European Humanities University (EHU) and the Center for Belarusian Community and Culture in Vilnius will host a premiere presentation of “Extermination” — an audiovisual installation about the Great Synagogue of Grodno, which was constructed in the 16th century and was rebuilt many times after devastating fires.
Kseniya Shtalenkova (lecturer in the Academic Department of Humanities and Arts at EHU, Philosophy PhD candidate) is the project curator and Viktoryia Bahdanovich (fourth-year student of the BA program in Visual Design) is the project production designer and executive producer.
The “Extermination” audiovisual installation is a monologue on the history of the place as well as an individual experience of a person in time and space.
The installation has been created as a part of the project on “Preservation and Actualization of Former Synagogues in Belarus for the Benefit of Local Communities” by Stsiapan Stureika, Professor of Humanities and Arts at EHU. Project research conducted for the work on the installation was conducted with the participation of EHU students.
The presentation will be delivered in Russian with subtitles in English.
Register by November 26.
Click here to register on Zoom (or for in-person attendance)
The event will be also streamed online via EHU’s Facebook page.
NOTE: you can attend the event physically at the Belarusian House (Vilniaus g. 20) by pre-registration at the same link to register on Zoom
Exhibition: Let Them Make Me a Sanctuary! Synagogues of Hungarian Communities
The exhibition introduces the sacral architecture of the Hungarian Jewry by presenting individual synagogue buildings. The authors have selected works spanning nearly a millennium in order to present the characteristics of synagogue architecture, the communities that built them and their history. After the medieval synagogues of Sopron, the baroque synagogues of Mád and the neoclassical synagogues of Óbuda, the synagogues of Pest, the jewels of romantic architecture, will also be presented. These buildings, together with the domed synagogues built at the turn of the 19th and 20th centuries (Győr, Oradea, Szeged, Subotica, Novi Sad), were important milestones in the emancipation of the Jews. The sacral buildings of the Jewish community of Kassa (Kosice), which were built to complement the Slovakian stops in the exhibition, are also shown on separate tables, and are gems of Romantic and 20th century modern architecture.
Visit only on reservation: 32 2 209 0750 / info@bmki.be
The exhibition is a joint project of the Hungarian Academy of Arts and the Hungarian Museum of Architecture and Documentation Centre for Historic Monument Protection.
Curator: dr. Ágnes Ivett Oszkó, art historian, MÉM MDK
Project Manager: Ágnes Komlóssy, Head of the International and Transnational Affairs Department of the MMA
A gathering of Lithuanian Jews and descendants, which includes an academic conference, a cultural fest, guided tours to Jewish heritage in several towns and cities around the country — Vilnius, Kaunas, Panevėžys, Šeduva, Pakruojis — and more.
Click here to see the full program
Pre-registration is required by filling out the following form:
The multi-day event “Mapping Memories” revolves around the violently suppressed traces of Frankfurt’s Judengasse from public space. At its center is a pop-up exhibition in the Museum Judengasse with archaeological finds from the time of Europe’s oldest Jewish ghetto; also an artistic intervention in the current form of the historic site.
The exhibition, with archaeological finds that were recovered from Börneplatz – formerly the southern part of the Judengasse ghetto – in 1987, will be held in the atrium of the Museum Judengasse.
It opens at 18:00 on April 13 — to attend, register with anmeldung@metahubfrankfurt.de
The exhibition is a cooperation with the Archaeological Museum Frankfurt.
It shows archaeological finds that were recovered in 1987 at Börneplatz, at the place where they were found at the time. It presents ongoing research and new insights into the everyday culture of Jews in early modern Frankfurt. The archaeological finds come both from the cellars of the Judengasse and from ditches for water supply and disposal.
The Conference will focus on Sephardic Jews, between Messianism and Modernity
The conference gathers some 70 international researchers of Sephardic social, cultural, and art history, languages, and literature from before and after the Expulsion of 1492.
There will be papers on Jewish, Christian, and Muslim attitudes toward Jewish messianism as reflected in the scholars’ particular areas of interest. In addition, the Conference will focus on the overlooked Sephardic embracement of modernity and Virtual Sepharad’s gradual yet unwavering secularization, whether in the expanse’s south—the ex-Ottoman realms—or its northern extremities – Holland, England, and the Americas.
A photographic exhibit highlighting the Sephardic Jewish presence in Bucharest, curated by Felicia Waldman and Anca Tudorancea.
Photos depict synagogues, Jewish communal buildings, private buildings, and shops, etc, as well as personalities such as professionals, doctors, merchants, artisans, doctors, cultural figures, etc.
A multimedia exhibition by the artist, architect and historian Natalia Romik dedicated to the creativity of Polish Jews seeking to survive the Shoah in hiding.
In Poland and Ukraine during World War II, approximately 50,000 people survived persecution by the German occupying forces in hiding. The majority of them were Jewish. They found refuge in tree hollows, closets, basements, sewers, empty graves, and other precarious locations. Natalia Romik’s exhibition “Hideouts. The Architecture of Survival” pays tribute to these fragile places of refuge and explores their physicality. The show poses basic questions about the relationship between architecture, private life, and the public sphere: it addresses the protective function of spaces and emphasizes the creativity those in hiding brought to bear in their attempt to survive.
In a research project extending over several years, Natalia Romik and an interdisciplinary team of researchers consulted oral histories to identify several hiding places, which they explored using forensic methods. The multimedia exhibition “Hideouts. The Architecture of Survival” presents the results of this research. It consists of sculptures bearing a direct connection to the sites and includes documentary films, forensic recordings, photos, documents, and objects found in the hiding places.
“Hideouts: The Architecture of Survival” is presented in cooperation with the Zachęta National Gallery of Art in Warsaw and the TRAFO Center for Contemporary Art in Szczecin. On the occasion of the show at the Jewish Museum Frankfurt, a catalogue will be published in German and English editions by Hatje Cantz Verlag.
The exhibition was curated by Kuba Szreder and Stanisław Ruksza with the help of Aleksandra Janus (scientific collaboration). For the presentation in Frankfurt, Katja Janitschek, curator of the Judengasse Museum, was responsible for the curatorial project management. We would like to thank the Evonik Foundation for their generous support.
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