Jewish Heritage Europe

Calendar

Mar
1
Fri
Hideouts. The Architecture of Survival @ Jewish Museum Frankfufrt
Mar 1 – Sep 1 all-day
Hideouts. The Architecture of Survival @ Jewish Museum Frankfufrt | Frankfurt am Main | Hessen | Germany

A multimedia exhibition by the artist, architect and historian Natalia Romik dedicated to the creativity of Polish Jews seeking to survive the Shoah in hiding.

In Poland and Ukraine during World War II, approximately 50,000 people survived persecution by the German occupying forces in hiding. The majority of them were Jewish. They found refuge in tree hollows, closets, basements, sewers, empty graves, and other precarious locations. Natalia Romik’s exhibition “Hideouts. The Architecture of Survival” pays tribute to these fragile places of refuge and explores their physicality. The show poses basic questions about the relationship between architecture, private life, and the public sphere: it addresses the protective function of spaces and emphasizes the creativity those in hiding brought to bear in their attempt to survive.

In a research project extending over several years, Natalia Romik and an interdisciplinary team of researchers consulted oral histories to identify several hiding places, which they explored using forensic methods. The multimedia exhibition “Hideouts. The Architecture of Survival” presents the results of this research. It consists of sculptures bearing a direct connection to the sites and includes documentary films, forensic recordings, photos, documents, and objects found in the hiding places.

“Hideouts: The Architecture of Survival” is presented in cooperation with the Zachęta National Gallery of Art in Warsaw and the TRAFO Center for Contemporary Art in Szczecin. On the occasion of the show at the Jewish Museum Frankfurt, a catalogue will be published in German and English editions by Hatje Cantz Verlag.

The exhibition was curated by Kuba Szreder and Stanisław Ruksza with the help of Aleksandra Janus (scientific collaboration). For the presentation in Frankfurt, Katja Janitschek, curator of the Judengasse Museum, was responsible for the curatorial project management. We would like to thank the Evonik Foundation for their generous support.

 

Mar
29
Fri
Jews in 20th Century Italy @ National Museum of Italian Judaism and the Shoah
Mar 29 – Oct 6 all-day

The  exhibit showcases Italian Jewish experience in the 20th century, beginning with the destruction of the ghettos at the end of the 19th century, through the Shoah, and up until almost the present day.

It includes contemporary artworks; photographs from public and private archives; historical documents, and family objects. 

Tempio Maggiore, Great Synagogue, Rome,
Tempio Maggiore, Great Synagogue, Rome, built in 1904 after the opening of the Ghetto

 

Jun
21
Fri
Ukrainian Shtetls exhibit, Photographs by Eugeny Kotlyar @ Fordham University
Jun 21 – Aug 30 all-day
Ukrainian Shtetls exhibit, Photographs by Eugeny Kotlyar @ Fordham University | New York | United States

The Ukrainian Shtetl: Homecoming to Places of Strength—Photographic Travels by Eugeny Kotlyar

The memory of the traditional world of Jewish small towns in Eastern Europe has been slowly disappearing since the beginning of the last century. “The shtetl,” a small town, is both a real and imagined place in Jewish history and memory. The world of “the shtetl” lasted for more than five centuries. It belonged to many Eastern European countries as the region’s political boundaries shifted from the Polish-Lithuanian Commonwealth to the Russian Empire and its Pale of Jewish Settlement. This world experienced the hardest shocks of wars, pogroms, evictions of Jews, and socio-political and economic upheavals, and always tried to adapt to the new life. But its life was cut short first by World War I and the October Revolution, and then, ultimately, by the Holocaust.

In this exhibit, Eugeny Kotlyar explores the meaning of the sites formerly thriving with Jewish life. He seeks to capture the feeling of the still-vanishing world of the shtetl through the stylization of photographs in black-and-white and poetic montages that mix history, memory, nostalgia, and a reality now unfolding.

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