Kyiv fine art gallery Triptych: Global Arts Workshop with the support of the Embassy of the Federal Republic of Germany in Kyiv presents ‘IN FADING LIGHT: Jewish Traces in the East of Europe’.
Photographs by Christian Herrmann
🔸The exhibition will be on display 26th September to 9th October 2019, Mon-Sat 11.00-19.00.
🔸Sunday closed.
🔸Entrance is free.
🔸Private view: Thursday 26th September at 19.00.
🔸Artist Talk: Saturday 29th September at 17.30.
This exhibition is part of a wider programme of events commemorating the Babyn Yar massacre (29-30th September 1941). It presents for the first time 14 photographs of Jewish heritage sites taken during the photographer’s travels in Ukraine and Belarus in 2018 and 2019: synagogues, batei midrash, private houses, and cemeteries, some ruined or abandoned, others repurposed.
Kyiv fine art gallery Triptych: Global Arts Workshop with the support of the Embassy of the Federal Republic of Germany in Kyiv presents ‘IN FADING LIGHT: Jewish Traces in the East of Europe’.
Photographs by Christian Herrmann
🔸The exhibition will be on display 26th September to 9th October 2019, Mon-Sat 11.00-19.00.
🔸Sunday closed.
🔸Entrance is free.
🔸Private view: Thursday 26th September at 19.00.
🔸Artist Talk: Saturday 29th September at 17.30.
This exhibition is part of a wider programme of events commemorating the Babyn Yar massacre (29-30th September 1941). It presents for the first time 14 photographs of Jewish heritage sites taken during the photographer’s travels in Ukraine and Belarus in 2018 and 2019: synagogues, batei midrash, private houses, and cemeteries, some ruined or abandoned, others repurposed.
Kyiv fine art gallery Triptych: Global Arts Workshop with the support of the Embassy of the Federal Republic of Germany in Kyiv presents ‘IN FADING LIGHT: Jewish Traces in the East of Europe’.
Photographs by Christian Herrmann
🔸The exhibition will be on display 26th September to 9th October 2019, Mon-Sat 11.00-19.00.
🔸Sunday closed.
🔸Entrance is free.
🔸Private view: Thursday 26th September at 19.00.
🔸Artist Talk: Saturday 29th September at 17.30.
This exhibition is part of a wider programme of events commemorating the Babyn Yar massacre (29-30th September 1941). It presents for the first time 14 photographs of Jewish heritage sites taken during the photographer’s travels in Ukraine and Belarus in 2018 and 2019: synagogues, batei midrash, private houses, and cemeteries, some ruined or abandoned, others repurposed.
Kyiv fine art gallery Triptych: Global Arts Workshop with the support of the Embassy of the Federal Republic of Germany in Kyiv presents ‘IN FADING LIGHT: Jewish Traces in the East of Europe’.
Photographs by Christian Herrmann
🔸The exhibition will be on display 26th September to 9th October 2019, Mon-Sat 11.00-19.00.
🔸Sunday closed.
🔸Entrance is free.
🔸Private view: Thursday 26th September at 19.00.
🔸Artist Talk: Saturday 29th September at 17.30.
This exhibition is part of a wider programme of events commemorating the Babyn Yar massacre (29-30th September 1941). It presents for the first time 14 photographs of Jewish heritage sites taken during the photographer’s travels in Ukraine and Belarus in 2018 and 2019: synagogues, batei midrash, private houses, and cemeteries, some ruined or abandoned, others repurposed.
Dr Sofiya Dyak, Nikita Kadan and Professor Philippe Sands discuss the evolution of the practices of Holocaust remembrance and its public discourse in Ukraine: How are these tragic events remembered across different communities and why? How to deal with histories of lands subjected to multiple occupations and mass murder across communities? How to write a historic narrative for the country, which is still in a state of war?
This event is part of Holocaust Memorial Day.
Dr Sofiya Dyak is the Director of the Lviv Centre of Urban History, a private institution which initiated a number of important initiatives commemorating Jewish community presence in Lviv in partnership with Lviv’s municipality, including the Space of Synagogues memorial. In 2017, the centre hosted the “Un-named” project, reflecting on mass violence in Ukraine between 1931 and 1945. The project included visual work by Nikita Kadan, Ukraine’s contemporary artist. Similarly, Professor Philippe Sands traced his family history back to Lviv, with the city becoming the focus of much of his literary work and intellectual reflection.
European Humanities University (EHU) and the Center for Belarusian Community and Culture in Vilnius will host a premiere presentation of “Extermination” — an audiovisual installation about the Great Synagogue of Grodno, which was constructed in the 16th century and was rebuilt many times after devastating fires.
Kseniya Shtalenkova (lecturer in the Academic Department of Humanities and Arts at EHU, Philosophy PhD candidate) is the project curator and Viktoryia Bahdanovich (fourth-year student of the BA program in Visual Design) is the project production designer and executive producer.
The “Extermination” audiovisual installation is a monologue on the history of the place as well as an individual experience of a person in time and space.
The installation has been created as a part of the project on “Preservation and Actualization of Former Synagogues in Belarus for the Benefit of Local Communities” by Stsiapan Stureika, Professor of Humanities and Arts at EHU. Project research conducted for the work on the installation was conducted with the participation of EHU students.
The presentation will be delivered in Russian with subtitles in English.
Register by November 26.
Click here to register on Zoom (or for in-person attendance)
The event will be also streamed online via EHU’s Facebook page.
NOTE: you can attend the event physically at the Belarusian House (Vilniaus g. 20) by pre-registration at the same link to register on Zoom
An exhibition of art-enhanced photographs by Dmytro Polyukhovich based on the carvings on the centuries-old matzevot in the Jewish cemetery in Sataniv (which unfortunately has suffered extensive damage in recent years by a self-appointed Haredi man claiming to restore it).
The images for the exhibition focus on specific details of the carved iconography, which combines religious tradition with folk art — floral motifs, animals (and imaginary animals), symbols, religious allegories, and more.
To create the exhibition pieces, Polyukovich manipulated his original photos of the matzevot in Adobe Photoshop, cutting away everything except for the specific detail of the carving that he wanted to highlight and then adding color.
NOTE: The exhibition will be open every Wednesday and every Sunday from 10:00 a.m. to 7:00 p.m. It is also possible to organize group tours every Tuesday, Thursday and Sunday.
A multimedia exhibition by the artist, architect and historian Natalia Romik dedicated to the creativity of Polish Jews seeking to survive the Shoah in hiding.
In Poland and Ukraine during World War II, approximately 50,000 people survived persecution by the German occupying forces in hiding. The majority of them were Jewish. They found refuge in tree hollows, closets, basements, sewers, empty graves, and other precarious locations. Natalia Romik’s exhibition “Hideouts. The Architecture of Survival” pays tribute to these fragile places of refuge and explores their physicality. The show poses basic questions about the relationship between architecture, private life, and the public sphere: it addresses the protective function of spaces and emphasizes the creativity those in hiding brought to bear in their attempt to survive.
In a research project extending over several years, Natalia Romik and an interdisciplinary team of researchers consulted oral histories to identify several hiding places, which they explored using forensic methods. The multimedia exhibition “Hideouts. The Architecture of Survival” presents the results of this research. It consists of sculptures bearing a direct connection to the sites and includes documentary films, forensic recordings, photos, documents, and objects found in the hiding places.
“Hideouts: The Architecture of Survival” is presented in cooperation with the Zachęta National Gallery of Art in Warsaw and the TRAFO Center for Contemporary Art in Szczecin. On the occasion of the show at the Jewish Museum Frankfurt, a catalogue will be published in German and English editions by Hatje Cantz Verlag.
The exhibition was curated by Kuba Szreder and Stanisław Ruksza with the help of Aleksandra Janus (scientific collaboration). For the presentation in Frankfurt, Katja Janitschek, curator of the Judengasse Museum, was responsible for the curatorial project management. We would like to thank the Evonik Foundation for their generous support.
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