Gala ceremony to mark the 200th anniversary of the synagogue in Ingwiller.
The long-derelict 19th century synagogue in Kőszeg, western Hungary, is reopening to the public after a full-scale renovation that took place over the past two years. The synagogue, which is owned by the state, will become a cultural centre but also will be able to be used for religious services.
JHE’s Ruth Ellen Gruber is on the program of its first public event, Sunday August 28-29 — the opening of an exhibition about Philip (Fülöp) Schey (1798-1881), a Jewish philanthropist born in Kőszeg (known in German as Güns), who had grown rich as a textile merchant and later became a banker for the Hapsburgs. In 1859, Emperor Franz Joseph raised Schey to the Hungarian nobility — he was the first Jew to receive this honor and took the title Philip Schey von Koromla.
The exhibit is called “A Kőszeg Success Story: the Schey Family,” and it presents Philip Schey’s family, life and work: his economic and philanthropic activities, as well as his founding of institutions.
It begins at 3 p.m. and is organized by iAsk — the Institute of Advanced Studies in Kőszeg, which has played a role in the restoration of the building.
The opening is part of a two-day series of events, “Synagogue Week in Kőszeg,” including concerts, lectures, guided tours, and book presentations.
A series of events in November and December celebrate the 140th anniversary of the Grande Synagogue. The series kicks off November 9 with an official ceremony.
See the program below:
Opening of an exhibition of photographs by Daniella Grinberg to mark the 200th anniversary of the synagogue in the village of Kővágóörs, near the north shore of Hungary’s Lake Balaton. The exhibit runs until June 30.
Long abandoned and ruined, the synagogue is now under the care of a foundation that purchased the building and is working to restore it for use as both a synagogue and a cultural center. It already hosts cultural events there.
The Synagogue of Káli-valley Foundation (in Hungarian, Káli-medence Zsinagógája Alapítvány) officially acquired the building in October, 2020 after a year and a half of discussions, from a Canadian businessman of Hungarian origin, who had owned the synagogue since 2013.
Closing event of the conservation and restoration camps held this year in the Jewish Cemetery of Alba Iolia, as part of the project Conservation and restoration of the monumental funeral stones of the Jewish cemetery in Alba Iulia.
Presenting a selection of nearly 150 pieces from various sources, this photographic exhibition recreates the history of Salonika (today Thessaloniki) Greece from the second half of the 19th century to the end of the First World War. Men and women are captured in their traditional costumes: modest artisans, porters, traders, members of the local “aristocracy;” society is revealed. Urban modernization is also shown: the quays and the White Tower, cafes, restaurants and entertainment venues; the Countryside sector where the notables established their residence; deprived areas, where emerging industries were established.
But also, in the now Greek city, the great fire of August 1917, an authentic trauma for the Jews who saw their historic neighborhoods, the municipal archives and more than thirty synagogues swept away by the flames, before the geopolitical upheavals caused by the First War worldwide.
A photographic exhibit highlighting the Sephardic Jewish presence in Bucharest, curated by Felicia Waldman and Anca Tudorancea.
Photos depict synagogues, Jewish communal buildings, private buildings, and shops, etc, as well as personalities such as professionals, doctors, merchants, artisans, doctors, cultural figures, etc.
An exhibition of art-enhanced photographs by Dmytro Polyukhovich based on the carvings on the centuries-old matzevot in the Jewish cemetery in Sataniv (which unfortunately has suffered extensive damage in recent years by a self-appointed Haredi man claiming to restore it).
The images for the exhibition focus on specific details of the carved iconography, which combines religious tradition with folk art — floral motifs, animals (and imaginary animals), symbols, religious allegories, and more.
To create the exhibition pieces, Polyukovich manipulated his original photos of the matzevot in Adobe Photoshop, cutting away everything except for the specific detail of the carving that he wanted to highlight and then adding color.
NOTE: The exhibition will be open every Wednesday and every Sunday from 10:00 a.m. to 7:00 p.m. It is also possible to organize group tours every Tuesday, Thursday and Sunday.
A multimedia exhibition by the artist, architect and historian Natalia Romik dedicated to the creativity of Polish Jews seeking to survive the Shoah in hiding.
In Poland and Ukraine during World War II, approximately 50,000 people survived persecution by the German occupying forces in hiding. The majority of them were Jewish. They found refuge in tree hollows, closets, basements, sewers, empty graves, and other precarious locations. Natalia Romik’s exhibition “Hideouts. The Architecture of Survival” pays tribute to these fragile places of refuge and explores their physicality. The show poses basic questions about the relationship between architecture, private life, and the public sphere: it addresses the protective function of spaces and emphasizes the creativity those in hiding brought to bear in their attempt to survive.
In a research project extending over several years, Natalia Romik and an interdisciplinary team of researchers consulted oral histories to identify several hiding places, which they explored using forensic methods. The multimedia exhibition “Hideouts. The Architecture of Survival” presents the results of this research. It consists of sculptures bearing a direct connection to the sites and includes documentary films, forensic recordings, photos, documents, and objects found in the hiding places.
“Hideouts: The Architecture of Survival” is presented in cooperation with the Zachęta National Gallery of Art in Warsaw and the TRAFO Center for Contemporary Art in Szczecin. On the occasion of the show at the Jewish Museum Frankfurt, a catalogue will be published in German and English editions by Hatje Cantz Verlag.
The exhibition was curated by Kuba Szreder and Stanisław Ruksza with the help of Aleksandra Janus (scientific collaboration). For the presentation in Frankfurt, Katja Janitschek, curator of the Judengasse Museum, was responsible for the curatorial project management. We would like to thank the Evonik Foundation for their generous support.
An exhibition about Jewish cemeteries, prepared by the Galicia Jewish Museum.
In many places throughout Poland, Jewish cemeteries or what remains of them are the only visible sign of the centuries-long presence of Jewish communities in a given area. The exhibition “Houses of Eternity” is a reflection on what Jewish cemeteries mean to us today and an attempt to find an answer to the question of what we can learn from them. Its aim is to introduce the topic of Jewish cemeteries to the widest possible audience, help understand how important an element of cultural heritage the preserved Jewish cemeteries are and answer a number of questions related to cemeteries in the context of Jewish history and tradition.
The opening is at 1 p.m., April 2
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