An exhibition presenting the construction history of the Szeged New Synagogue. The opening event is at 16:30 on August 25 (see the picture for the program).
The Hungarian Museum of Architecture and Monument Protection Documentation Center (MÉM MDK), in cooperation with the Jewish Community of Szeged and the Holocaust Memorial Center, is commemorating Lipót Baumhorn and the 120 year-old synagogue in Szeged with an exhibition.
The exhibition on the ground floor of the Páva Street Synagogue, which is part of the Holocaust Memorial Center, focuses on the New Synagogue in Szeged, built between 1900 and 1903. In addition to the construction plans and the documents on the building created at the time of its construction, the sacred textiles made for the inauguration of the synagogue, including the Torah Ark curtain (parochet) and the Torah mantel will also be on display. The Jewish Community of Szeged has had the richly embroidered silk objects restored for this occasion.
Besides these objects, rich photographic material also illustrates the oeuvre of Lipót Baumhorn, who was born 160 years ago. The exhibits will not only present the twenty-six synagogues he designed, but visitors will also be able to see examples of his secular architectural work, as interpreted by the photographer Krisztina Bélavári. The synagogue that houses the exhibition was also designed by Lipót Baumhorn, so he is being commemorated in a worthy setting.
Curator: Ágnes Ivett Oszkó, Ph.D., art historian of the Hungarian Museum of Architecture and Monument Protection Documentation Center
Director of the restoration project for the Jewish Community of Szeged: Dóra Pataricza, Ph.D., historian
Professional consultants: Vera Ábrahám, head of the Archives of the Szeged Jewish Community; Dr. Rudolf Klein, Head of Department, University of Óbuda Ybl Miklós Faculty of Architecture; Pál Ritoók, art historian, head of the Museum Department of the Hungarian Museum of Architecture and Monument Protection Documentation Center
Opening of the exhibition Hideouts. The Architecture of Survival — showcasing the work of the architect, artist, and researcher Natalia Romik about the places where Jews hid during the Holocaust.
The exhibition will run until July 17, Tuesday-Sunday, 12-8 pm.
Exhibition: Let Them Make Me a Sanctuary! Synagogues of Hungarian Communities
The exhibition introduces the sacral architecture of the Hungarian Jewry by presenting individual synagogue buildings. The authors have selected works spanning nearly a millennium in order to present the characteristics of synagogue architecture, the communities that built them and their history. After the medieval synagogues of Sopron, the baroque synagogues of Mád and the neoclassical synagogues of Óbuda, the synagogues of Pest, the jewels of romantic architecture, will also be presented. These buildings, together with the domed synagogues built at the turn of the 19th and 20th centuries (Győr, Oradea, Szeged, Subotica, Novi Sad), were important milestones in the emancipation of the Jews. The sacral buildings of the Jewish community of Kassa (Kosice), which were built to complement the Slovakian stops in the exhibition, are also shown on separate tables, and are gems of Romantic and 20th century modern architecture.
Visit only on reservation: 32 2 209 0750 / info@bmki.be
The exhibition is a joint project of the Hungarian Academy of Arts and the Hungarian Museum of Architecture and Documentation Centre for Historic Monument Protection.
Curator: dr. Ágnes Ivett Oszkó, art historian, MÉM MDK
Project Manager: Ágnes Komlóssy, Head of the International and Transnational Affairs Department of the MMA
The long-derelict 19th century synagogue in Kőszeg, western Hungary, is reopening to the public after a full-scale renovation that took place over the past two years. The synagogue, which is owned by the state, will become a cultural centre but also will be able to be used for religious services.
JHE’s Ruth Ellen Gruber is on the program of its first public event, Sunday August 28-29 — the opening of an exhibition about Philip (Fülöp) Schey (1798-1881), a Jewish philanthropist born in Kőszeg (known in German as Güns), who had grown rich as a textile merchant and later became a banker for the Hapsburgs. In 1859, Emperor Franz Joseph raised Schey to the Hungarian nobility — he was the first Jew to receive this honor and took the title Philip Schey von Koromla.
The exhibit is called “A Kőszeg Success Story: the Schey Family,” and it presents Philip Schey’s family, life and work: his economic and philanthropic activities, as well as his founding of institutions.
It begins at 3 p.m. and is organized by iAsk — the Institute of Advanced Studies in Kőszeg, which has played a role in the restoration of the building.
The opening is part of a two-day series of events, “Synagogue Week in Kőszeg,” including concerts, lectures, guided tours, and book presentations.
A series of events in November and December celebrate the 140th anniversary of the Grande Synagogue. The series kicks off November 9 with an official ceremony.
See the program below:
Opening of an exhibition of photographs by Daniella Grinberg to mark the 200th anniversary of the synagogue in the village of Kővágóörs, near the north shore of Hungary’s Lake Balaton. The exhibit runs until June 30.
Long abandoned and ruined, the synagogue is now under the care of a foundation that purchased the building and is working to restore it for use as both a synagogue and a cultural center. It already hosts cultural events there.
The Synagogue of Káli-valley Foundation (in Hungarian, Káli-medence Zsinagógája Alapítvány) officially acquired the building in October, 2020 after a year and a half of discussions, from a Canadian businessman of Hungarian origin, who had owned the synagogue since 2013.
Presenting a selection of nearly 150 pieces from various sources, this photographic exhibition recreates the history of Salonika (today Thessaloniki) Greece from the second half of the 19th century to the end of the First World War. Men and women are captured in their traditional costumes: modest artisans, porters, traders, members of the local “aristocracy;” society is revealed. Urban modernization is also shown: the quays and the White Tower, cafes, restaurants and entertainment venues; the Countryside sector where the notables established their residence; deprived areas, where emerging industries were established.
But also, in the now Greek city, the great fire of August 1917, an authentic trauma for the Jews who saw their historic neighborhoods, the municipal archives and more than thirty synagogues swept away by the flames, before the geopolitical upheavals caused by the First War worldwide.
In 2020, we were privileged to host an online exhibition of work by the Warsaw-based papercut artist Monika Krajewska. The pieces were drawn from her extraordinary cycle of papercuts called “Burning,” a commemoration of the physical destruction of the Shoah.
This fall, from October 4 to December 18, Krajewska’s Burning cycle will be exhibited at the POLIN Museum of the History of Polish Jews in Warsaw.
The exhibit consists of 31 works in which the artist refers to the objects related to synagogue cult and transfers them to the traditional Jewish paper-cutting technique, painstakingly recreating the symbolism and ornamentation of Jewish art from East-Central Europe—stylised floral decoration, symbolic representations of animals, a repertoire of traditional sacred Judaic symbols (a menorah, Torah and the Tablets of Law, the Temple) and calligraphic quotations from religious texts and prayers.
In order to introduce reflection on loss and destruction, the artist subjects her painstaking work to destruction: she tears apart sections of the works after cutting them out and burns the ends of the sheets. She uses tinted paper as a background for the cut-outs, incorporating the motif of fire, ashes and ruins. In the representations, she incorporates quotations from religious texts or classics of modern Jewish literature, in which there are references to flames and destruction, as well as to the hope of salvation.
“Burning,” an exhibition of paper cuts by Monika Krajewska, is now being shown in Radom, following an exhibit at the POLIN museum in Warsaw. We were privileged to host an online exhibition of some of her works in 2020.
The exhibit consists of 31 works in which the artist, using traditional Jewish paper-cutting technique, refers to objects related to the synagogue, painstakingly recreating the symbolism and ornamentation of Jewish art from East-Central Europe—stylised floral decoration, symbolic representations of animals, a repertoire of traditional sacred Jewish symbols (a menorah, Torah and the Tablets of Law, the Temple) and calligraphic quotations from religious texts and prayers.
In order to introduce reflection on loss and destruction, Krajewska subjects her painstaking work to destruction: she tears apart sections of the works after cutting them out and burns the ends of the sheets. She uses tinted paper as a background for the cut-outs, incorporating the motif of fire, ashes and ruins. And she incorporates quotations from religious texts or classics of modern Jewish literature, in which there are references to flames and destruction, as well as to the hope of salvation.
A photographic exhibit highlighting the Sephardic Jewish presence in Bucharest, curated by Felicia Waldman and Anca Tudorancea.
Photos depict synagogues, Jewish communal buildings, private buildings, and shops, etc, as well as personalities such as professionals, doctors, merchants, artisans, doctors, cultural figures, etc.
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