In the 2019 Kirker lecture, given in aid of Venice in Peril, Edmund de Waal considers the Venice Ghetto as a place which is simultaneously at the margins of the city whilst also being at the centre of world culture.
Edmund de Waal is an internationally acclaimed artist and writer, renowned for his family memoir, The Hare with Amber Eyes (2010) which won many literary prices. He was made an OBE for his services to art in 2011. He lives and works in London.
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Presentation of the project documenting and restoring the Jewish catacomb in Venosa, Italy.
Click here to see the program.
Following its discovery and restoration, an elaborate 16th century Aron ha-Kodesh from Pisa, believed to be the oldest Ark in Tuscany, will be displayed as part of a program during which its history and the restoration process will be discussed.
The opening of a photo exhibition by Rudolf Klein that presents a brief survey of synagogues converted into museums and galleries in Hungary, Austria, Bosnia‐Herzegovina, Czech Republic, Poland, Romania, Serbia and Slovakia. The exhibit runs until January 16, 2020.
The opening includes talks (in English) by Klein, Polish researcher Natalia Romik, and Professor Thomas Gergely.
Prior registration is required. Click here
The event is organized in collaboration with the Great Synagogue of Europe, the Balassi Institute, the Polish Institute and the Austrian Cultural Forum.
Dr. Maroš Borský, director of the Jewish Community Museum in Bratislava, Slovakia will give an overview of the remarkable life of Jewish heritage pioneer Eurgen Bárkány, the collection he built, and its future. He will also discuss current synagogue restoration projects in Slovakia and major achievements of the past decade.
Eugen Bárkány (1885–1967) was a civil engineer and successful entrepreneur during the interwar period – and passionate collector in Eastern Slovakia. In 1928, he became a director of the Slovakia´s first Jewish museum in Prešov, which was a private initiative of the Jewish museum association, which Bárkány chaired. The museum assembled a remarkable collection, which survived the war and from 1952–1993 was stored at the State Jewish Museum in Prague, before it was returned to the Jewish Community of Prešov.
Bárkány hid in Budapest in 1942–1945 and returned to Prešov in 1945, where he was subsequently persecuted by the Communist regime, which expelled him from his city. In 1955, Bárkány settled down in Bratislava, where he lived in humble conditions. He continued his survey of Jewish heritage and travelled extensively around Slovakia. In Bratislava, Bárkány assembled another Judaica collection in the Neolog synagogue, and in 1966 a new Jewish museum was planned. This project was not fulfilled, the synagogue was demolished in 1969 and the collection deposited at the Slovak National Museum, from where it returned only in 2002. In 2012, the Jewish Community Museum was established in Bratislava´s only synagogue, which remains in use as an Orthodox house of worship. Since 2016, the Eugen Bárkány Prize has been awarded annually for achievements in Jewish heritage preservation by the Federation of Jewish Communities in Slovakia.
The Jewish Community Museum in Bratislava dedicated in 2018 and 2019 two exhibition projects to Eugen Bárkány and Slovakia´s first Jewish museum in Prešov. The precious collection has remained in the research and exhibition focus of the Museum.
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A native of Bratislava, Dr. Maroš Borský studied art history and Jewish studies in Bratislava, Regensburg, London, Jerusalem, and Heidelberg. From 2001 to 2006, Dr. Borský was the curator at the Slovak National Museum-Museum of Jewish Culture, where he founded and oversaw Synagoga Slovaca, the documentation project of synagogue architecture in Slovakia. Dr. Borský is the director of the Jewish Community Museum and Jewish Cultural Institute in Bratislava.
The Duomo & The Great Synagogue: An Evening of Italian Culture
An evening of Jewish and Florentine architecture, culture, music, and food.
• Informal talks about the history and architecture of two of Florence, Italy’s grandest and most iconic structures — the Santa Maria del Fiore Cathedral (the Duomo) and the Great Synagogue — by Ross King, author of the national bestseller Brunelleschi’s Dome, and noted scholar Professor Francesco Spagnolo, Curator of The Magnes Collection of Jewish Art and Life at UC Berkeley.
• Q&A session moderated by Gail Price, former Executive Director of The American Institute of Architects Santa Clara Valley Chapter.
•The San Jose Chamber players with Cantor Sharon Bernstein presenting both Jewish and Italian songs.
• Italian appetizers and ice cream.
A discussion sponsored by the American Academy in Rome: (AAR)
The first Conversations/Conversazioni of the calendar year will feature David Nirenberg (2021 Resident), the Deborah R. and Edgar D. Jannotta Distinguished Service Professor of Medieval History and Social Thought at the University of Chicago, where he is also dean of the Divinity School, and AAR Director Avinoam Shalem (2016 Resident).
“Ghetto” emerged as a word to describe a specific late-medieval phenomenon: the creation in Christian cities of segregated and walled neighborhoods in which Jews were required to live. Today its meanings are vaster, and it serves as a metaphor for many different types of containment and segregation. How did these urban spaces emerge? Why did they prove so useful as marginal spaces and a metaphor? And what work do the phenomenon and the metaphor do today?
This conversation, to be presented on Zoom, is free and open to the public. Please register in advance. After registering, you will receive a confirmation email containing information about joining the meeting.
The start time of this lecture is 6:00pm Central European Time (12:00 noon Eastern Time). It is being recorded and will be edited and posted on the AAR website at a later date.
I-Tal-Ya is a collaborative effort to identify and catalogue every Hebrew book in Italy. It is being carried out by the Union of Jewish Communities in Italy (UCEI), the Rome National Central Library (BNCR), and the National Library of Israel (NLI) in Jerusalem, with the support of the Rothschild Foundation Hanadiv Europe.
The project includes cataloguing an estimated 35,000 volumes from 14 Jewish communities and 25 state institutions and will take approximately three years to complete.
The event is held within the program of Ferrara’s annual Jewish Book Festival.
Les stèles funéraires de l’ancien cimetière juif de Venise. Art, histoire et poésie
A lecture in French by Sofia Locatelli about the carved imagery found in the Old Jewish Cemetery in Venice, 1386-1774.
Construit en 1386 sur un terrain stérile concédé aux juifs par la République de Venise au Lido, à l’Est de la ville, l’ancien cimetière juif San Nicolò précède de plus d’un siècle la clôture du ghetto. En raison de son emplacement favorable, face à la lagune, la nécropole fut parfois utilisée à des fins défensives et militaires. De nombreuses stèles funéraires furent perdues, détruites ou réutilisées, et d’autres déplacées sur un terrain situé plus au Sud, devenu officiellement le « nouveau cimetière » en 1774. Les tombes de l’ancienne nécropole sont des artefacts riches en histoire, en poésie et en art. Leur étude permet de restituer la vie et les événements des membres de la communauté, mais également de détecter des aspects significatifs de la culture littéraire et artistique de l’époque.
Les épitaphes, véritables poèmes en rimes et en rythme, et le complexe réseau iconographique et symbolique gravé sur les stèles, font de l’ancien cimetière du Lido une source de connaissance exceptionnelle sur l’art et la poésie juives dans l’Italie de l’époque moderne.
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