of remembrance: all this is examined in the museum.
The Museum is part of the Jewish Cultural Quarter in Amsterdam. Germany and Austria have contributed financially to the establishment of the museum.
(Photo: © Thijs Wolzak/National Holocaust Museum)
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