and, instead of considering them as isolated phenomena as it has been generally done until now, proposes to
analyze the exchanges, contaminations, adoption of ancient prototypes and the painful and sacrilegious processes of
adaptation to the new cult. Particular attention is paid to the methods of restoration, or renovation of religious
buildings no longer in use or looted, a widespread practice that generally coincides with low-cost interventions
consisting of removing and replacing the images, as well as changing the ornaments and possibly the furniture. In
order to investigate this aspect it is necessary to highlight its trauma and subsequently to remember the desecration
of religious buildings carried out over the centuries to adapt them to the religious needs of the dominant power, and
therefore the distortion of some of their peculiar characteristics, and what was destroyed and what was maintained.
Jewish Museum of Rome
(Chief Rabbi of the Jewish Community of Rome), Ruth Dureghello
(President of the Jewish Community of Rome)
Museum of Rome): Introduction
“memoria” al “trauma”: il potere politico e la profanazione degli edifici
religiosi (From “memory” to “trauma”: the political power and the
desecration of religious buildings)
Basilicas and Ancient Synagogues: Interreligious Dynamics in Architecture
for Worship
The orientation of Galilean synagogues, fourth to sixth centuries
Tempio Maggiore di Roma e le sue tipologie architettoniche di riferimento
(The Great Synagogue of Rome and its architectural typologies of
reference)
Biblioteca di Storia Moderna e Contemporanea
of the Biblioteca di Storia Moderna e Contemoporanea, Rome)
Italia): La sinagoga in Italia dal medioevo all’emancipazione: una lunga
storia di continuità tipologica, cambi di destinazione d’uso e strategie di
rinnovamento stilistico-architettonico (The synagogue in Italy from the
Middle Ages to emancipation: a long history of typological continuity,
changes of intended use and strategies of stylistic-architectural renewal)
UOB, Université de Balamand):Tripoli-Liban-Nord, Patrimoine religieux
complexe (Tripoli -Lebanon-North, complexreligious heritage)
Marano (Ca’ Foscari University, Venice): Lo stato giuridico delle
sinagoghe sotto Bisanzio e delle chiese sotto l’Islam: Prospettive
comparate durante la lunga Tarda Antichità (The legal status of
synagogues under Byzantium and churches under Islam: compared
perspectives during the long Late Antiquity)
between Christians and Muslimsin 13th century Armenia: evidence from
ornament and inscriptions
formales en la arquitectura de lassinagogas,catedralesy mezquitas en la
España bajomedieval (Formal contamination in the architecture of
synagogues, cathedrals and mosques in late medieval Spain)
Riflessioni su arte e devozioni interreligiose nel Mediterraneo medievale
(Mary of the Miḥrāb: reflections on interreligious art and devotions in
the medieval Mediterranean Sea)
in Spagna nell ́età moderna (Cathedrals and relics in Spain in the
Modern Age)
sinagoghe e una moschea:spazicultuali non cristiani nella Venezia di Età
Moderna (Five synagogues and a mosque: non-Christian cultual spaces
in the Modern Age Venice)
d’Agincourt et la naissance de l’architecture gothique: un nouveau regard
vers l’architecture religieuse islamique au siècle des Lumières
(Jean-Baptiste Séroux d’Agincourt and the emergence of gothic
architecture: a new perspective on religious Islamic architecture during
the Enlightenment)
Synagogues of the Jewish “Reform movements” from the late 18th
century
A one-day conference will also include the inauguration of the Austria Jewish book store (run by Wojtek and Malgosia Ornat who run the Austeria Jewish publishing house and book store in Krakow) and also the unveiling of a plaque on the mikveh recognising the AEPJ’s Route of Jewish heritage.
See program:
A celebratory event marks the 20th anniversary of the little Jewish Museum, located in the synagogue complex in the hill town of Pitigliano in southern Tuscany.
This year also marks the 400th anniversary of the imposition of a ghetto in Pitigliano.
“Case di vita. Sinagoghe e cimiteri in Italia” — “Houses of Life: Synagogues and cemeteries in Italy”
The exhibit, curated by Andrea Morpurgo and the MEIS director Amadeo Spagnoletto, focuses on the architectural, ritual, and social dimensions of the synagogues and Jewish cemeteries in Italy.
It displays architectural plans, documents from state archives and Jewish communities, family heirlooms, and prestigious loans such as the Ark of the Jewish Community of Vercelli.
An exhibition marking the 80th anniversary of the torching of the Sinagoga Tedesca by local fascist squads. The synagogue now houses the Jewish Museum in Padova.
The exhibit will feature historic photographs and archival documents, and there will be explanatory talks at the opening.
The even is free, but please reserve here – museo@padovaebraica.it or Tel. 049661267 – Whatsapp 3756347243
Archive documents, drafts and testimonies restore personal and professional dignity to nine stories interrupted by racial laws.
On 14 July 1938, the Race Manifesto was published in Il Giornale d’Italia, signed by ten scientists and professors, which was to become the ideological basis of the regime’s racist policy. This document was followed by the Racial Laws, aimed at increasingly stripping non-members of the ‘Italian race’ of their rights. In this escalation of the curtailment of freedoms and subtraction of civil rights, other laws were promulgated on 29 June 1939 regulating ‘the exercise of professions by citizens of the Jewish race’.
The exhibit features these architects:
Daniele Calabi, Angelo Di Castro, Romeo Di Castro, Enrico De Angeli, Vito Latis, Gino Levi Montalcini, Alessandro Rimini, Ernesto Nathan Rogers, Nina Livia Viterbo
The exhibition is conceived as part of the project ‘Architecture and Remembrance. The discrimination of architects in nazi-fascist regimes”.
A Zoom webinar in English introducing the current temporary exhibition at MEIS — the National Museum of Italian Judaism and the Shoah in Ferrara— Houses of Life; Synagogues and Jewish Cemeteries in Italy.
The exhibition mainly features plans and architectural drawings of synagogues, as well as gravestones, tombs, and other architecture features, through the ages.
A historic ark and other Judaica are also featured.
Speakers in the webinar include the two curators of the exhibition, Andrea Morpurgo and MEIS director Amadeo Spagnoletto, as well as Dr. Jessica Del Russo.
Click here to receive the Zoom link
The history of the Jewish ghetto of Florence, which existed in the city between the sixteenth and nineteenth centuries, is an exhibition organized by the Uffizi Galleries and arranged in the Gallery of Modern Art of Pitti Palace. Curated by Piergabriele Mancuso, Alice S. Legé and Sefy Hendler (The Medici Archive Project), the exhibition can be visited until January 28, 2024.
The ghetto of Florence was established in 1570 by Cosimo I and Carlo Pitti, and was demolished between 1892 and 1895. For almost three centuries the ghetto was the gravity point of Hebraism in Florence.
Subdivided into five sections,the exhibition draws from the extraordinary cultural heritage of Florence as well as from important international loans. It reveals a significant and forgotten chapter of the Medici’s political strategy in a centuries-old context of conflicts, diplomacy and cultural exchanges.
The exhibition starts with the Florence of Cosimo the Elder and Lorenzo the Magnificent; illuminated manuscripts commissioned by Jewish and Medici patrons, which was the result of the interaction between Jewish scribes and Christian artists of the early Tuscan Renaissance; loans from the Jewish Theological Seminary of New York and many Italian libraries. Republican and Medicean imagery intertwine in the depiction of paradigmatic biblical figures, “Jewish heroes” such as Donatello’s bronze David (on loan from the Berlin Museums), or Joseph from the series of tapestries woven in Flanders for Cosimo I. The exhibition places mythical figures alongside real ones, revealing little-known pieces of the history of Florentine Judaism, such as the activity of the explorer Moisè Vita Cafsuto or that of the Jewish painter Jona Ostiglio, whose pantings were all commissioned by the Medici court, together with the self-portrait of Isaia or David Tedesco, a little-known author who was probably a pupil of Ostiglio in the first ever art workshop inside an Italian ghetto.
A place of segregation, but also the fulcrum of an important human, cultural and spiritual microcosm, the ghetto of Florence is also reconstructed through a three-dimensional model, the result of a decade of research conducted by the Eugene Grant Jewish History Program of The Medici Archive Project.
Caring about the multiplicity of audiences and the need to break down prejudices and stereotypes, the exhibition investigates the way in which the history of the Grand Duchy is intertwined with that of the Jewish minority, finally shedding light on the events of an important and so far little known chapter of the Renaissance Florence.
An exhibit that documents the urban and architectural experience of the historic ghetto in Verona. It is mounted in connection with Holocaust Remembrance Day, January 27.
Opening hours are:
Mondays 14:00 – 19:00
Tuesday-Saturday 9:00 – 19:00
Special opening
Sunday January 28 9:00 – 19:00
The exhibit showcases Italian Jewish experience in the 20th century, beginning with the destruction of the ghettos at the end of the 19th century, through the Shoah, and up until almost the present day.
It includes contemporary artworks; photographs from public and private archives; historical documents, and family objects.
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