Jewish Heritage Europe

Calendar

Sep
10
Sun
Giornata della Cultura Ebraica
Sep 10 all-day
Giornata della Cultura Ebraica @ Italy

Instead of September 3, as in other participating countries, the European Days of Jewish Culture is centered on September 10 — with the theme “Beauty,”  not “Memory” as in the other countries.

It takes place in scores of localities up and down the Italian peninsula, with Florence as the lead city.

Click here to see the program

 

Sep
19
Tue
Salonique, Jérusalem des Balkans, 1870-1920 @ Museum of Art and History of Judaism, Paris
Sep 19 2023 – Apr 21 2024 all-day
Salonique, Jérusalem des Balkans, 1870-1920 @ Museum of Art and History of Judaism, Paris | Paris | Île-de-France | France

Presenting a selection of nearly 150 pieces from various sources, this photographic exhibition recreates the history of Salonika (today Thessaloniki) Greece from the second half of the 19th century to the end of the First World War. Men and women are captured in their traditional costumes: modest artisans, porters, traders, members of the local “aristocracy;” society is revealed. Urban modernization is also shown: the quays and the White Tower, cafes, restaurants and entertainment venues; the Countryside sector where the notables established their residence; deprived areas, where emerging industries were established.

But also, in the now Greek city, the great fire of August 1917, an authentic trauma for the Jews who saw their historic neighborhoods, the municipal archives and more than thirty synagogues swept away by the flames, before the geopolitical upheavals caused by the First War worldwide.

 

Sep
23
Sat
Romania: Night of open synagogues @ Various synagogues
Sep 23 @ 19:00 – 23:00
Romania: Night of open synagogues @ Various synagogues | Romania

Romania’s annual Night of Open Synagogues takes place in a number of synagogues around the country.

We know of events in synagogues in Bucharest, where four synagogues will be open, in Satu Mare, and in Iasi.

We have not seen a full list, however.

The synagogues are open to visitors after the close of Shabbat, and there are also various events planned in some of them.

Oct
4
Wed
“Burning” exhibition by Monika Krajewska @ POLIN Museum
Oct 4 – Dec 18 all-day
"Burning" exhibition by Monika Krajewska @ POLIN Museum | Warszawa | Mazowieckie | Poland

In 2020, we were privileged to host an online exhibition of work by the Warsaw-based papercut artist Monika Krajewska. The pieces were drawn from her extraordinary cycle of papercuts called “Burning,” a commemoration of the physical destruction of the Shoah.

This fall, from October 4 to December 18,  Krajewska’s  Burning cycle will be exhibited at the POLIN Museum of the History of Polish Jews in Warsaw.

The exhibit consists of 31 works in which the artist refers to the objects related to synagogue cult and transfers them to the traditional Jewish paper-cutting technique, painstakingly recreating the symbolism and ornamentation of Jewish art from East-Central Europe—stylised floral decoration, symbolic representations of animals, a repertoire of traditional sacred Judaic symbols (a menorah, Torah and the Tablets of Law, the Temple) and calligraphic quotations from religious texts and prayers.

In order to introduce reflection on loss and destruction, the artist subjects her painstaking work to destruction: she tears apart sections of the works after cutting them out and burns the ends of the sheets. She uses tinted paper as a background for the cut-outs, incorporating the motif of fire, ashes and ruins. In the representations, she incorporates quotations from religious texts or classics of modern Jewish literature, in which there are references to flames and destruction, as well as to the hope of salvation.

 

Oct
24
Tue
The Jews, the Medici, and the Ghetto of Florence @ Pitti Palace
Oct 24 2023 – Jan 28 2024 all-day
The Jews, the Medici, and the Ghetto of Florence @ Pitti Palace | Firenze | Toscana | Italy
The history of the ghetto of Florence on display at Pitti Palace — open Tuesday to Sunday, 8.15 a.m. to 6.30 p.m.

The history of the Jewish ghetto of Florence, which existed in the city between the sixteenth and nineteenth centuries, is an exhibition organized by the Uffizi Galleries and arranged in the Gallery of Modern Art of Pitti Palace. Curated by Piergabriele Mancuso, Alice S. Legé and Sefy Hendler (The Medici Archive Project), the exhibition can be visited until January 28, 2024.

The ghetto of Florence was established in 1570 by Cosimo I and Carlo Pitti, and was demolished between 1892 and 1895. For almost three centuries the ghetto was the gravity point of Hebraism in Florence.

Subdivided into five sections,the exhibition draws from the extraordinary cultural heritage of Florence as well as from important international loans. It reveals a significant and forgotten chapter of the Medici’s political strategy in a centuries-old context of conflicts, diplomacy and cultural exchanges.

The exhibition starts with the Florence of Cosimo the Elder and Lorenzo the Magnificent; illuminated manuscripts commissioned by Jewish and Medici patrons, which was the result of the interaction between Jewish scribes and Christian artists of the early Tuscan Renaissance; loans from the Jewish Theological Seminary of New York and many Italian libraries. Republican and Medicean imagery intertwine in the depiction of paradigmatic biblical figures, “Jewish heroes” such as Donatello’s bronze David (on loan from the Berlin Museums), or Joseph from the series of tapestries woven in Flanders for Cosimo I. The exhibition places mythical figures alongside real ones, revealing little-known pieces of the history of Florentine Judaism, such as the activity of the explorer Moisè Vita Cafsuto or that of the Jewish painter Jona Ostiglio, whose pantings were all commissioned by the Medici court, together with the self-portrait of Isaia or David Tedesco, a little-known author who was probably a pupil of Ostiglio in the first ever art workshop inside an Italian ghetto.

A place of segregation, but also the fulcrum of an important human, cultural and spiritual microcosm, the ghetto of Florence is also reconstructed through a three-dimensional model, the result of a decade of research conducted by the Eugene Grant Jewish History Program of The Medici Archive Project.

Caring about the multiplicity of audiences and the need to break down prejudices and stereotypes, the exhibition investigates the way in which the history of the Grand Duchy is intertwined with that of the Jewish minority, finally shedding light on the events of an important and so far little known chapter of the Renaissance Florence.

 

Dec
11
Mon
When Memory Meets Dialogue – Role of Remembrance Sites and Contemporary Challenges. @ Oskar Schindlers enamel factory museum
Dec 11 – Dec 12 all-day
When Memory Meets Dialogue – Role of Remembrance Sites and Contemporary Challenges. @ Oskar Schindlers enamel factory museum | Kraków | Małopolskie | Poland

On December 11-12, the Liberation Route Europe Foundation is organizing a memory project conference titled “When Memory Meets Dialogue – Role of Remembrance Sites and Contemporary Challenges” in Krakow, Poland. This event, in partnership with Oscar Schindler’s Enamel Factory, a branch of the Museum of Krakow, is part of the EU-funded European Days of Jewish Culture (EDJC) 2023, coordinated by the AEPJ. 

The conference agenda encompasses sessions focusing on Jewish and WWII heritage. Discussions will revolve around memory transmission and the contemporary significance of remembrance sites. The primary goal is to offer a meaningful platform for idea exchange, nurture cross-cultural understanding, and stimulate international discourse on historical memory and contemporary challenges. As part of the programme, participants can also explore guided tours and historical city walks in Krakow. 

Click here to register

Jan
12
Fri
Tracce e Memorie del Ghetto – Traces and Memories of the Ghetto @ Biblioteca Civica di Verona
Jan 12 – Feb 3 all-day
Tracce e Memorie del Ghetto - Traces and Memories of the Ghetto @ Biblioteca Civica di Verona

An exhibit that documents the urban and architectural experience of the  historic ghetto in Verona. It is mounted in connection with Holocaust Remembrance Day, January 27.

Opening hours are:

Mondays 14:00 – 19:00
Tuesday-Saturday 9:00 – 19:00

Special opening

Sunday January 28 9:00 – 19:00

Jan
14
Sun
The “Burning” Exhibit of Papercuts by Monika Krajewska – now in Radom @ Jacek Malczewski Museum, Radom
Jan 14 – Apr 30 all-day
The "Burning" Exhibit of Papercuts by Monika Krajewska - now in Radom @ Jacek Malczewski Museum, Radom

 “Burning,” an exhibition of paper cuts by Monika Krajewska, is now being shown in Radom, following an exhibit at the POLIN museum in Warsaw. We were privileged to host an online exhibition of some of her works in 2020.

The exhibit consists of 31 works in which the artist, using traditional Jewish paper-cutting technique, refers to objects related to the synagogue, painstakingly recreating the symbolism and ornamentation of Jewish art from East-Central Europe—stylised floral decoration, symbolic representations of animals, a repertoire of traditional sacred Jewish symbols (a menorah, Torah and the Tablets of Law, the Temple) and calligraphic quotations from religious texts and prayers.

In order to introduce reflection on loss and destruction, Krajewska subjects her painstaking work to destruction: she tears apart sections of the works after cutting them out and burns the ends of the sheets. She uses tinted paper as a background for the cut-outs, incorporating the motif of fire, ashes and ruins. And she incorporates quotations from religious texts or classics of modern Jewish literature, in which there are references to flames and destruction, as well as to the hope of salvation.

 

 

Jan
19
Fri
Sephardic Bucharest @ Romanian Institute of Culture and Humanistic Research, Venice
Jan 19 – Jan 27 all-day
Sephardic Bucharest @ Romanian Institute of Culture and Humanistic Research, Venice

A photographic exhibit highlighting the Sephardic Jewish presence in Bucharest, curated by Felicia Waldman and Anca Tudorancea.

Photos depict synagogues, Jewish communal buildings, private buildings, and shops, etc,  as well as personalities such as professionals, doctors, merchants, artisans, doctors, cultural figures, etc.

 

Mar
1
Fri
Hideouts. The Architecture of Survival @ Jewish Museum Frankfufrt
Mar 1 – Sep 1 all-day
Hideouts. The Architecture of Survival @ Jewish Museum Frankfufrt | Frankfurt am Main | Hessen | Germany

A multimedia exhibition by the artist, architect and historian Natalia Romik dedicated to the creativity of Polish Jews seeking to survive the Shoah in hiding.

In Poland and Ukraine during World War II, approximately 50,000 people survived persecution by the German occupying forces in hiding. The majority of them were Jewish. They found refuge in tree hollows, closets, basements, sewers, empty graves, and other precarious locations. Natalia Romik’s exhibition “Hideouts. The Architecture of Survival” pays tribute to these fragile places of refuge and explores their physicality. The show poses basic questions about the relationship between architecture, private life, and the public sphere: it addresses the protective function of spaces and emphasizes the creativity those in hiding brought to bear in their attempt to survive.

In a research project extending over several years, Natalia Romik and an interdisciplinary team of researchers consulted oral histories to identify several hiding places, which they explored using forensic methods. The multimedia exhibition “Hideouts. The Architecture of Survival” presents the results of this research. It consists of sculptures bearing a direct connection to the sites and includes documentary films, forensic recordings, photos, documents, and objects found in the hiding places.

“Hideouts: The Architecture of Survival” is presented in cooperation with the Zachęta National Gallery of Art in Warsaw and the TRAFO Center for Contemporary Art in Szczecin. On the occasion of the show at the Jewish Museum Frankfurt, a catalogue will be published in German and English editions by Hatje Cantz Verlag.

The exhibition was curated by Kuba Szreder and Stanisław Ruksza with the help of Aleksandra Janus (scientific collaboration). For the presentation in Frankfurt, Katja Janitschek, curator of the Judengasse Museum, was responsible for the curatorial project management. We would like to thank the Evonik Foundation for their generous support.

 

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