There were more than a thousand shtetls in today’s territories of Poland, Ukraine, Lithuania and Belarus. The Second World War and the Holocaust obliterated the world of shtetls completely. Today, in Opatów—as well as in tens of other Polish towns—there are no more Jews left.
The OPOLIN Museum’s new temporary exhibition titled (post) JEWISH… demonstrates that Polish towns hide two parallel histories. The history of their Polish inhabitants is well known and remembered. The one of their Jewish neighbours who are no more is forgotten or left unsaid.
Guide in the exhibition will be the late Mayer Kirshenblatt, a painter who emigrated to Canada with his mother and brothers as a teenager, in 1934. Mayer recalls the shtetl of his youth, restoring vivid memories of the people, events, daily life and customs. His paintings—full of color, imagination and humor—show us a world that is no more. Looking at them, we learn about our shared Polish-Jewish history.
The exhibition also features a documentation of artistic interventions carried out in today’s Opatów, aimed at discovering and restoring the vestiges of the pre-war Jewish life.
While the historical shtetl has been studied extensively, the post-Jewish town, as a historical phenomenon and evolving site of contested memory, has received less attention. After the Holocaust, the many towns where Jewish communities had lived for centuries and where they had created a distinctive way of life became places without Jews. We want to explore this process of transforming shtetls into post-Jewish space.
The conference is organized as part of the events accompanying the new temporary exhibition of POLIN Museum “(post)JEWISH… Shtetl Opatów Through the Eyes of Mayer Kirshenblatt” opening on May 17, 2024. The exhibition will juxtapose postwar memories of prewar Jewish life in Polish Opatów, as recorded in words and paintings by a self-taught artist – Mayer Kirshenblatt, with the postwar post-Jewish town.
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