Budapest-based researcher and activist Bence Illyés and his “Magyarországi Haszid Zarándoklatokért” Foundation are organizing a two-day clean-up action at the Jewish cemetery in Tállya, eastern Hungary.
The action will be carried-out under the religious supervision of Mazsihisz, the umbrella organization of the Hungarian Neolog Jewish communities.
All those interested in participating can write to: csodakvandorai@gmail.com
A Zoom seminar about the project to restore the Jewish cemetery of Gorizia, Italy, that now lies across the border outside Nova Gorica, Slovenia. The twin cities will jointly be the European Cultural Capital in 2025, with their shared Jewish heritage playing a role. In Italian
Click here for details and to register
Read our 2017 article about the shared Jewish heritage of the towns
Read an Italian perspective about the project
A one-day international online conference called “Jewish Crossroads: Between Italy and Eastern Europe” organized by the Foundation for Jewish Cultural Heritage in Italy and the Center for Jewish Art at the Hebrew University of Jerusalem.
The close contacts between Italy and eastern Europe have evolved over the centuries and Jews have been an integral part of this relationship.
The most known examples of Italian influences on eastern European Jews are the construction of synagogues in Poland and Lithuania by Italian architects; Jewish medics from Italy practicing in noble east European courts; or the selling of Hebrew books printed in Italy.
The interaction obviously was in the opposite direction: many Polish and Lithuanian rabbis moved to Italy or transferred their texts to be published there; the Council of the Four Lands sent emissaries to Rome; and many eastern European Jewish artists spent years in Italy.
The conference is planned to concentrate on those contacts and interactions, during the Early Modern and Modern periods.
The conference will be conducted in English. The keynote lecture will be given by Prof. Ilia Rodov of Bar-Ilan University.
An exhibition presenting the construction history of the Szeged New Synagogue. The opening event is at 16:30 on August 25 (see the picture for the program).
The Hungarian Museum of Architecture and Monument Protection Documentation Center (MÉM MDK), in cooperation with the Jewish Community of Szeged and the Holocaust Memorial Center, is commemorating Lipót Baumhorn and the 120 year-old synagogue in Szeged with an exhibition.
The exhibition on the ground floor of the Páva Street Synagogue, which is part of the Holocaust Memorial Center, focuses on the New Synagogue in Szeged, built between 1900 and 1903. In addition to the construction plans and the documents on the building created at the time of its construction, the sacred textiles made for the inauguration of the synagogue, including the Torah Ark curtain (parochet) and the Torah mantel will also be on display. The Jewish Community of Szeged has had the richly embroidered silk objects restored for this occasion.
Besides these objects, rich photographic material also illustrates the oeuvre of Lipót Baumhorn, who was born 160 years ago. The exhibits will not only present the twenty-six synagogues he designed, but visitors will also be able to see examples of his secular architectural work, as interpreted by the photographer Krisztina Bélavári. The synagogue that houses the exhibition was also designed by Lipót Baumhorn, so he is being commemorated in a worthy setting.
Curator: Ágnes Ivett Oszkó, Ph.D., art historian of the Hungarian Museum of Architecture and Monument Protection Documentation Center
Director of the restoration project for the Jewish Community of Szeged: Dóra Pataricza, Ph.D., historian
Professional consultants: Vera Ábrahám, head of the Archives of the Szeged Jewish Community; Dr. Rudolf Klein, Head of Department, University of Óbuda Ybl Miklós Faculty of Architecture; Pál Ritoók, art historian, head of the Museum Department of the Hungarian Museum of Architecture and Monument Protection Documentation Center
I-Tal-Ya is a collaborative effort to identify and catalogue every Hebrew book in Italy. It is being carried out by the Union of Jewish Communities in Italy (UCEI), the Rome National Central Library (BNCR), and the National Library of Israel (NLI) in Jerusalem, with the support of the Rothschild Foundation Hanadiv Europe.
The project includes cataloguing an estimated 35,000 volumes from 14 Jewish communities and 25 state institutions and will take approximately three years to complete.
The event is held within the program of Ferrara’s annual Jewish Book Festival.
Italy marks the European Day of Jewish Culture — with events in scores of towns and cities around the country. There are also events scheduled later in the month.
The main centre this year is Padova.
An international conference to officially launch the massive website and digital database of Jewish cemeteries in Turkey, A World Beyond: Jewish Cemeteries in Turkey 1583-1990.
The database and web site are a project of the The Goldstein-Goren Diaspora Research Center of Tel Aviv University. We wrote about it when it first went online last year as a beta version — though the site still says it’s in beta, the kinks that some users experienced appear to have been worked out, and we find it easy to search and use.
Dedicated to the memory of the oriental studies scholar Bernard Lewis, who died in 2018, the database is the culmination of decades of research by Prof. Minna Rozen (and others) and comprises digital images and detailed textual content of more than 61,000 Jewish gravestones from a variety of communities in Turkey from 1583 until 1990. Rozen’s onsite documentation of the cemeteries was carried out in 1988-1990. The material was digitized in the 1990s but until the web site was uploaded, it had not been publicly accessible.
JHE’s Ruth Ellen Gruber will be one of the speakers at this day-long international conference held to mark the 60th anniversary of the discovery of the ruins of the synagogue in the ancient Roman port of Ostia Antica — a discovery made during construction of a highway to Rome’s Fiumicino airport — and the 20th anniversary of the Art in Memory Cultural Association, which every two years organizes a biennale of contemporary art in the synagogue ruins.
Some conference talks will be in English; most will be in Italian. A Green Pass (proof of COVID vaccination) is required to attend the conference.
Click here to see the conference program
Info in italiano (dal sito del Goethe Institut):
Nel 1961, nel corso dei lavori per la costruzione dell’autostrada di Fiumicino, sono stati rinvenuti i resti della antichissima Sinagoga di Ostia antica, parte dell’insediamento archeologico romano, la cui datazione è ancora controversa ma che costituisce certamente, con l’eccezione di quella di Delo, la più antica sinagoga dell’occidente mediterraneo e forse della Diaspora. L’intervento tempestivo dell’allora Soprintendente Anton Luigi Pietrogrande e di Maria Floriani Squarciapino ha determinato la deviazione della strada per Fiumicino, dunque la salvaguardia della Sinagoga, che è stata prontamente restaurata. La stessa Soprintendenza ha avuto il merito di dare immediatamente alla scoperta un rilievo internazionale.
Dalla fine degli anni Novanta, in concomitanza con una violenta ondata di antisemitismo che ha accompagnato la caduta del Muro di Berlino, alcune tra le poche Sinagoghe europee sopravvissute hanno riaperto i battenti come centri per l’arte contemporanea. La prima è stata quella Stommeln in provincia di Colonia. Su quel modello, dal 2002 la Sinagoga di Ostia antica ospita la biennale di arte contemporanea “Arte in Memoria”, curata da Adachiara Zevi, organizzata dall’Associazione Arte in Memoria, che ogni due anni invita artisti da tutto il mondo a creare un lavoro originale per il luogo.
La direzione del Parco Archeologico di Ostia Antica e l’Associazione “Arte in Memoria”, intendono ricordare i 60 anni dal ritrovamento della Sinagoga con un convegno internazionale, al quale parteciperà anche l’artista tedesco Mischa Kuball, da tenersi all’interno del Parco Archeologico.
Les stèles funéraires de l’ancien cimetière juif de Venise. Art, histoire et poésie
A lecture in French by Sofia Locatelli about the carved imagery found in the Old Jewish Cemetery in Venice, 1386-1774.
Construit en 1386 sur un terrain stérile concédé aux juifs par la République de Venise au Lido, à l’Est de la ville, l’ancien cimetière juif San Nicolò précède de plus d’un siècle la clôture du ghetto. En raison de son emplacement favorable, face à la lagune, la nécropole fut parfois utilisée à des fins défensives et militaires. De nombreuses stèles funéraires furent perdues, détruites ou réutilisées, et d’autres déplacées sur un terrain situé plus au Sud, devenu officiellement le « nouveau cimetière » en 1774. Les tombes de l’ancienne nécropole sont des artefacts riches en histoire, en poésie et en art. Leur étude permet de restituer la vie et les événements des membres de la communauté, mais également de détecter des aspects significatifs de la culture littéraire et artistique de l’époque.
Les épitaphes, véritables poèmes en rimes et en rythme, et le complexe réseau iconographique et symbolique gravé sur les stèles, font de l’ancien cimetière du Lido une source de connaissance exceptionnelle sur l’art et la poésie juives dans l’Italie de l’époque moderne.
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