More than 1,000 fragments of Jewish headstones that the Communist authorities removed in the 1960s from the Jewish cemetery on Zagorska Street and used to build a railway station platform will be exhibited to the public.
Excavations have been going on for six months to recover them, and they will eventually used to create a memorial.
At 5 pm, at the Muzeum Cafe Jerozolima, there will be a presentation about the history of the cemetery.
I-Tal-Ya is a collaborative effort to identify and catalogue every Hebrew book in Italy. It is being carried out by the Union of Jewish Communities in Italy (UCEI), the Rome National Central Library (BNCR), and the National Library of Israel (NLI) in Jerusalem, with the support of the Rothschild Foundation Hanadiv Europe.
The project includes cataloguing an estimated 35,000 volumes from 14 Jewish communities and 25 state institutions and will take approximately three years to complete.
The event is held within the program of Ferrara’s annual Jewish Book Festival.
The full-scale replica of the wooden synagogue of Połaniec one of the hundreds of East European wooden synagogues destroyed during WW2, will be formally opened — it has been installed at Poland’s largest open-air ethnographic museum, or skansen, the Folk Architecture Museum in Sanok, in the far southeast corner of Poland.
Click here to see our September 13 article and photos about the synagogue and replica.
The two-day opening event includes the inauguration on-site on October 7, plus an excursion to the masonry synagogue and historic Jewish cemetery in nearby Lesko.
The day-long conference takes place October 8, at another location in Sanok, the Jan Grodek State Vocational Academy — ul. Mickiewicza 21.
Italy marks the European Day of Jewish Culture — with events in scores of towns and cities around the country. There are also events scheduled later in the month.
The main centre this year is Padova.
An international conference to officially launch the massive website and digital database of Jewish cemeteries in Turkey, A World Beyond: Jewish Cemeteries in Turkey 1583-1990.
The database and web site are a project of the The Goldstein-Goren Diaspora Research Center of Tel Aviv University. We wrote about it when it first went online last year as a beta version — though the site still says it’s in beta, the kinks that some users experienced appear to have been worked out, and we find it easy to search and use.
Dedicated to the memory of the oriental studies scholar Bernard Lewis, who died in 2018, the database is the culmination of decades of research by Prof. Minna Rozen (and others) and comprises digital images and detailed textual content of more than 61,000 Jewish gravestones from a variety of communities in Turkey from 1583 until 1990. Rozen’s onsite documentation of the cemeteries was carried out in 1988-1990. The material was digitized in the 1990s but until the web site was uploaded, it had not been publicly accessible.
The exhibition focuses on the archaeological findings that demonstrate a Jewish presence in what is now Turkey that goes back more than 2,500 years.
The exhibit includes photos, diagrams, information panels, a 3D reconstruction, and a video that document archaeological finds including inscriptions, gravestones, and the remains of ancient synagogues.
Les stèles funéraires de l’ancien cimetière juif de Venise. Art, histoire et poésie
A lecture in French by Sofia Locatelli about the carved imagery found in the Old Jewish Cemetery in Venice, 1386-1774.
Construit en 1386 sur un terrain stérile concédé aux juifs par la République de Venise au Lido, à l’Est de la ville, l’ancien cimetière juif San Nicolò précède de plus d’un siècle la clôture du ghetto. En raison de son emplacement favorable, face à la lagune, la nécropole fut parfois utilisée à des fins défensives et militaires. De nombreuses stèles funéraires furent perdues, détruites ou réutilisées, et d’autres déplacées sur un terrain situé plus au Sud, devenu officiellement le « nouveau cimetière » en 1774. Les tombes de l’ancienne nécropole sont des artefacts riches en histoire, en poésie et en art. Leur étude permet de restituer la vie et les événements des membres de la communauté, mais également de détecter des aspects significatifs de la culture littéraire et artistique de l’époque.
Les épitaphes, véritables poèmes en rimes et en rythme, et le complexe réseau iconographique et symbolique gravé sur les stèles, font de l’ancien cimetière du Lido une source de connaissance exceptionnelle sur l’art et la poésie juives dans l’Italie de l’époque moderne.
European Humanities University (EHU) and the Center for Belarusian Community and Culture in Vilnius will host a premiere presentation of “Extermination” — an audiovisual installation about the Great Synagogue of Grodno, which was constructed in the 16th century and was rebuilt many times after devastating fires.
Kseniya Shtalenkova (lecturer in the Academic Department of Humanities and Arts at EHU, Philosophy PhD candidate) is the project curator and Viktoryia Bahdanovich (fourth-year student of the BA program in Visual Design) is the project production designer and executive producer.
The “Extermination” audiovisual installation is a monologue on the history of the place as well as an individual experience of a person in time and space.
The installation has been created as a part of the project on “Preservation and Actualization of Former Synagogues in Belarus for the Benefit of Local Communities” by Stsiapan Stureika, Professor of Humanities and Arts at EHU. Project research conducted for the work on the installation was conducted with the participation of EHU students.
The presentation will be delivered in Russian with subtitles in English.
Register by November 26.
Click here to register on Zoom (or for in-person attendance)
The event will be also streamed online via EHU’s Facebook page.
NOTE: you can attend the event physically at the Belarusian House (Vilniaus g. 20) by pre-registration at the same link to register on Zoom
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