In the 2019 Kirker lecture, given in aid of Venice in Peril, Edmund de Waal considers the Venice Ghetto as a place which is simultaneously at the margins of the city whilst also being at the centre of world culture.
Edmund de Waal is an internationally acclaimed artist and writer, renowned for his family memoir, The Hare with Amber Eyes (2010) which won many literary prices. He was made an OBE for his services to art in 2011. He lives and works in London.
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Lecture by Joanna Beata Michlic.
Since the fall of Communism, Łódź, the third-largest city of Poland, has embarked on a process of cultural reorientation. This process aims at reshaping it into a forward-looking twenty-first century European city. A close look at this process reveals that the reinvention of the city depends on what might be called an archaeological project of rediscovering the local pre-1939 multi-ethnic and multicultural heritage. In this lecture, Dr. Michlic examines the dynamics of the rediscovery of the Jewish heritage in Łódź from the perspective of mutual relations between a physical space and various social agents. She focuses on how the city draws on, reworks and articulates the forgotten Jewish heritage.
As part of its “House of Life” project to open the cemetery to the public, nine families will be coming to the historic Willesden Jewish cemetery on May 26 to tell stories of people buried there.
Lecture, in German, by Rudolf Klein, based on his book Metropolitan Jewish Cemeteries in Central and Eastern Europe.
The lecture deals with metropolitan Jewish cemeteries in Central and Eastern Europe, from the aspects of art history, architecture and planning, landscaping, Jewish history, Jewish-Christian/Moslem dialogue, the influence between different European regions, including the impact of the Reform Movement and the Ashkenazi-Sephardi dialogue.
Its subject comprises the entirety of elements of 19th and 20th century Jewish cemeteries: urban location, morphology of cemeteries, gravestone typology, stylistic analysis, symbols and inscriptions – language, content, typography – tahara and ceremonial halls, wells, benches, pergolas, row- and section-markers, etc.
Rudolf Klein is professor of history of architecture at the Architecture and Civil Engineering Department of Szent István University. He specializes in history and theory of the 19th- and 20th-century architecture and its impact on religious identity. He is author of many books on history of architecture, including one dedicated to the synagogues in Hungary from late 18th c. to early 20th century, and one about Jewish cemeteries.
Lecture by Rudolf Klein, based on his recent book.
This lecture, in English, deals with metropolitan Jewish cemeteries in Central and Eastern Europe, from the aspects of art history, architecture and planning, landscaping, Jewish history, Jewish-Christian/Moslem dialogue, the influence between different European regions, including the impact of the Reform Movement and the Ashkenazi-Sephardi dialogue.
Its subject comprises the entirety of elements of 19th and 20th century Jewish cemeteries: urban location, morphology of cemeteries, gravestone typology, stylistic analysis, symbols and inscriptions – language, content, typography – tahara and ceremonial halls, wells, benches, pergolas, row- and section-markers, etc.
Rudolf Klein is professor of history of architecture at the Architecture and Civil Engineering Department of Szent István University. He specializes in history and theory of the 19th- and 20th-century architecture and its impact on religious identity. He is author of many books on history of architecture, including one dedicated to the synagogues in Hungary from late 18th c. to early 20th century, and one about Jewish cemeteries.
Presentation of the project documenting and restoring the Jewish catacomb in Venosa, Italy.
Click here to see the program.
The synagogue in Hârlâu, Romania will be rededicated following restoration.
A day-long program of events starts at 10:30 a.m. (See photo)
In the Synagogue is a short film by young Ukrainian director Ivan Orlenko based on an unfinished story by Franz Kafka. One of few works by Kafka to deal with Jewish culture overtly, the story describes a strange vision of a beast that a Jewish boy experiences while praying in a synagogue, a metaphor which could be interpreted in several ways. Young Ukrainian director Ivan Orlenko has adapted Kafka’s fragment into a 30-minute film, shot entirely in Yiddish, and transposed its action to a synagogue in western Ukraine.
The screening will be preceded by a talk by Dr Uilleam Blacker of UCL SSEES on the ways in which the rich Jewish cultural heritage of Ukraine is remembered and reimagined in the country today, and the challenges which this process of recovery faces.
The screening will be followed by a discussion with the director.
The event is co-organised by Ukrainian Institute, London and UCL SSEES, with the support of the Ukrainian Jewish Encounter.
Following its discovery and restoration, an elaborate 16th century Aron ha-Kodesh from Pisa, believed to be the oldest Ark in Tuscany, will be displayed as part of a program during which its history and the restoration process will be discussed.
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