Lecture on the past, present, and future of Jewish museums by Dr. Barbara Kirshenblatt-Gimblett, Chief Curator of the POLIN Museum of the History of Polish Jews in Warsaw, Poland and Professor Emerita of Performance Studies at New York University.
Dr. Maroš Borský, director of the Jewish Community Museum in Bratislava, Slovakia will give an overview of the remarkable life of Jewish heritage pioneer Eurgen Bárkány, the collection he built, and its future. He will also discuss current synagogue restoration projects in Slovakia and major achievements of the past decade.
Eugen Bárkány (1885–1967) was a civil engineer and successful entrepreneur during the interwar period – and passionate collector in Eastern Slovakia. In 1928, he became a director of the Slovakia´s first Jewish museum in Prešov, which was a private initiative of the Jewish museum association, which Bárkány chaired. The museum assembled a remarkable collection, which survived the war and from 1952–1993 was stored at the State Jewish Museum in Prague, before it was returned to the Jewish Community of Prešov.
Bárkány hid in Budapest in 1942–1945 and returned to Prešov in 1945, where he was subsequently persecuted by the Communist regime, which expelled him from his city. In 1955, Bárkány settled down in Bratislava, where he lived in humble conditions. He continued his survey of Jewish heritage and travelled extensively around Slovakia. In Bratislava, Bárkány assembled another Judaica collection in the Neolog synagogue, and in 1966 a new Jewish museum was planned. This project was not fulfilled, the synagogue was demolished in 1969 and the collection deposited at the Slovak National Museum, from where it returned only in 2002. In 2012, the Jewish Community Museum was established in Bratislava´s only synagogue, which remains in use as an Orthodox house of worship. Since 2016, the Eugen Bárkány Prize has been awarded annually for achievements in Jewish heritage preservation by the Federation of Jewish Communities in Slovakia.
The Jewish Community Museum in Bratislava dedicated in 2018 and 2019 two exhibition projects to Eugen Bárkány and Slovakia´s first Jewish museum in Prešov. The precious collection has remained in the research and exhibition focus of the Museum.
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A native of Bratislava, Dr. Maroš Borský studied art history and Jewish studies in Bratislava, Regensburg, London, Jerusalem, and Heidelberg. From 2001 to 2006, Dr. Borský was the curator at the Slovak National Museum-Museum of Jewish Culture, where he founded and oversaw Synagoga Slovaca, the documentation project of synagogue architecture in Slovakia. Dr. Borský is the director of the Jewish Community Museum and Jewish Cultural Institute in Bratislava.
A talk by by László Márk Negyela on the iconography of the art nouveau synagogue in Subotica, Serbia, designed by the Hungarian architects Komor and Jakab. (In Hungarian)
Online lecture by Leon Saltiel on his research on the destruction of the Jewish cemetery of Thessaloniki (Salonika), Greece.
The lecture is sponsored by the @UCLA Stavros Niarchos Foundation Center.
Les stèles funéraires de l’ancien cimetière juif de Venise. Art, histoire et poésie
A lecture in French by Sofia Locatelli about the carved imagery found in the Old Jewish Cemetery in Venice, 1386-1774.
Construit en 1386 sur un terrain stérile concédé aux juifs par la République de Venise au Lido, à l’Est de la ville, l’ancien cimetière juif San Nicolò précède de plus d’un siècle la clôture du ghetto. En raison de son emplacement favorable, face à la lagune, la nécropole fut parfois utilisée à des fins défensives et militaires. De nombreuses stèles funéraires furent perdues, détruites ou réutilisées, et d’autres déplacées sur un terrain situé plus au Sud, devenu officiellement le « nouveau cimetière » en 1774. Les tombes de l’ancienne nécropole sont des artefacts riches en histoire, en poésie et en art. Leur étude permet de restituer la vie et les événements des membres de la communauté, mais également de détecter des aspects significatifs de la culture littéraire et artistique de l’époque.
Les épitaphes, véritables poèmes en rimes et en rythme, et le complexe réseau iconographique et symbolique gravé sur les stèles, font de l’ancien cimetière du Lido une source de connaissance exceptionnelle sur l’art et la poésie juives dans l’Italie de l’époque moderne.
Gala ceremony to mark the 200th anniversary of the synagogue in Ingwiller.
A series of events in November and December celebrate the 140th anniversary of the Grande Synagogue. The series kicks off November 9 with an official ceremony.
See the program below:
A talk (in French) by the expert on synagogue architecture Dominique Jarrassé, emeritus professor of art history and the université Bordeaux Montaigne, about the art nouveau synagogue built on rue Pavée in the Marais Jewish district of Paris for the orthodox Agoudas hakehilos congregation. It was designed by Hector Guimard, one of the most modern architects of his time.
Lecture by Catherine Trautmann, president of the Maison du Judaïsme Rhénan association, will discuss how three associations — the Society for the Study of Judaism in Alsace-Lorraine, Les Routes du Judaïsme Rhénan and the Maison du Judaïsme Rhénan — have created a new Rhineland Judaism Center.
They hope to pool their resources within the framework of joint projects.
This conference is an opportunity to publicly present this dynamic, inspired by the example of the German ShUM cities (Mainz, Worms and Speyer) and Erfurt, whose Jewish heritage from the Middle Ages has been included on the UNESCO world heritage roster.
Under discussion will be the responsibility of Alsace, which has the largest concentration of Jewish heritage sites in France, for the protection, enhancement and access to this heritage.
Click here to find a link to register
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