An international conference/workshop on: “Toledo in the management of the New Jewish Archaeology in Europe”.
Organised by the Sephardic Museum in Toledo, the conference falls within a research project that has among its tasks the dissemination of the important archaeological findings that have been produced in recent years in the area of the Jewish quarter of Toledo, in addition to highlighting the city and the Spanish-Jewish and Sephardic heritage, nationally and internationally. The objective of the conference will be “not only to create a scientific space for the exchange of academic news at a local, national and European level, but also to highlight the singular and unique value of the city of Toledo within the archaeological map of Jewish heritage in Spain.”
Presenting a selection of nearly 150 pieces from various sources, this photographic exhibition recreates the history of Salonika (today Thessaloniki) Greece from the second half of the 19th century to the end of the First World War. Men and women are captured in their traditional costumes: modest artisans, porters, traders, members of the local “aristocracy;” society is revealed. Urban modernization is also shown: the quays and the White Tower, cafes, restaurants and entertainment venues; the Countryside sector where the notables established their residence; deprived areas, where emerging industries were established.
But also, in the now Greek city, the great fire of August 1917, an authentic trauma for the Jews who saw their historic neighborhoods, the municipal archives and more than thirty synagogues swept away by the flames, before the geopolitical upheavals caused by the First War worldwide.
The history of the Jewish ghetto of Florence, which existed in the city between the sixteenth and nineteenth centuries, is an exhibition organized by the Uffizi Galleries and arranged in the Gallery of Modern Art of Pitti Palace. Curated by Piergabriele Mancuso, Alice S. Legé and Sefy Hendler (The Medici Archive Project), the exhibition can be visited until January 28, 2024.
The ghetto of Florence was established in 1570 by Cosimo I and Carlo Pitti, and was demolished between 1892 and 1895. For almost three centuries the ghetto was the gravity point of Hebraism in Florence.
Subdivided into five sections,the exhibition draws from the extraordinary cultural heritage of Florence as well as from important international loans. It reveals a significant and forgotten chapter of the Medici’s political strategy in a centuries-old context of conflicts, diplomacy and cultural exchanges.
The exhibition starts with the Florence of Cosimo the Elder and Lorenzo the Magnificent; illuminated manuscripts commissioned by Jewish and Medici patrons, which was the result of the interaction between Jewish scribes and Christian artists of the early Tuscan Renaissance; loans from the Jewish Theological Seminary of New York and many Italian libraries. Republican and Medicean imagery intertwine in the depiction of paradigmatic biblical figures, “Jewish heroes” such as Donatello’s bronze David (on loan from the Berlin Museums), or Joseph from the series of tapestries woven in Flanders for Cosimo I. The exhibition places mythical figures alongside real ones, revealing little-known pieces of the history of Florentine Judaism, such as the activity of the explorer Moisè Vita Cafsuto or that of the Jewish painter Jona Ostiglio, whose pantings were all commissioned by the Medici court, together with the self-portrait of Isaia or David Tedesco, a little-known author who was probably a pupil of Ostiglio in the first ever art workshop inside an Italian ghetto.
A place of segregation, but also the fulcrum of an important human, cultural and spiritual microcosm, the ghetto of Florence is also reconstructed through a three-dimensional model, the result of a decade of research conducted by the Eugene Grant Jewish History Program of The Medici Archive Project.
Caring about the multiplicity of audiences and the need to break down prejudices and stereotypes, the exhibition investigates the way in which the history of the Grand Duchy is intertwined with that of the Jewish minority, finally shedding light on the events of an important and so far little known chapter of the Renaissance Florence.
An exhibit that documents the urban and architectural experience of the historic ghetto in Verona. It is mounted in connection with Holocaust Remembrance Day, January 27.
Opening hours are:
Mondays 14:00 – 19:00
Tuesday-Saturday 9:00 – 19:00
Special opening
Sunday January 28 9:00 – 19:00
The Centre for Religion and Heritage of the University of Groningen will host a half-day public symposium to launch the Bloomsbury Handbook of Religion and Heritage in Contemporary Europe. This event will also inaugurate a new European project on minority religious heritage.
The event takes place in person and also online. Click HERE to register
The organizers state:
The Handbook provides a state-of-the-art guide by leading international scholars, policy makers and heritage practitioners. With 46 chapters, we cannot address all the contributions, thus we have chosen to concentrate on those which examine how religious communities are using their rich heritage to make new meanings for themselves in Europe. Our focus will be on Jewish, Muslim and Christian heritage. We want to think together about the challenges facing these communities, as they grapple with being Jewish or Muslim minorities in a historically Christian landscape, or with being a minority of practicing Christians in the highly secularized society, such as that of Northern Netherlands. Reflecting on these questions together with our Handbook authors will aid the start of a new project in the Erasmus Plus program called European Pathways to Minority Religious Heritage (Miretage). Over three years we are exploring how minority religious heritage can be taught as a co-creative activity between heritage institutions, creative organizations and minority communities. On hand to participate in the symposium are partners from Storytelling Center Amsterdam, Autonomous University of Barcelona, Moslim Archief Rotterdam, KU Leuven, Future for Religious
Click here to see the program for the January 23 event
The latest edition of the exhibit Neviditelné Synagogy — Invisible Synagogues, photographs by Štěpán Bartoš.
Bartoš photographs the blank spaces in the Czech Republic where destroyed synagogues once stood and adds a ghostly silhouette of the destroyed synagogue to the exhibition photos of the places where they once stood.
On the Invisible Synagogues project web site (which is in German and Czech) you can see galleries of his photos, without the added silhouette, arranged according to region. They include sites in big cities, small towns, and tiny villages; there are fields and rural spaces as well as modern buildings, crowded city streets, and even artificial lakes.
Read our November 2021 post about his Invisible Synagogues project.
The new Dutch National Holocaust Museum will be officially opened March 10 by King Willem-Alexander at a ceremony attended by the prime minister and other VIPs. The king will also give a speech at a gathering in the nearby Portuguese Synagogue.
The museum then opens to the public on March 11, from 10 am-5 pm (almost) daily.
The museum tells the story of the Nazi persecution and murder of the Jews of the Netherlands.
This is the first and only museum to relate the history of the persecution of the Jews of the entire Netherlands. Including the day-to-day life of Jews on the eve of the Second World War, the liberation as Jews experienced it, and how the Holocaust has been treated in our national culture of remembrance: all this is examined in the museum.
The Museum is part of the Jewish Cultural Quarter in Amsterdam. Germany and Austria have contributed financially to the establishment of the museum.
(Photo: © Thijs Wolzak/National Holocaust Museum)
The new Dutch National Holocaust Museum will be officially opened March 10 by King Willem-Alexander at a ceremony attended by the prime minister and other VIPs. The king will also give a speech at a gathering in the nearby Portuguese Synagogue.
The museum then opens to the public on March 11, from 10 am-5 pm (almost) daily.
The museum tells the story of the Nazi persecution and murder of the Jews of the Netherlands.
This is the first and only museum to relate the history of the persecution of the Jews of the entire Netherlands. Including the day-to-day life of Jews on the eve of the Second World War, the liberation as Jews experienced it, and how the Holocaust has been treated in our national culture of remembrance: all this is examined in the museum.
The Museum is part of the Jewish Cultural Quarter in Amsterdam. Germany and Austria have contributed financially to the establishment of the museum.
(Photo: © Thijs Wolzak/National Holocaust Museum)
For 1,000 years, the teachings of the Jewish scholar and innovative commentator Rashi of Troyes have shaped our humanist, moral and legal values. There is now an initiative to have Rashi and the wider region where he was active in France recognized by the European Heritage Label.
A Public Interest Group has been constituted by the State, the City of Troyes, the Department of Aube, the Region Grand-Est and the Central Consistoire of France to prepare the candidacy for the European Heritage Label designation. The originality of this project to connect the local and regional level where the lack of material artefacts has favored artistic creation and the development of new educational resources and environmentally sustainable tourist networks, with national and international initiatives.
Delphine Yagüe, the Director, and Professor Josef Konvitz, coordinator of the scientific advisory committee for the GIP project, will describe some of the current and planned innovative activities which highlight the European dimension of the site, attracting youth, contributing to the fight against antisemitism, and connecting with the activities of other European Heritage Label sites.
Program 18.00-19:30 CET
18:00: Introduction: Dr. Susanne Urban & Tomasz Wlodarski
18:10: Rashi and Troyes: Memory and Place in 21st Century Europe:
Delphine Yagüe & Prof. Josef Konvitz
19:00: Discussion
19:25: Wrap Up by Michael Mail
Please register for the event here (link to the Google Form) –
https://forms.gle/Wt3Ykc8mDLnvzwBY9
The Zoom link will be sent just prior to the event.
The exhibit showcases Italian Jewish experience in the 20th century, beginning with the destruction of the ghettos at the end of the 19th century, through the Shoah, and up until almost the present day.
It includes contemporary artworks; photographs from public and private archives; historical documents, and family objects.
Comments are closed.