The conference will highlight issues related to the peculiarities of the organization of field research and work in modern Jewish communities of the post-Soviet space.
Organizers: Jewish Museum and tolerance center, Center of Slavic -Jewish Studies Of the Institute of Slavic studies RAS, Center “Sefer”
Venue: Jewish Museum and tolerance center; Institute of Slavic studies, 32 A Leninsky Prospekt, building B, auditorium 901
The specificity of the “Jewish” field will be discussed, and a review of new research in the field of Jewish archaeology, anthropology, folklore, linguistics, sociology and epigraphy will be held.
We will talk about the results of the summer season 2019, prospects and plans for new research.
At the end of the conference, participants will present new collections of articles and monographs based on field materials of recent years.
Entrance to the conference is strictly by registration.
If you have questions, contact sefer@sefer.ru
Dr Sofiya Dyak, Nikita Kadan and Professor Philippe Sands discuss the evolution of the practices of Holocaust remembrance and its public discourse in Ukraine: How are these tragic events remembered across different communities and why? How to deal with histories of lands subjected to multiple occupations and mass murder across communities? How to write a historic narrative for the country, which is still in a state of war?
This event is part of Holocaust Memorial Day.
Dr Sofiya Dyak is the Director of the Lviv Centre of Urban History, a private institution which initiated a number of important initiatives commemorating Jewish community presence in Lviv in partnership with Lviv’s municipality, including the Space of Synagogues memorial. In 2017, the centre hosted the “Un-named” project, reflecting on mass violence in Ukraine between 1931 and 1945. The project included visual work by Nikita Kadan, Ukraine’s contemporary artist. Similarly, Professor Philippe Sands traced his family history back to Lviv, with the city becoming the focus of much of his literary work and intellectual reflection.
A guided tour of the Shaare Tikva synagogue in Lisbon.
Inaugurated in 1904 and designed by Miguel Ventura Terra, the synagogue was the first synagogue to be built in Portugal since the 15th century. Its facade faces an inner courtyard because at the time the state banned non-Catholic houses of worship from fronting on the street.
Register online by following the provided link.
And exhibition of photographs by Eva Maria Kraiss.
The exhibition is presented as part of the Week of Brotherhood 2020.
The opening is March 1 at 4 p.m. It will be open daily except Monday, from 2 – 6 p.m., and on Sundays also from 11 a.m. – 1 p.m.
See more details in the poster below:
with Dr Magdalena Waligórska, and Dr Natalia Romik, respondent, and with Prof François Guesnet, Chair
Commemoration of the 80th anniversary of the destruction of Jewish Rohatyn.
On March 20, 1942, the largest and deadliest of the Nazi “aktions” resulted in the final liquidation of Rohatyn’s Jewish population. 3,500-5,500 victims, half of which were children, were executed and buried in a common grave in the fields south of city center. Rohatyn Jewish Heritage invites all those who wish to remember the victims on-site at 13.00 on 20 March 2022 for prayer and a moment of silence led by Rabbi Kolesnik of Ivano-Frankivisk.
GPS: 49°24’12.7″N 24°37’39.4″E
(Photo shows longtime local activist, the later Mykhailo Vorobets, at the south mass grave in Rohatyn in 2012. Photo © RJH)
The 4th International Conference Architectures of the Soul aims at promoting the scientific study and discussion around the architecture and landscape connected to religious and spiritual practices, grounded on the experience of seclusion and solitude.
It’s not focussed on Jewish heritage, but many preservation and other issues are common to religious built heritage as a whole, and we hope that the program includes Jewish heritage, too.
The conference is structured around two main topics, in order to understand the historical and current values of these places and how they can shape the future, through a renewed knowledge and new ways of turning them culturally meaningful:
1. History of religious experience;
2. Future of Religious Heritage.
The conference aims to establish the platform for a multidisciplinary approach on the subject, gathering and crossing history, architecture, landscape architecture, cultural heritage, art history, computing science, among others.
The conference will be hosted by the Monastery of Santa Maria da Vitória, in the municipality of Batalha. This is a former dominican monastery, on the initiative of the Avis dinasty at the end of the 14th century. The complex is recognised as UNESCO World Heritage Site.
An exhibition of art-enhanced photographs by Dmytro Polyukhovich based on the carvings on the centuries-old matzevot in the Jewish cemetery in Sataniv (which unfortunately has suffered extensive damage in recent years by a self-appointed Haredi man claiming to restore it).
The images for the exhibition focus on specific details of the carved iconography, which combines religious tradition with folk art — floral motifs, animals (and imaginary animals), symbols, religious allegories, and more.
To create the exhibition pieces, Polyukovich manipulated his original photos of the matzevot in Adobe Photoshop, cutting away everything except for the specific detail of the carving that he wanted to highlight and then adding color.
NOTE: The exhibition will be open every Wednesday and every Sunday from 10:00 a.m. to 7:00 p.m. It is also possible to organize group tours every Tuesday, Thursday and Sunday.
A multimedia exhibition by the artist, architect and historian Natalia Romik dedicated to the creativity of Polish Jews seeking to survive the Shoah in hiding.
In Poland and Ukraine during World War II, approximately 50,000 people survived persecution by the German occupying forces in hiding. The majority of them were Jewish. They found refuge in tree hollows, closets, basements, sewers, empty graves, and other precarious locations. Natalia Romik’s exhibition “Hideouts. The Architecture of Survival” pays tribute to these fragile places of refuge and explores their physicality. The show poses basic questions about the relationship between architecture, private life, and the public sphere: it addresses the protective function of spaces and emphasizes the creativity those in hiding brought to bear in their attempt to survive.
In a research project extending over several years, Natalia Romik and an interdisciplinary team of researchers consulted oral histories to identify several hiding places, which they explored using forensic methods. The multimedia exhibition “Hideouts. The Architecture of Survival” presents the results of this research. It consists of sculptures bearing a direct connection to the sites and includes documentary films, forensic recordings, photos, documents, and objects found in the hiding places.
“Hideouts: The Architecture of Survival” is presented in cooperation with the Zachęta National Gallery of Art in Warsaw and the TRAFO Center for Contemporary Art in Szczecin. On the occasion of the show at the Jewish Museum Frankfurt, a catalogue will be published in German and English editions by Hatje Cantz Verlag.
The exhibition was curated by Kuba Szreder and Stanisław Ruksza with the help of Aleksandra Janus (scientific collaboration). For the presentation in Frankfurt, Katja Janitschek, curator of the Judengasse Museum, was responsible for the curatorial project management. We would like to thank the Evonik Foundation for their generous support.
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