A major exhibit at the Bologna Jewish Museum will focus on the city’s “lost” medieval Jewish cemetery: it was destroyed in 1569 by order of Pope Pius V and was rediscovered during excavations in 2012-2014.
the exhibit features material found in the graves — including gold, silver, and bronze jewelry incorporating gemstones and amber, as well as other precious artifacts, using them to tell the story of medieval Jewish life in the city.
It was curated and organized by the Bologna Jewish Museum and the Superintendency of Archaeology, Fine Arts and Landscape for Bologna and the provinces of Modena, Reggio Emilia and Ferrara, in collaboration with the Jewish Community of Bologna.
A never before seen showcase of the heritage of Willesden Jewish Cemetery, London’s preeminent Victorian Jewish Cemetery, established in 1873.
The House of Life Exhibition previews new displays of the cemetery’s rich history, ahead of its opening to the wider public in 2020.
The exhibition introduces visitors to the lives of selected individuals buried there, describes the Jewish approach to death and mourning, and gives a glimpse of the the cemetery buildings and landscape.
The displays further invite us all to reflect on the people we have lost and how we like to remember them.
The exhibition is presented by the United Synagogue in partnership with Brent Museum and Archives.
Researched by volunteers and designed by Philip Simpson Design, the exhibition is part of the House of Life heritage project of the United Synagogue, which is supported by the National Lottery Heritage Fund.
A specially curated programme of music spanning many genres. Numbers familiar from stage and screen will surprise you with their connections to Willesden. Event for adults.
Admission £8, Concessions (job-seekers, students, over 65): £4
Booking – www.theus.org.uk/exhibition
This lecture by Cantor Eliot Alderman will consider some of the main musical developments since then, beginning with the Sephardi and Ashkenazi synagogues which stood practically side-by-side in the City of London for 250 years. He will examine the birth of the Anglo-Jewish choral tradition, the split with the Reform movement and its musical consequences, and the new music brought more recently by immigrants from Eastern Europe and Arab lands.
No reservations are required for this lecture. It will be run on a ‘first come, first served’ basis.
Doors will open 30 minutes before the start of the lecture