And exhibition of photographs by Eva Maria Kraiss.
The exhibition is presented as part of the Week of Brotherhood 2020.
The opening is March 1 at 4 p.m. It will be open daily except Monday, from 2 – 6 p.m., and on Sundays also from 11 a.m. – 1 p.m.
See more details in the poster below:
The sixth Jewish cultural heritage conference in Slovakia was supposed to take place in the former Neolog synagogue in Trnava, now used as an art gallery. Instead, it will be an online webinar, with presentations and the announcement of the annual Eugen Bárkány prize for 2020.
See program:
with Dr Magdalena Waligórska, and Dr Natalia Romik, respondent, and with Prof François Guesnet, Chair
The annual conference on Jewish cultural heritage in Slovakia can be followed online at https://www.facebook.com/zidianaslovensku.
The annual Eugen Barkany prize will be awarded.
Commemoration of the 80th anniversary of the destruction of Jewish Rohatyn.
On March 20, 1942, the largest and deadliest of the Nazi “aktions” resulted in the final liquidation of Rohatyn’s Jewish population. 3,500-5,500 victims, half of which were children, were executed and buried in a common grave in the fields south of city center. Rohatyn Jewish Heritage invites all those who wish to remember the victims on-site at 13.00 on 20 March 2022 for prayer and a moment of silence led by Rabbi Kolesnik of Ivano-Frankivisk.
GPS: 49°24’12.7″N 24°37’39.4″E
(Photo shows longtime local activist, the later Mykhailo Vorobets, at the south mass grave in Rohatyn in 2012. Photo © RJH)
A special exhibit marking the 20th anniversary of the underground complex designed by the architect Martin Kvasnica containing remnants of Bratislava’s Old Jewish Cemetery, which was destroyed in 1944, — 23 graves surrounding the Chatam Sofer’s tomb.
Rabbi Moshe Schreiber, known as the Chatam Sofer (or Chasam Sofer), was a renowned rabbi and scholar who was born in Frankfurt am Main on 26 September 1762 (7 Tishrei 5523).
Open
Friday 10:00 – 16:00
Sunday 10:00 – 16:00
The eighth annual conference dedicated to Jewish cultural heritage in Slovakia, including major projects and activities — and the people behind them.
This year, a focus will be the restoration of the synagogue in Trenčín, which is implemented with the support of the EHP Grant (Iceland, Liechtenstein, Norway) with co-financing from the state budget of the Slovak community and resources of the Jewish community.
The conference will be available online at https://www.facebook.com/zidianaslovensku and https://tachles.tv/
Program
An exhibition of art-enhanced photographs by Dmytro Polyukhovich based on the carvings on the centuries-old matzevot in the Jewish cemetery in Sataniv (which unfortunately has suffered extensive damage in recent years by a self-appointed Haredi man claiming to restore it).
The images for the exhibition focus on specific details of the carved iconography, which combines religious tradition with folk art — floral motifs, animals (and imaginary animals), symbols, religious allegories, and more.
To create the exhibition pieces, Polyukovich manipulated his original photos of the matzevot in Adobe Photoshop, cutting away everything except for the specific detail of the carving that he wanted to highlight and then adding color.
NOTE: The exhibition will be open every Wednesday and every Sunday from 10:00 a.m. to 7:00 p.m. It is also possible to organize group tours every Tuesday, Thursday and Sunday.
A multimedia exhibition by the artist, architect and historian Natalia Romik dedicated to the creativity of Polish Jews seeking to survive the Shoah in hiding.
In Poland and Ukraine during World War II, approximately 50,000 people survived persecution by the German occupying forces in hiding. The majority of them were Jewish. They found refuge in tree hollows, closets, basements, sewers, empty graves, and other precarious locations. Natalia Romik’s exhibition “Hideouts. The Architecture of Survival” pays tribute to these fragile places of refuge and explores their physicality. The show poses basic questions about the relationship between architecture, private life, and the public sphere: it addresses the protective function of spaces and emphasizes the creativity those in hiding brought to bear in their attempt to survive.
In a research project extending over several years, Natalia Romik and an interdisciplinary team of researchers consulted oral histories to identify several hiding places, which they explored using forensic methods. The multimedia exhibition “Hideouts. The Architecture of Survival” presents the results of this research. It consists of sculptures bearing a direct connection to the sites and includes documentary films, forensic recordings, photos, documents, and objects found in the hiding places.
“Hideouts: The Architecture of Survival” is presented in cooperation with the Zachęta National Gallery of Art in Warsaw and the TRAFO Center for Contemporary Art in Szczecin. On the occasion of the show at the Jewish Museum Frankfurt, a catalogue will be published in German and English editions by Hatje Cantz Verlag.
The exhibition was curated by Kuba Szreder and Stanisław Ruksza with the help of Aleksandra Janus (scientific collaboration). For the presentation in Frankfurt, Katja Janitschek, curator of the Judengasse Museum, was responsible for the curatorial project management. We would like to thank the Evonik Foundation for their generous support.
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