A major exhibit at the Bologna Jewish Museum will focus on the city’s “lost” medieval Jewish cemetery: it was destroyed in 1569 by order of Pope Pius V and was rediscovered during excavations in 2012-2014.
the exhibit features material found in the graves — including gold, silver, and bronze jewelry incorporating gemstones and amber, as well as other precious artifacts, using them to tell the story of medieval Jewish life in the city.
It was curated and organized by the Bologna Jewish Museum and the Superintendency of Archaeology, Fine Arts and Landscape for Bologna and the provinces of Modena, Reggio Emilia and Ferrara, in collaboration with the Jewish Community of Bologna.
A never before seen showcase of the heritage of Willesden Jewish Cemetery, London’s preeminent Victorian Jewish Cemetery, established in 1873.
The House of Life Exhibition previews new displays of the cemetery’s rich history, ahead of its opening to the wider public in 2020.
The exhibition introduces visitors to the lives of selected individuals buried there, describes the Jewish approach to death and mourning, and gives a glimpse of the the cemetery buildings and landscape.
The displays further invite us all to reflect on the people we have lost and how we like to remember them.
The exhibition is presented by the United Synagogue in partnership with Brent Museum and Archives.
Researched by volunteers and designed by Philip Simpson Design, the exhibition is part of the House of Life heritage project of the United Synagogue, which is supported by the National Lottery Heritage Fund.
A one-day Conference to Launch POLIN: Studies in Polish-Jewry
Vol. 32: ‘Jewish Musicians and Jewish Music-Making in Polish Lands’
Organized by the Institute for Polish-Jewish Studies, and the Institute of Jewish Studies, UCL.
Co-organized and supported by the Embassy of the Republic of Poland, and the Polish Cultural Institute, London, with the support of Ślipaczek Chartered Financial Planners
The astounding variety of music of all genres and styles produced by musicians of Jewish heritage in Europe since 1750 has been examined almost entirely in the context of German-speaking Europe or in studies of a group of composers who strongly self-identified as Jews.
In five thematic sections, this multi-disciplinary volume presents rich coverage of the main genres produced by musicians of Jewish origin in the Polish lands: Cantorial and Religious Music, Jews in Polish Popular Culture, Jews in the Polish classical music scene, The Holocaust reflected in Jewish music, and Klezmer in Poland today. This volume explores the activities and great creativity of musicians of the ‘Mosaic persuasion’, covering the area of the Polish-Lithunanian Commonwealth and its successor states from 1750 to the present.
The conference will look at Cantorial Music, Jews and Polish popular culture, and Klezmer in Poland today. And there will be music!
‘POLIN Vol. 32’ is published by the Littman Library of Jewish Civilisation/Liverpool University Press.
Volume Editors: François Guesnet, Benjamin Matis, and Antony Polonsky.