The annual “Open Jewish Houses/Houses of Resistance” commemorative program takes place in a score of towns and cities around the Netherlands.
Storytellers, visitors and residents share stories in houses where Jews or members of the resistance lived and worked before, during and just after the Second World War.
An exhibition marking the 80th anniversary of the torching of the Sinagoga Tedesca by local fascist squads. The synagogue now houses the Jewish Museum in Padova.
The exhibit will feature historic photographs and archival documents, and there will be explanatory talks at the opening.
The even is free, but please reserve here – museo@padovaebraica.it or Tel. 049661267 – Whatsapp 3756347243
Archive documents, drafts and testimonies restore personal and professional dignity to nine stories interrupted by racial laws.
On 14 July 1938, the Race Manifesto was published in Il Giornale d’Italia, signed by ten scientists and professors, which was to become the ideological basis of the regime’s racist policy. This document was followed by the Racial Laws, aimed at increasingly stripping non-members of the ‘Italian race’ of their rights. In this escalation of the curtailment of freedoms and subtraction of civil rights, other laws were promulgated on 29 June 1939 regulating ‘the exercise of professions by citizens of the Jewish race’.
The exhibit features these architects:
Daniele Calabi, Angelo Di Castro, Romeo Di Castro, Enrico De Angeli, Vito Latis, Gino Levi Montalcini, Alessandro Rimini, Ernesto Nathan Rogers, Nina Livia Viterbo
The exhibition is conceived as part of the project ‘Architecture and Remembrance. The discrimination of architects in nazi-fascist regimes”.
A Zoom webinar in English introducing the current temporary exhibition at MEIS — the National Museum of Italian Judaism and the Shoah in Ferrara— Houses of Life; Synagogues and Jewish Cemeteries in Italy.
The exhibition mainly features plans and architectural drawings of synagogues, as well as gravestones, tombs, and other architecture features, through the ages.
A historic ark and other Judaica are also featured.
Speakers in the webinar include the two curators of the exhibition, Andrea Morpurgo and MEIS director Amadeo Spagnoletto, as well as Dr. Jessica Del Russo.
Click here to receive the Zoom link
An international conference/workshop on: “Toledo in the management of the New Jewish Archaeology in Europe”.
Organised by the Sephardic Museum in Toledo, the conference falls within a research project that has among its tasks the dissemination of the important archaeological findings that have been produced in recent years in the area of the Jewish quarter of Toledo, in addition to highlighting the city and the Spanish-Jewish and Sephardic heritage, nationally and internationally. The objective of the conference will be “not only to create a scientific space for the exchange of academic news at a local, national and European level, but also to highlight the singular and unique value of the city of Toledo within the archaeological map of Jewish heritage in Spain.”
The history of the Jewish ghetto of Florence, which existed in the city between the sixteenth and nineteenth centuries, is an exhibition organized by the Uffizi Galleries and arranged in the Gallery of Modern Art of Pitti Palace. Curated by Piergabriele Mancuso, Alice S. Legé and Sefy Hendler (The Medici Archive Project), the exhibition can be visited until January 28, 2024.
The ghetto of Florence was established in 1570 by Cosimo I and Carlo Pitti, and was demolished between 1892 and 1895. For almost three centuries the ghetto was the gravity point of Hebraism in Florence.
Subdivided into five sections,the exhibition draws from the extraordinary cultural heritage of Florence as well as from important international loans. It reveals a significant and forgotten chapter of the Medici’s political strategy in a centuries-old context of conflicts, diplomacy and cultural exchanges.
The exhibition starts with the Florence of Cosimo the Elder and Lorenzo the Magnificent; illuminated manuscripts commissioned by Jewish and Medici patrons, which was the result of the interaction between Jewish scribes and Christian artists of the early Tuscan Renaissance; loans from the Jewish Theological Seminary of New York and many Italian libraries. Republican and Medicean imagery intertwine in the depiction of paradigmatic biblical figures, “Jewish heroes” such as Donatello’s bronze David (on loan from the Berlin Museums), or Joseph from the series of tapestries woven in Flanders for Cosimo I. The exhibition places mythical figures alongside real ones, revealing little-known pieces of the history of Florentine Judaism, such as the activity of the explorer Moisè Vita Cafsuto or that of the Jewish painter Jona Ostiglio, whose pantings were all commissioned by the Medici court, together with the self-portrait of Isaia or David Tedesco, a little-known author who was probably a pupil of Ostiglio in the first ever art workshop inside an Italian ghetto.
A place of segregation, but also the fulcrum of an important human, cultural and spiritual microcosm, the ghetto of Florence is also reconstructed through a three-dimensional model, the result of a decade of research conducted by the Eugene Grant Jewish History Program of The Medici Archive Project.
Caring about the multiplicity of audiences and the need to break down prejudices and stereotypes, the exhibition investigates the way in which the history of the Grand Duchy is intertwined with that of the Jewish minority, finally shedding light on the events of an important and so far little known chapter of the Renaissance Florence.
The Centre for Religion and Heritage of the University of Groningen will host a half-day public symposium to launch the Bloomsbury Handbook of Religion and Heritage in Contemporary Europe. This event will also inaugurate a new European project on minority religious heritage.
The event takes place in person and also online. Click HERE to register
The organizers state:
The Handbook provides a state-of-the-art guide by leading international scholars, policy makers and heritage practitioners. With 46 chapters, we cannot address all the contributions, thus we have chosen to concentrate on those which examine how religious communities are using their rich heritage to make new meanings for themselves in Europe. Our focus will be on Jewish, Muslim and Christian heritage. We want to think together about the challenges facing these communities, as they grapple with being Jewish or Muslim minorities in a historically Christian landscape, or with being a minority of practicing Christians in the highly secularized society, such as that of Northern Netherlands. Reflecting on these questions together with our Handbook authors will aid the start of a new project in the Erasmus Plus program called European Pathways to Minority Religious Heritage (Miretage). Over three years we are exploring how minority religious heritage can be taught as a co-creative activity between heritage institutions, creative organizations and minority communities. On hand to participate in the symposium are partners from Storytelling Center Amsterdam, Autonomous University of Barcelona, Moslim Archief Rotterdam, KU Leuven, Future for Religious
Click here to see the program for the January 23 event
Book launch of “Zohar: A Photographic Journey through the Places of Italian Jewish Culture,” with the author Francesco Maria Colombo, Ferruccio de Bortoli, President of the Shoah Memorial Foundation, and Sandro Parmiggiani, editor of the book.
The book is under the patronage of the Foundation for Jewish Cultural Heritage in Italy and is enriched by contributions from Sandro Parmiggiani, Adachiara Zevi, Alberto Manguel, and Dario Disegni.
Free admission with reservation.
The exhibit showcases Italian Jewish experience in the 20th century, beginning with the destruction of the ghettos at the end of the 19th century, through the Shoah, and up until almost the present day.
It includes contemporary artworks; photographs from public and private archives; historical documents, and family objects.
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