Take a a virtual tour of Bialystok with Tomasz Wisniewski, an expert in Jewish history of Podlasie region, who will guide viewers through the city space and history of Bialystok, a home to Jewish community from the mid-17th century. Join in to listen to the history of Jewish community of Bialystok: its role in the rapid development of the town in the 19th century, social and cultural life in early 20th century, and the fate of Jews during Soviet and Nazi occupation.
The tour is part of the regular “Zoom in” program of the Forum for Dialogue NGO.
Wisniewski has been working for more than 30 years to preserve the memory of the Jewish communities of Poland’s eastern borderland. He created the web site jewishbialystok.pl as an online museum of Jewish history in the region and he received the POLIN museum award in 2018.
He has written several books, including a guidebook to Jewish Bialystok and surroundings, and on his YouTube channel you can find more than 2,000 films presenting Jewish history of the region. He has documented Jewish cemeteries and runs the site bagnowka.pl, which collects data on almost 40,000 tombstones, mainly Jewish ones, and also presents other heritage information.
More than 1,000 fragments of Jewish headstones that the Communist authorities removed in the 1960s from the Jewish cemetery on Zagorska Street and used to build a railway station platform will be exhibited to the public.
Excavations have been going on for six months to recover them, and they will eventually used to create a memorial.
At 5 pm, at the Muzeum Cafe Jerozolima, there will be a presentation about the history of the cemetery.
The exhibition focuses on the archaeological findings that demonstrate a Jewish presence in what is now Turkey that goes back more than 2,500 years.
The exhibit includes photos, diagrams, information panels, a 3D reconstruction, and a video that document archaeological finds including inscriptions, gravestones, and the remains of ancient synagogues.
Opening of the exhibition Hideouts. The Architecture of Survival — showcasing the work of the architect, artist, and researcher Natalia Romik about the places where Jews hid during the Holocaust.
The exhibition will run until July 17, Tuesday-Sunday, 12-8 pm.
“Case di vita. Sinagoghe e cimiteri in Italia” — “Houses of Life: Synagogues and cemeteries in Italy”
The exhibit, curated by Andrea Morpurgo and the MEIS director Amadeo Spagnoletto, focuses on the architectural, ritual, and social dimensions of the synagogues and Jewish cemeteries in Italy.
It displays architectural plans, documents from state archives and Jewish communities, family heirlooms, and prestigious loans such as the Ark of the Jewish Community of Vercelli.
An exhibition marking the 80th anniversary of the torching of the Sinagoga Tedesca by local fascist squads. The synagogue now houses the Jewish Museum in Padova.
The exhibit will feature historic photographs and archival documents, and there will be explanatory talks at the opening.
The even is free, but please reserve here – museo@padovaebraica.it or Tel. 049661267 – Whatsapp 3756347243
Archive documents, drafts and testimonies restore personal and professional dignity to nine stories interrupted by racial laws.
On 14 July 1938, the Race Manifesto was published in Il Giornale d’Italia, signed by ten scientists and professors, which was to become the ideological basis of the regime’s racist policy. This document was followed by the Racial Laws, aimed at increasingly stripping non-members of the ‘Italian race’ of their rights. In this escalation of the curtailment of freedoms and subtraction of civil rights, other laws were promulgated on 29 June 1939 regulating ‘the exercise of professions by citizens of the Jewish race’.
The exhibit features these architects:
Daniele Calabi, Angelo Di Castro, Romeo Di Castro, Enrico De Angeli, Vito Latis, Gino Levi Montalcini, Alessandro Rimini, Ernesto Nathan Rogers, Nina Livia Viterbo
The exhibition is conceived as part of the project ‘Architecture and Remembrance. The discrimination of architects in nazi-fascist regimes”.
A Zoom webinar in English introducing the current temporary exhibition at MEIS — the National Museum of Italian Judaism and the Shoah in Ferrara— Houses of Life; Synagogues and Jewish Cemeteries in Italy.
The exhibition mainly features plans and architectural drawings of synagogues, as well as gravestones, tombs, and other architecture features, through the ages.
A historic ark and other Judaica are also featured.
Speakers in the webinar include the two curators of the exhibition, Andrea Morpurgo and MEIS director Amadeo Spagnoletto, as well as Dr. Jessica Del Russo.
Click here to receive the Zoom link
In 2020, we were privileged to host an online exhibition of work by the Warsaw-based papercut artist Monika Krajewska. The pieces were drawn from her extraordinary cycle of papercuts called “Burning,” a commemoration of the physical destruction of the Shoah.
This fall, from October 4 to December 18, Krajewska’s Burning cycle will be exhibited at the POLIN Museum of the History of Polish Jews in Warsaw.
The exhibit consists of 31 works in which the artist refers to the objects related to synagogue cult and transfers them to the traditional Jewish paper-cutting technique, painstakingly recreating the symbolism and ornamentation of Jewish art from East-Central Europe—stylised floral decoration, symbolic representations of animals, a repertoire of traditional sacred Judaic symbols (a menorah, Torah and the Tablets of Law, the Temple) and calligraphic quotations from religious texts and prayers.
In order to introduce reflection on loss and destruction, the artist subjects her painstaking work to destruction: she tears apart sections of the works after cutting them out and burns the ends of the sheets. She uses tinted paper as a background for the cut-outs, incorporating the motif of fire, ashes and ruins. In the representations, she incorporates quotations from religious texts or classics of modern Jewish literature, in which there are references to flames and destruction, as well as to the hope of salvation.
The history of the Jewish ghetto of Florence, which existed in the city between the sixteenth and nineteenth centuries, is an exhibition organized by the Uffizi Galleries and arranged in the Gallery of Modern Art of Pitti Palace. Curated by Piergabriele Mancuso, Alice S. Legé and Sefy Hendler (The Medici Archive Project), the exhibition can be visited until January 28, 2024.
The ghetto of Florence was established in 1570 by Cosimo I and Carlo Pitti, and was demolished between 1892 and 1895. For almost three centuries the ghetto was the gravity point of Hebraism in Florence.
Subdivided into five sections,the exhibition draws from the extraordinary cultural heritage of Florence as well as from important international loans. It reveals a significant and forgotten chapter of the Medici’s political strategy in a centuries-old context of conflicts, diplomacy and cultural exchanges.
The exhibition starts with the Florence of Cosimo the Elder and Lorenzo the Magnificent; illuminated manuscripts commissioned by Jewish and Medici patrons, which was the result of the interaction between Jewish scribes and Christian artists of the early Tuscan Renaissance; loans from the Jewish Theological Seminary of New York and many Italian libraries. Republican and Medicean imagery intertwine in the depiction of paradigmatic biblical figures, “Jewish heroes” such as Donatello’s bronze David (on loan from the Berlin Museums), or Joseph from the series of tapestries woven in Flanders for Cosimo I. The exhibition places mythical figures alongside real ones, revealing little-known pieces of the history of Florentine Judaism, such as the activity of the explorer Moisè Vita Cafsuto or that of the Jewish painter Jona Ostiglio, whose pantings were all commissioned by the Medici court, together with the self-portrait of Isaia or David Tedesco, a little-known author who was probably a pupil of Ostiglio in the first ever art workshop inside an Italian ghetto.
A place of segregation, but also the fulcrum of an important human, cultural and spiritual microcosm, the ghetto of Florence is also reconstructed through a three-dimensional model, the result of a decade of research conducted by the Eugene Grant Jewish History Program of The Medici Archive Project.
Caring about the multiplicity of audiences and the need to break down prejudices and stereotypes, the exhibition investigates the way in which the history of the Grand Duchy is intertwined with that of the Jewish minority, finally shedding light on the events of an important and so far little known chapter of the Renaissance Florence.
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